|
gptkbp:instanceOf
|
gptkb:film
|
|
gptkbp:characteristic
|
use of non-professional actors
intellectual montage
juxtaposition of images
emphasis on editing
rapid cutting
|
|
gptkbp:countryOfOrigin
|
gptkb:Soviet_Union
|
|
gptkbp:declinedAfter
|
1930s
government censorship
rise of Socialist Realism
|
|
gptkbp:discipline
|
film studies
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Soviet montage movement
|
|
gptkbp:influenced
|
gptkb:French_New_Wave
gptkb:Italian_Neorealism
global film editing techniques
|
|
gptkbp:influencedBy
|
gptkb:Russian_Revolution
Marxist theory
|
|
gptkbp:language
|
gptkb:Russian
|
|
gptkbp:legacy
|
influenced modern editing
inspired experimental cinema
studied in film schools
|
|
gptkbp:notableFestival
|
gptkb:Moscow_International_Film_Festival
|
|
gptkbp:notableFor
|
gptkb:Sergei_Eisenstein
gptkb:Dziga_Vertov
gptkb:Esfir_Shub
gptkb:Goskino
gptkb:Mosfilm
gptkb:Vsevolod_Pudovkin
gptkb:Lev_Kuleshov
|
|
gptkbp:notableWork
|
gptkb:Mother
gptkb:October:_Ten_Days_That_Shook_the_World
gptkb:Man_with_a_Movie_Camera
gptkb:Battleship_Potemkin
|
|
gptkbp:period
|
1920s
|
|
gptkbp:purpose
|
social commentary
political propaganda
artistic experimentation
|
|
gptkbp:relatedConcept
|
gptkb:Kuleshov_Effect
constructivism
dialectical montage
|
|
gptkbp:theorizedBy
|
gptkb:Sergei_Eisenstein
gptkb:Dziga_Vertov
gptkb:Vsevolod_Pudovkin
gptkb:Lev_Kuleshov
|
|
gptkbp:bfsParent
|
gptkb:Kino-Eye
|
|
gptkbp:bfsLayer
|
7
|