Statements (1,184)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:music_industry
gptkb:musical_composition gptkb:orchestral_music gptkb:Concerto_for_Orchestra |
| gptkbp:adaptations |
arrangements for smaller ensembles
|
| gptkbp:adapted_into |
different formats
for various ensembles chamber music settings various ensembles chamber orchestras modern orchestras |
| gptkbp:arrangements |
arranged for various ensembles
arranged for wind ensemble various arrangements exist for different ensembles various chamber music arrangements arranged for solo instruments arranged for chamber orchestra |
| gptkbp:artistic_exploration |
explores various musical styles
|
| gptkbp:artistic_influence |
European classical traditions
influenced contemporary composers |
| gptkbp:artistic_innovation |
known for its innovative orchestration
pioneering orchestral techniques innovative orchestral techniques |
| gptkbp:artistic_legacy |
part of Higdon's legacy as a composer
|
| gptkbp:artistic_vision |
reflects Higdon's artistic vision
|
| gptkbp:associated_with |
Corelli's Opus 6
Bach's Brandenburg concertos Corelli's influence on violin playing |
| gptkbp:audience |
general public
mixed reactions classical music enthusiasts intellectual engagement enthusiastic popular with audiences enthusiastic audience response designed to engage listeners |
| gptkbp:available_formats |
CD
sheet music streaming sheet music and recordings digital download |
| gptkbp:available_in |
sheet music format
|
| gptkbp:available_on |
gptkb:streaming_platforms
in sheet music format |
| gptkbp:awarded_for |
gptkb:Grammy_Award
|
| gptkbp:awards |
gptkb:Grammy_Award_for_Best_Classical_Contemporary_Composition
gptkb:Grammy_Award_for_Best_Orchestral_Performance gptkb:Grammy_Award various music awards |
| gptkbp:bartók's_contribution |
significant to 20th-century music
|
| gptkbp:bartók's_legacy |
enduring influence on classical music
|
| gptkbp:bartók's_style |
combines folk elements with classical forms
|
| gptkbp:britten's_intention |
to showcase orchestra's capabilities
|
| gptkbp:britten's_legacy |
influential composer
|
| gptkbp:britten's_style |
lyrical and rhythmic
|
| gptkbp:can_be |
adapted for different ensembles
a part of educational programs a source of inspiration for composers a staple in concert repertoire a subject of analysis a collaborative work a competition piece a part of a concerto grosso a part of a festival program a part of a larger work a reflection of cultural influences a reflection of the era it was composed in a showcase for emotional expression a vehicle for improvisation performed with piano accompaniment programmatic or abstract solo or double concerto |
| gptkbp:can_be_used_to |
improvisation by soloists
|
| gptkbp:can_include |
multiple movements
|
| gptkbp:celebrates |
the capabilities of the orchestra
|
| gptkbp:characteristic |
gptkb:orchestral_music
contrast between a small group of soloists and a full orchestra |
| gptkbp:characteristics |
emotional depth
rhythmic complexity complex rhythms thematic development dynamic contrasts thematic transformation lyrical melodies extended techniques lyrical themes varied textures expressive melodies rich harmonies dramatic contrasts playful elements complex counterpoint use of dissonance orchestral dialogue dramatic tension orchestral color contrasting moods dissonant harmonies emphasis on strings use of percussion dramatic climaxes lyrical passages expressive dynamics rhythmic drive colorful instrumentation playful humor thematic interplay varied orchestral colors orchestral virtuosity influence of jazz emphasis on brass emphasis on percussion emphasis on woodwinds virtuosic orchestration lyrical and rhythmic elements contrast between soloists and orchestra lyrical contrasts |
| gptkbp:characterized_by |
rhythmic complexity
dynamic contrasts lyrical melodies dialogue between instruments |
| gptkbp:collaborated_with |
gptkb:Timo_Andres
gptkb:Yuja_Wang |
| gptkbp:collaboration |
collaborated with other artists
|
| gptkbp:collaborations |
collaborated with various conductors
frequently performed with orchestras includes chamber music settings often involves conductors |
| gptkbp:commissioned |
gptkb:London_Philharmonic_Orchestra
gptkb:Boston_Symphony_Orchestra Various orchestras by orchestras |
| gptkbp:competitors |
featured in international competitions
Violin Concerto competitions held globally often part of music festivals |
| gptkbp:composed_by |
gptkb:Aaron_Copland
gptkb:Béla_Bartók gptkb:John_Adams gptkb:Jennifer_Higdon various instruments |
| gptkbp:composer |
gptkb:Magnus_Lindberg
gptkb:Arcangelo_Corelli gptkb:Béla_Bartók gptkb:Esa-Pekka_Salonen gptkb:Johann_Sebastian_Bach gptkb:Samuel_Adler gptkb:Sergei_Prokofiev gptkb:Steve_Reich gptkb:Benjamin_Britten gptkb:Sofia_Gubaidulina gptkb:Henri_Dutilleux gptkb:Jennifer_Higdon gptkb:Pierre_Boulez gptkb:Thomas_Adès gptkb:Mark-Anthony_Turnage gptkb:Bernstein gptkb:Witold_Lutosławski multiple composers |
| gptkbp:critical_analysis |
subject of numerous analyses
|
| gptkbp:critical_reception |
Highly acclaimed
generally positive widely acclaimed highly acclaimed challenging for performers |
| gptkbp:cultural_heritage |
