|
gptkbp:instanceOf
|
gptkb:film
|
|
gptkbp:characteristic
|
social realism
use of non-professional actors
natural lighting
focus on working class
on-location shooting
|
|
gptkbp:countryOfOrigin
|
gptkb:Italy
|
|
gptkbp:declinedAfter
|
economic recovery in Italy
rise of commercial cinema
|
|
gptkbp:endDate
|
1952
|
|
gptkbp:genre
|
drama
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Italian Neorealism
|
|
gptkbp:influenced
|
gptkb:French_New_Wave
gptkb:British_New_Wave
gptkb:Cinema_Novo
gptkb:Indian_Parallel_Cinema
|
|
gptkbp:influencedBy
|
gptkb:World_War_II
|
|
gptkbp:language
|
gptkb:Italian
|
|
gptkbp:mediaType
|
gptkb:film
|
|
gptkbp:notableContributor
|
gptkb:Suso_Cecchi_d'Amico
gptkb:Cesare_Zavattini
|
|
gptkbp:notableDirector
|
gptkb:Giuseppe_De_Santis
gptkb:Roberto_Rossellini
gptkb:Vittorio_De_Sica
gptkb:Luchino_Visconti
|
|
gptkbp:notableFigure
|
gptkb:Suso_Cecchi_d'Amico
gptkb:Aldo_Fabrizi
gptkb:Cesare_Zavattini
gptkb:Anna_Magnani
|
|
gptkbp:notablePerson
|
gptkb:Aldo_Graziati
gptkb:Otello_Martelli
Carlo Montuori
|
|
gptkbp:notableWork
|
gptkb:La_Terra_Trema
gptkb:Rome,_Open_City
gptkb:Umberto_D.
gptkb:Bicycle_Thieves
|
|
gptkbp:relatedTo
|
gptkb:German_Expressionism
gptkb:Social_Realism
gptkb:French_Poetic_Realism
|
|
gptkbp:significantEvent
|
Venice Film Festival recognition
release of Bicycle Thieves (1948)
release of Rome, Open City (1945)
|
|
gptkbp:startDate
|
1943
|
|
gptkbp:theme
|
poverty
social injustice
unemployment
post-war society
|
|
gptkbp:bfsParent
|
gptkb:French_New_Wave
gptkb:French_cinema
|
|
gptkbp:bfsLayer
|
5
|