Properties (48)
| Predicate | Object |
|---|---|
| gptkbp:instanceOf |
Film theory
|
| gptkbp:aimsTo |
character development
|
| gptkbp:appliesTo |
advertising
|
| gptkbp:createdBy |
emotional responses
|
| gptkbp:description |
the phenomenon where viewers derive more meaning from the interaction of two sequential shots than from a single shot in isolation.
|
| https://www.w3.org/2000/01/rdf-schema#label |
Kuleshov Effect
|
| gptkbp:influence |
audience emotions
|
| gptkbp:influenced |
filmmakers_like_Alfred_Hitchcock
|
| gptkbp:involves |
editing
|
| gptkbp:is_a_highlight_of |
audience interpretation
|
| gptkbp:is_a_key_component_of |
film narrative structure
|
| gptkbp:is_a_subject_of |
cognitive psychology
film studies narrative cinema studied extensively the relationship between image and meaning applied in various media studies the development of editing techniques the role of editing in storytelling. |
| gptkbp:is_a_symbol_of |
modern cinema
|
| gptkbp:is_a_way_to |
editing shapes meaning
|
| gptkbp:is_available_in |
various film genres
|
| gptkbp:is_characterized_by |
film perception
the subjectivity of film viewing |
| gptkbp:is_essential_for |
viewer engagement
|
| gptkbp:is_featured_in |
the importance of context
the_Kuleshov_experiment |
| gptkbp:is_studied_in |
Kuleshov's_experiments_in_the_1910s
|
| gptkbp:is_used_in |
film editing
theories of perception film theory literature discussions of cinematic language |
| gptkbp:legal_principle |
various art forms
visual storytelling storytelling in visual media |
| gptkbp:presentedBy |
context affects perception
|
| gptkbp:previousName |
gptkb:Lev_Kuleshov
|
| gptkbp:related_to |
the concept of juxtaposition
Montage_theory |
| gptkbp:relatedApplication |
documentary filmmaking
|
| gptkbp:technique |
suspense
different interpretations editors audience perception dramatic tension manipulate audience reactions the viewer's imagination |
| gptkbp:was_a_result_of |
the power of editing
|