part of Hungarian cultural heritage
|
| gptkbp:cultural_impact |
gptkb:significant
widely performed influenced later composers featured in films and media widely performed and recorded influenced contemporary composers widely performed in concert repertoire analyzed in musicology studies taught in music conservatories revived in the 20th century featured in music festivals influenced violin playing techniques inspired new works inspired new compositions performed in international competitions significant in classical music repertoire significant in American music history influenced modern concertos |
| gptkbp:cultural_influence |
influenced global orchestral music
|
| gptkbp:cultural_representation |
recognized as a masterpiece
represents American cultural identity |
| gptkbp:cultural_significance |
popular in concert repertoire
important in violin repertoire important work in Western classical music one of Bartók's most popular works reflects post-war European music modern orchestral repertoire celebrated in music festivals important work in 20th-century repertoire contemporary classical repertoire featured in classical music repertoires important work in American classical music important in the development of the concerto form influences modern piano concertos showcases virtuosity represents contemporary American music represents Eastern European music considered a landmark in orchestral repertoire often features cadenzas |
| gptkbp:dedicated_to |
gptkb:the_Philadelphia_Orchestra
gptkb:Yuja_Wang gptkb:Hilary_Hahn gptkb:Christian_Ludwig,_Margrave_of_Brandenburg gptkb:Serge_Koussevitzky soloist the Boston Symphony Orchestra the pianist Timo Andres |
| gptkbp:dedication |
gptkb:Yvonne_Loriod
gptkb:The_Budapest_Philharmonic_Orchestra gptkb:Los_Angeles_Philharmonic gptkb:Martha_Argerich gptkb:London_Symphony_Orchestra gptkb:Serge_Koussevitzky To the memory of the composer’s friend dedicated to the Boston Symphony Orchestra to the Boston Symphony Orchestra to the National Orchestra of Belgium to the National Philharmonic Orchestra of Poland |
| gptkbp:duration |
approximately 20 minutes
approximately 20-30 minutes approximately 30 minutes approximately 25 minutes |
| gptkbp:educational_use |
studied in music programs
taught in music schools used in music education taught in music conservatories performed in competitions studied in music schools performed in recitals analyzed in music theory studied in music theory courses studied for historical context performed in music schools |
| gptkbp:educational_value |
studied in music programs
|
| gptkbp:exhibited_at |
composer's style
the violin's technical capabilities |
| gptkbp:explores_themes |
gptkb:identity
gptkb:memory gptkb:time |
| gptkbp:famous_event |
classical music festivals
Baroque music festivals |
| gptkbp:featured_in |
gptkb:concerts
music education programs concert repertoire documentaries about contemporary music |
| gptkbp:features |
Technical virtuosity
multiple movements solo instruments five movements varied instrumentation |
| gptkbp:first_edition |
published by Boosey & Hawkes
|
| gptkbp:first_performance |
gptkb:Barbican_Centre,_London
gptkb:unknown gptkb:New_York_City gptkb:Paris gptkb:Walt_Disney_Concert_Hall gptkb:Boston_Symphony_Orchestra 1680 Kimmel Center, Philadelphia performed by Martha Argerich conducted by Antal Doráti varies by composer |
| gptkbp:first_published |
1945
|
| gptkbp:first_recording_conductor |
gptkb:Bernstein
|
| gptkbp:first_recording_date |
1945
|
| gptkbp:first_recording_orchestra |
gptkb:New_York_Philharmonic
|
| gptkbp:form |
gptkb:piano
gptkb:Concerto_for_Orchestra concerto grosso multi-movement work three movements concerto form Violin Duo Violin and Piano works |
| gptkbp:genre |
gptkb:chamber_music
gptkb:symphony gptkb:piano gptkb:orchestral_music gptkb:Concerto_for_Orchestra Baroque music Classical classical music Orchestral Suite |
| gptkbp:has_influenced |
contemporary composers
other contemporary composers the development of orchestral music later orchestral music |
| gptkbp:has_performed_at |
many major orchestras
at major concert halls |
| gptkbp:has_received |
numerous awards
|
| gptkbp:has_written |
full orchestra
piano and orchestra |
| gptkbp:highlights |
the violin's range
|
| gptkbp:historical_context |
Baroque period
developed in the 18th century post-World War II era 20th century music 21st-century classical music popular in the 18th century Italian Baroque period emerged in the late 17th century written during World War II postmodernism in music British contemporary music written in the early 21st century |
| gptkbp:historical_figures |
gptkb:Sibelius'_Violin_Concerto
Haydn's works Corelli's influence Mozart's contributions Vivaldi's contributions |
| gptkbp:historical_interpretation |
arranged for different instruments
varied interpretations by different conductors varied interpretations by conductors adapted for contemporary ensembles |
| gptkbp:historical_legacy |
established the concerto grosso as a significant genre
|
| gptkbp:historical_period |
gptkb:Baroque
17th century Classical Romantic |
| gptkbp:historical_significance |
important work in 20th-century music
