Properties (42)
| Predicate | Object |
|---|---|
| gptkbp:instanceOf |
film movement
|
| gptkbp:associatedWith |
Cultural_Taiwan
|
| gptkbp:characteristics |
realism
social commentary long takes non-linear_narratives |
| https://www.w3.org/2000/01/rdf-schema#label |
Taiwanese New Wave
|
| gptkbp:impact |
gptkb:Taiwanese_cinema
gptkb:Asian_cinema |
| gptkbp:influencedBy |
gptkb:Japanese_cinema
gptkb:French_New_Wave |
| gptkbp:notableEvent |
gptkb:Hou_Hsiao-hsien
Edward_Yang |
| gptkbp:notableFilm |
gptkb:The_Road_to_Mandalay
gptkb:The_Last_Train_Home gptkb:The_Taste_of_Tea gptkb:A_City_of_Sadness The Assassin The Way We Are The Last Wish The Wedding Banquet The Wayward Cloud The Silent Sea Dust in the Wind Three Times The Great Buddha+ The Tag-Along Goodbye South, Goodbye The Puppetmaster The Night Market A Brighter Summer Day Millennium Mambo The Bold, the Corrupt, and the Beautiful The Flowers of Shanghai Your Name Engraved Herein The_River The_Village_of_No_Return I_WeirDO The_Girl_in_the_River The_House_of_the_Flying_Daggers |
| gptkbp:origin |
gptkb:Taiwan
|
| gptkbp:timePeriod |
1980s to 1990s
|