gptkbp:instance_of
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gptkb:film
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gptkbp:art_style
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urban landscapes
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gptkbp:aspect_ratio
|
1.33:1
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gptkbp:box_office
|
gptkb:N/_A
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gptkbp:character
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gptkb:Mr._Lee
the girl
the sidekick
the antagonist
the gang
the lover
the observer
the father
the friend
the mother
the stranger
the hero
the mentor
the outsider
the love interest
the confidant
the rival
the anti-hero
the dreamer
the rebel
the seeker
the victim
the wanderer
the witness
the mentor figure
the drifter
the bystander
the lost soul
the local
Ah-Tze
the rival gang member
Ah-Chiang
Ah-Jung
Ah-Lun
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gptkbp:character_development
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non-linear
|
gptkbp:cinematography
|
gptkb:Mark_Lee_Ping-bin
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gptkbp:color
|
gptkb:Color
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gptkbp:country
|
gptkb:Taiwan
|
gptkbp:critical_reception
|
cult classic
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gptkbp:cultural_impact
|
influenced filmmakers
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gptkbp:cultural_significance
|
gptkb:Taiwanese_identity
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gptkbp:director
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gptkb:Tsai_Ming-liang
|
gptkbp:distributor
|
gptkb:Central_Motion_Picture_Corporation
|
gptkbp:editing
|
long takes
|
gptkbp:film_editing
|
Lee Ching-ping
|
gptkbp:film_festival
|
gptkb:Cannes_Film_Festival
|
gptkbp:film_score
|
gptkb:Lim_Giong
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gptkbp:followed_by
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gptkb:The_River
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gptkbp:genre
|
gptkb:drama
|
https://www.w3.org/2000/01/rdf-schema#label
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Rebels of the Neon God
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gptkbp:influenced_by
|
gptkb:Andrei_Tarkovsky
gptkb:Jean-Luc_Godard
gptkb:Yasujiro_Ozu
|
gptkbp:influences
|
New Taiwanese Cinema
|
gptkbp:inspiration
|
Taiwanese youth culture
|
gptkbp:language
|
gptkb:Mandarin
|
gptkbp:main_character
|
Hsiao-Kang
|
gptkbp:music
|
gptkb:Lim_Giong
|
gptkbp:narrative_style
|
minimalist
|
gptkbp:notable_awards
|
Best Director at the 1992 Cannes Film Festival
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gptkbp:production_company
|
gptkb:Central_Motion_Picture_Corporation
|
gptkbp:release_date
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May 1992
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gptkbp:release_year
|
gptkb:1992
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gptkbp:runtime
|
95 minutes
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gptkbp:screenings
|
gptkb:Taipei
|
gptkbp:screenplay
|
gptkb:Tsai_Ming-liang
|
gptkbp:setting
|
gptkb:Taipei
|
gptkbp:symbolism
|
neon lights
|
gptkbp:theme
|
alienation
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gptkbp:bfsParent
|
gptkb:Lee_Kang-sheng
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gptkbp:bfsLayer
|
7
|