gptkbp:instance_of
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gptkb:Concerto_for_Orchestra
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gptkbp:arrangements
|
for string orchestra
for piano
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gptkbp:characteristic
|
ornamentation
counterpoint
dialogue between soloists
ritornello form
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gptkbp:composer
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gptkb:Johann_Sebastian_Bach
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gptkbp:cultural_significance
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important work in Baroque repertoire
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gptkbp:dedicated_to
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gptkb:Prince_Leopold_of_Anhalt-Köthen
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gptkbp:duration
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approximately 20 minutes
|
gptkbp:featured_in
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Bach festivals
Baroque music concerts
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gptkbp:historical_context
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composed during Bach's time in Köthen
reflects Baroque musical practices
|
https://www.w3.org/2000/01/rdf-schema#label
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F major Concerto for Two Harpsichords
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gptkbp:influenced
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later composers
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gptkbp:influenced_by
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gptkb:Vivaldi's_concertos
Italian concertos
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gptkbp:instruments
|
gptkb:orchestra
two harpsichords
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gptkbp:is_analyzed_in
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in music theory courses
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gptkbp:is_often_used_in
|
by various artists
in concert halls
|
gptkbp:is_studied_in
|
in music schools
|
gptkbp:key
|
F major
|
gptkbp:music_style
|
concerto grosso
solo concerto
|
gptkbp:notable_aspect
|
use of harmony
use of dynamics
use of texture
use of rhythm
use of form
use of melody
use of timbre
use of style
|
gptkbp:notable_feature
|
orchestral accompaniment
two harpsichords as soloists
|
gptkbp:notable_recordings
|
András Schiff and the Chamber Orchestra of Europe
Murray Perahia and the English Chamber Orchestra
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gptkbp:number_of_movements
|
gptkb:3
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gptkbp:part_of
|
gptkb:Bach's_concertos
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gptkbp:performed_at
|
gptkb:festivals
music competitions
|
gptkbp:performed_by
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orchestras
|
gptkbp:premiere
|
1730 in Köthen
|
gptkbp:published
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1730
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gptkbp:related_works
|
gptkb:Brandenburg_Concerto_No._3
gptkb:Concerto_for_Two_Violins
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gptkbp:second_movement
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gptkb:Allegro
gptkb:Largo
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gptkbp:style
|
gptkb:Baroque
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gptkbp:bfsParent
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gptkb:Johann_Sebastian_Bach
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gptkbp:bfsLayer
|
4
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