|
gptkbp:instanceOf
|
gptkb:film
|
|
gptkbp:characteristic
|
realism
social commentary
long takes
non-professional actors
focus on Taiwanese identity
|
|
gptkbp:countryOfOrigin
|
gptkb:Taiwan
|
|
gptkbp:followedBy
|
gptkb:Second_New_Wave
|
|
gptkbp:influencedBy
|
gptkb:French_New_Wave
gptkb:Italian_Neorealism
|
|
gptkbp:language
|
gptkb:Hakka
gptkb:Mandarin
gptkb:Taiwanese_Hokkien
|
|
gptkbp:notableContributor
|
gptkb:Wu_Nien-jen
|
|
gptkbp:notableDirector
|
gptkb:Wu_Nien-jen
gptkb:Tsai_Ming-liang
gptkb:Wan_Jen
gptkb:Hou_Hsiao-hsien
gptkb:Edward_Yang
gptkb:Chen_Kunhou
Ko I-chen
|
|
gptkbp:notableEditor
|
gptkb:Liao_Ching-sung
|
|
gptkbp:notableFestival
|
gptkb:Cannes_Film_Festival
gptkb:Venice_Film_Festival
|
|
gptkbp:notableFilm
|
gptkb:Dust_in_the_Wind
gptkb:A_City_of_Sadness
gptkb:Goodbye,_Dragon_Inn
gptkb:Vive_L'Amour
gptkb:That_Day,_on_the_Beach
gptkb:A_Brighter_Summer_Day
gptkb:The_Terrorizers
gptkb:Yi_Yi
gptkb:Rebels_of_the_Neon_God
gptkb:The_Sandwich_Man
gptkb:Taipei_Story
|
|
gptkbp:notablePerson
|
gptkb:Christopher_Doyle
gptkb:Mark_Lee_Ping-bing
|
|
gptkbp:notableProduction
|
gptkb:Hsu_Li-kong
|
|
gptkbp:notableWinner
|
Golden Lion (A City of Sadness)
|
|
gptkbp:relatedTo
|
gptkb:Japanese_New_Wave
gptkb:Hong_Kong_New_Wave
|
|
gptkbp:startDate
|
early 1980s
|
|
gptkbp:theme
|
gptkb:urban_development
family relationships
political history
generational conflict
modernization
|
|
gptkbp:bfsParent
|
gptkb:Wan_Jen
gptkb:Hou_Hsiao-hsien
gptkb:Edward_Yang
gptkb:A_Summer_at_Grandpa's
|
|
gptkbp:bfsLayer
|
7
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Taiwanese New Wave
|