gptkbp:instanceOf
|
Film cinematographer
|
gptkbp:activeYears
|
1970s–present
|
gptkbp:associatedAct
|
gptkb:Maggie_Cheung
gptkb:Tony_Leung_Chiu-wai
|
gptkbp:awards
|
Best_Cinematography_at_the_Hong_Kong_Film_Awards
|
gptkbp:birthDate
|
July 2, 1949
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gptkbp:birthPlace
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Taipei,_Taiwan
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gptkbp:collaboratedWith
|
gptkb:Wong_Kar-wai
|
gptkbp:education
|
gptkb:University_of_Sydney
|
gptkbp:filmography
|
1987
The Last Emperor
|
https://www.w3.org/2000/01/rdf-schema#label
|
Christopher Doyle
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gptkbp:influencedBy
|
gptkb:Andrei_Tarkovsky
gptkb:Jean-Luc_Godard
gptkb:Satyajit_Ray
gptkb:Yasujirō_Ozu
gptkb:Akira_Kurosawa
|
gptkbp:influences
|
gptkb:Japanese_cinema
gptkb:French_New_Wave
gptkb:Chinese_cinema
|
gptkbp:knownFor
|
gptkb:Chungking_Express
In the Mood for Love
|
gptkbp:nationality
|
Australian
|
gptkbp:notableEvent
|
gptkb:Wong_Kar-wai
gptkb:Zhang_Yimou
gptkb:Derek_Yee
Fruit Chan
|
gptkbp:notableFilm
|
gptkb:Hong_Kong_International_Film_Festival
gptkb:Berlin_International_Film_Festival
gptkb:Cannes_Film_Festival
gptkb:Venice_Film_Festival
|
gptkbp:notableWork
|
gptkb:The_Handmaiden
gptkb:The_Lovers_on_the_Bridge
Hero
The Grandmaster
|
gptkbp:occupation
|
Cinematographer
Director
Producer
|
gptkbp:relatedPatent
|
gptkb:Wong_Kar-wai
gptkb:Zhang_Yimou
gptkb:Derek_Yee
Fruit Chan
|
gptkbp:residence
|
gptkb:Hong_Kong
|
gptkbp:style
|
Visual storytelling
Use of natural light
Dynamic camera movement
Color saturation
|
gptkbp:website
|
http://www.christopherdoyle.com
|