Statements (22)
| Predicate | Object |
|---|---|
| gptkbp:instanceOf |
gptkb:film
|
| gptkbp:alsoKnownAs |
gptkb:Kino-Glaz
|
| gptkbp:cinematography |
gptkb:Mikhail_Kaufman
|
| gptkbp:countryOfOrigin |
gptkb:Soviet_Union
|
| gptkbp:director |
gptkb:Dziga_Vertov
|
| gptkbp:genre |
documentary
|
| gptkbp:hasTheme |
social realism
cinematic truth |
| https://www.w3.org/2000/01/rdf-schema#label |
Kino-Eye
|
| gptkbp:influenced |
gptkb:Man_with_a_Movie_Camera
|
| gptkbp:influencedBy |
constructivism
|
| gptkbp:language |
gptkb:Russian
|
| gptkbp:notableFor |
avant-garde style
theory of Kino-Eye use of montage |
| gptkbp:partOf |
gptkb:Soviet_montage_movement
|
| gptkbp:productionCompany |
gptkb:Goskino
|
| gptkbp:releaseYear |
1924
|
| gptkbp:runtime |
78 minutes
|
| gptkbp:subject |
everyday life in the Soviet Union
|
| gptkbp:bfsParent |
gptkb:Dziga_Vertov
|
| gptkbp:bfsLayer |
6
|