|
gptkbp:instance_of
|
gptkb:film
|
|
gptkbp:art_style
|
poetic
|
|
gptkbp:award
|
gptkb:Golden_Lion
|
|
gptkbp:box_office
|
$1.5 million
|
|
gptkbp:character
|
gptkb:government_officials
gptkb:prison
gptkb:Lin_Ching-ching
gptkb:Lin_Pao-cheng
gptkb:Journalist
Hu's family
|
|
gptkbp:character_development
|
gptkb:complex
|
|
gptkbp:cinematography
|
gptkb:Mark_Lee_Ping-bin
|
|
gptkbp:country
|
gptkb:Taiwan
|
|
gptkbp:critical_reception
|
acclaimed
|
|
gptkbp:cultural_impact
|
gptkb:Taiwanese_identity
|
|
gptkbp:cultural_references
|
gptkb:cultural_heritage
Chinese culture
social issues
artistic expression
political issues
family dynamics
identity crisis
Taiwanese history
memory and trauma
film as a medium
|
|
gptkbp:cultural_significance
|
first Taiwanese film to win a major international award
|
|
gptkbp:director
|
gptkb:Hou_Hsiao-hsien
|
|
gptkbp:editing
|
gptkb:Kwan_Pun-leung
|
|
gptkbp:film_festival
|
gptkb:Cannes_Film_Festival
|
|
gptkbp:film_technique
|
natural lighting
long takes
deep focus
|
|
gptkbp:genre
|
gptkb:drama
|
|
gptkbp:historical_context
|
gptkb:White_Terror_in_Taiwan
|
|
gptkbp:historical_event
|
gptkb:Taiwanese_independence_movement
martial law
Taiwan's post-war history
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
A City of Sadness
|
|
gptkbp:influence
|
Taiwanese cinema
|
|
gptkbp:language
|
gptkb:Mandarin
|
|
gptkbp:language_spoken
|
minimalist
|
|
gptkbp:legacy
|
influential in Asian cinema
|
|
gptkbp:main_character
|
gptkb:Hu_Tai-chung
|
|
gptkbp:music
|
gptkb:Lim_Giong
|
|
gptkbp:narrative_style
|
non-linear
|
|
gptkbp:plot
|
family saga
|
|
gptkbp:premiere
|
gptkb:Venice_Film_Festival
|
|
gptkbp:release_year
|
gptkb:1989
|
|
gptkbp:runtime
|
138 minutes
|
|
gptkbp:screenplay
|
gptkb:Chu_T'ien-wen
|
|
gptkbp:setting
|
gptkb:Taiwan
|
|
gptkbp:symbolism
|
gptkb:Color
|
|
gptkbp:theme
|
political oppression
|
|
gptkbp:bfsParent
|
gptkb:Taiwan_Film_Studio
gptkb:Mark_Lee_Ping-bin
gptkb:Mark_Lee_Ping_Bin
gptkb:Hou_Hsiao-hsien
gptkb:Golden_Horse_Film_Festival
|
|
gptkbp:bfsLayer
|
6
|