Statements (67)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:film
|
| gptkbp:associated_with |
directors
|
| gptkbp:characterized_by |
social commentary
experimental storytelling political themes |
| gptkbp:cultural_impact |
challenged traditional narratives
explored taboo subjects expanded cinematic language |
| gptkbp:decline |
gptkb:1980s
|
| gptkbp:director |
gptkb:Kiju_Yoshida
gptkb:Masahiro_Shinoda gptkb:Nagisa_Oshima gptkb:Toshio_Matsumoto |
| gptkbp:film_technique |
gptkb:nihilism
realism cynicism surrealism avant-garde use of symbolism cultural symbolism minimalism non-linear narratives social realism dark humor intertextuality cultural commentary poetic imagery psychological depth gender issues character-driven stories existential themes exploration of identity moral complexity cultural critique psychological realism mythological references visual metaphors cultural identity themes philosophical inquiries subversion of genre conventions narrative fragmentation political allegory documentary elements experimental sound design sexual liberation themes youth culture themes visual experimentation character ambiguity historical context exploration family dynamics exploration social class critique urban life exploration |
| https://www.w3.org/2000/01/rdf-schema#label |
Japanese New Wave
|
| gptkbp:influenced_by |
gptkb:Italian_Neorealism
gptkb:French_New_Wave |
| gptkbp:legacy |
influence on independent filmmakers
influence on contemporary cinema |
| gptkbp:notable_film |
gptkb:Funeral_Parade_of_Roses
gptkb:The_Ballad_of_Narayama gptkb:In_the_Realm_of_the_Senses gptkb:The_Man_Who_Left_His_Will_on_Film The Ceremony |
| gptkbp:originated_in |
gptkb:Japan
|
| gptkbp:time_period |
1960s to 1970s
|
| gptkbp:bfsParent |
gptkb:The_Emperor's_Naked_Army_Marches_On
gptkb:The_Anarchist_(film) |
| gptkbp:bfsLayer |
4
|