Statements (101)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:musical_composition
|
| gptkbp:bfsLayer |
4
|
| gptkbp:bfsParent |
gptkb:The_Concerto_for_Solo_Violin_and_Orchestra
gptkb:Concerto_No._2_in_F_major,_BWV_1047 gptkb:Concerto_No._3_in_G_major,_BWV_1048 gptkb:Johann_Sebastian_Bach gptkb:Brandenburg_Concertos |
| gptkbp:arrangements |
various ensembles
|
| gptkbp:associated_with |
Bach's legacy
Baroque dance forms |
| gptkbp:characteristics |
fugal writing
|
| gptkbp:composed_of |
gptkb:J._S._Bach
|
| gptkbp:composer |
gptkb:Johann_Sebastian_Bach
|
| gptkbp:cultural_impact |
widely studied in music education
|
| gptkbp:cultural_significance |
important work in Western classical music
|
| gptkbp:dedicated_to |
gptkb:noble_title
|
| gptkbp:duration |
approximately 10 minutes
|
| gptkbp:first_performance |
1721
|
| gptkbp:genre |
Baroque music
|
| gptkbp:has_influence_on |
gptkb:musician
|
| https://www.w3.org/2000/01/rdf-schema#label |
Brandenburg Concerto No. 3
|
| gptkbp:influenced |
gptkb:musical_composition
classical music later composers Baroque performance practice |
| gptkbp:influenced_by |
Italian concertos
|
| gptkbp:inspired |
many contemporary composers
|
| gptkbp:instrument |
continuo
violins cellos double basses violas |
| gptkbp:instrumentation |
gptkb:orchestra
Strings strings |
| gptkbp:is_analyzed_in |
musicology studies
music theory courses its compositional techniques |
| gptkbp:is_celebrated_in |
music history
|
| gptkbp:is_characterized_by |
dynamic contrasts
|
| gptkbp:is_featured_in |
music festivals
Bach festivals films and television shows music competitions television programs classical music concerts in classical music playlists |
| gptkbp:is_often_used_in |
gptkb:String_Quartet
cultural events weddings advertisements dance performances educational settings music festivals concert halls film scores music therapy film soundtracks recitals youth orchestras string orchestras chamber orchestras educational concerts professional orchestras early music ensembles by orchestras and soloists historically informed ensembles during Baroque music concerts |
| gptkbp:is_studied_in |
in music education
|
| gptkbp:key |
D major
|
| gptkbp:known_for |
its lively rhythms
|
| gptkbp:movement |
gptkb:Allegro
gptkb:3 gptkb:Adagio |
| gptkbp:notable_for |
its thematic development
its dynamic contrasts its intricate counterpoint its rhythmic vitality its thematic richness fugal writing its harmonic structure its lively rhythms its melodic lines its energetic finale its use of ritornello form |
| gptkbp:notable_performance |
performed at major music festivals
|
| gptkbp:notable_recordings |
performed by the Berlin Philharmonic
|
| gptkbp:part_of |
gptkb:Brandenburg_Concertos
Baroque repertoire |
| gptkbp:performed_by |
orchestras worldwide
chamber music settings concert halls globally |
| gptkbp:published_by |
1721
in 1801 |
| gptkbp:recorded_by |
numerous artists
many artists |
| gptkbp:style |
gptkb:Baroque
concerto grosso |
| gptkbp:uses |
counterpoint
|
| gptkbp:year_composed |
1711
1721 |