Statements (144)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:musical_composition
|
| gptkbp:adaptations |
used in films and commercials
arranged for ballet |
| gptkbp:arrangements |
arranged for various ensembles
for various ensembles for orchestra for piano for chamber ensemble |
| gptkbp:artistic_legacy |
remains a staple in classical repertoire
|
| gptkbp:character |
dialogue between soloists
|
| gptkbp:characteristics |
dialogue between soloists
|
| gptkbp:composed_by |
widely available
|
| gptkbp:composer |
gptkb:Johann_Sebastian_Bach
gptkb:Igor_Stravinsky |
| gptkbp:cultural_impact |
widely performed
frequently recorded frequently performed in concerts influenced classical music education |
| gptkbp:cultural_references |
referenced in literature and media
|
| gptkbp:cultural_significance |
important work in violin repertoire
part of Western classical canon |
| gptkbp:dedicated_to |
unknown patrons
|
| gptkbp:dedication |
gptkb:none
gptkb:unknown |
| gptkbp:duration |
approximately 20 minutes
approximately 15 minutes |
| gptkbp:educational_use |
used in music education programs
taught in music schools |
| gptkbp:first_performance |
1730
|
| gptkbp:form |
concerto grosso
|
| gptkbp:genre |
gptkb:Concerto_for_Orchestra
Baroque music |
| gptkbp:historical_context |
composed during the Baroque period
written during Bach's time in Köthen |
| gptkbp:historical_significance |
one of Bach's most celebrated works
|
| https://www.w3.org/2000/01/rdf-schema#label |
Concerto for Two Violins
|
| gptkbp:influence |
Baroque music
inspired later concertos |
| gptkbp:influenced |
gptkb:jazz_music
classical music modern violin repertoire |
| gptkbp:influenced_artists |
inspired later violin concertos
|
| gptkbp:influences |
Baroque music
|
| gptkbp:inspiration |
Baroque violin techniques
|
| gptkbp:inspired |
many arrangements
|
| gptkbp:inspired_by |
Italian concertos
|
| gptkbp:instrumentation |
gptkb:orchestra
two violins two violins, strings, continuo |
| gptkbp:involved_forces |
gptkb:orchestra
|
| gptkbp:is_cited_in |
music theory literature
|
| gptkbp:is_often_used_in |
gptkb:String_Quartet
amateur musicians music festivals music competitions duos youth orchestras symphony orchestras chamber orchestras professional orchestras community orchestras baroque ensembles other Bach concertos early music groups soloists with orchestra |
| gptkbp:is_taught_in |
music conservatories
|
| gptkbp:key |
D minor
|
| gptkbp:libretto |
improvised sections
|
| gptkbp:movement |
gptkb:III._Allegro
three I. Vivace II. Largo |
| gptkbp:music_style |
frequently analyzed in musicology
frequently analyzed in music theory three movements: fast-slow-fast |
| gptkbp:musical_elements |
counterpoint
|
| gptkbp:notable_feature |
counterpoint
dialogue between soloists |
| gptkbp:notable_features |
dialogue and contrast
|
| gptkbp:notable_interpreters |
gptkb:Gidon_Kremer
gptkb:Janine_Jansen gptkb:Joshua_Bell gptkb:Anne-Sophie_Mutter gptkb:Hilary_Hahn |
| gptkbp:notable_performance |
gptkb:Academy_of_St_Martin_in_the_Fields
|
| gptkbp:notable_performers |
gptkb:Yo-Yo_Ma
gptkb:Itzhak_Perlman gptkb:Joshua_Bell gptkb:Anne-Sophie_Mutter gptkb:Hilary_Hahn |
| gptkbp:notable_recordings |
performed in competitions
featured in film soundtracks performed by chamber ensembles Itzhak Perlman and Pinchas Zukerman recorded by many famous orchestras Bach: Concertos for Two Violins often included in classical music playlists |
| gptkbp:number_of_movements |
gptkb:3
three |
| gptkbp:often_analyzed_in |
musicology studies
|
| gptkbp:often_includes |
Bach festivals
|
| gptkbp:opus_number |
1043
|
| gptkbp:part_of |
gptkb:Bach's_concertos
|
| gptkbp:performance |
historically informed performance
often performed in concert settings performed on period instruments |
| gptkbp:performance_technique |
requires advanced violin skills
|
| gptkbp:performance_variations |
varied interpretations by different artists
|
| gptkbp:performed_at |
concert halls worldwide
|
| gptkbp:performers |
often performed by orchestras
|
| gptkbp:premiere_date |
gptkb:1932
|
| gptkbp:premiere_location |
gptkb:Köthen
|
| gptkbp:published |
after Bach's death
|
| gptkbp:published_in |
gptkb:Bach-Gesellschaft_Ausgabe
|
| gptkbp:publisher |
gptkb:Boosey_&_Hawkes
Bärenreiter |
| gptkbp:record_label |
gptkb:Deutsche_Grammophon
|
| gptkbp:recorded_in |
numerous times
|
| gptkbp:recordings |
numerous interpretations available
multiple orchestras multiple versions available |
| gptkbp:related_works |
gptkb:Pulcinella
gptkb:Brandenburg_Concerto_No._3 gptkb:Concerto_for_Violin_and_Orchestra gptkb:Symphony_in_C other concertos by Bach |
| gptkbp:second_movement |
gptkb:Allegro
gptkb:Largo |
| gptkbp:style |
gptkb:Baroque
gptkb:neoclassicism polyphonic concerto grosso |
| gptkbp:thematic_element |
contrapuntal textures
interplay between solo violins |
| gptkbp:transcribed_for |
for wind ensemble
for piano for chamber orchestra for string quartet for guitar |
| gptkbp:year_composed |
1730
1931 |
| gptkbp:bfsParent |
gptkb:Sergei_Prokofiev
gptkb:Jennifer_Higdon |
| gptkbp:bfsLayer |
4
|