important in violin repertoire important in the transition to the Classical period |
| https://www.w3.org/2000/01/rdf-schema#label |
Concerto for Orchestra
|
| gptkbp:includes |
string instruments
continuo elements of humor solo passages for various instruments |
| gptkbp:influence |
influenced later composers
inspired by folk music development of the concerto development of the symphony |
| gptkbp:influenced |
gptkb:symphony
gptkb:orchestral_music later composers film music composers later orchestral works later orchestral compositions the concerto grosso form in later centuries |
| gptkbp:influenced_artists |
gptkb:David_Amram
gptkb:symphony gptkb:Aaron_Copland gptkb:musical_theatre gptkb:György_Ligeti gptkb:Kaija_Saariaho gptkb:Samuel_Adler gptkb:Helmut_Lachenmann gptkb:John_Adams gptkb:Philip_Glass gptkb:Thomas_Adès gptkb:László_Lajtha concertos film music popular music contemporary composers inspired contemporary composers many contemporary composers many 20th-century composers cross-genre influences influenced many 20th-century composers influenced the development of orchestral music other concertos for orchestra |
| gptkbp:influenced_by |
gptkb:jazz_music
gptkb:neoclassicism gptkb:Hungarian_folk_music gptkb:folk_music expressionism American folk music impressionism minimalism Italian concertos African music traditions 20th-century classical music jazz elements Russian folk traditions European classical traditions Eastern music traditions jazz and folk music 20th-century orchestral music European avant-garde music Bartók's earlier works Polish folk traditions |
| gptkbp:influences |
gptkb:Paul_Hindemith
gptkb:French_impressionism gptkb:Igor_Stravinsky gptkb:Hungarian_folk_music gptkb:jazz gptkb:Bartók gptkb:folk_music gptkb:rock_music American classical music Romantic music avant-garde music film scores 20th-century music modern classical music Polish folk music contemporary classical music serialism 20th-century compositions pop music arrangements Baroque concertos jazz violin later orchestral compositions jazz piano concertos |
| gptkbp:inspiration |
Bartók's experiences during World War II
Bartók's experiences in America orchestral color and texture the idea of a concerto for orchestra the challenges of World War II |
| gptkbp:inspired |
gptkb:chamber_music
modern interpretations many contemporary composers arrangements for various ensembles |
| gptkbp:inspired_by |
gptkb:World_War_II
American culture jazz influences American music traditions traditional concerto form jazz and classical traditions the challenges of World War II |
| gptkbp:instrument |
gptkb:violin
|
| gptkbp:instrumentation |
gptkb:orchestra
gptkb:piano gptkb:musical_instruments full orchestra strings and continuo violin and orchestra |
| gptkbp:instruments |
brass
strings strings, woodwinds, brass, percussion percussion continuo full orchestra woodwinds |
| gptkbp:is_a_form_of |
gptkb:musical_instruments
collaborative music making ensemble music |
| gptkbp:is_a_key_component_of |
Baroque concert repertoire
|
| gptkbp:is_a_significant_genre_in |
the development of orchestral music
|
| gptkbp:is_a_staple_in |
Baroque orchestral repertoire
|
| gptkbp:is_analyzed_in |
music theory
musicology studies music theory courses in musicology studies music theory studies in music theory studies |
| gptkbp:is_associated_with |
festive occasions
the Boston Symphony Orchestra the 20th-century modernist movement Bartók's style |
| gptkbp:is_available_in |
sheet music
digital format Sheet music format sheet music format |
| gptkbp:is_available_on |
gptkb:recordings
various recordings Various recordings |
| gptkbp:is_celebrated_for |
its rhythmic complexity
its innovation its creativity its orchestral color its innovative structure its unique sound world its melodic development its accessibility to audiences its complex textures Its lyrical qualities |
| gptkbp:is_celebrated_in |
music history
music history books for its emotional depth for its thematic development for its orchestral color |
| gptkbp:is_characterized_by |
the use of ornamentation
ritornello form contrapuntal writing the interplay of groups |
| gptkbp:is_cited_in |
music literature
|
| gptkbp:is_considered |
a modern classic
a staple of the orchestral repertoire a benchmark for composers a defining work of the 20th century A modern classic a benchmark for orchestral works a staple of the repertoire a significant work in contemporary classical music a defining work of the 20th century. a significant contribution to American music one of Bartók's masterpieces a benchmark for contemporary works a benchmark for orchestral compositions a pivotal work in the 20th-century canon a significant contribution to the repertoire A staple in violin repertoire. A significant contribution to the violin repertoire a staple of the orchestral canon |
| gptkbp:is_considered_to_be |
a landmark composition
a defining work of the 20th century a challenging piece a challenging work for musicians |
| gptkbp:is_discussed_in |
gptkb:academic_journals
|
| gptkbp:is_distinct_from |
solo concerto
|
| gptkbp:is_divided_into |
five movements
|
| gptkbp:is_featured_in |
music festivals
|
| gptkbp:is_influenced_by |
gptkb:Hungarian_folk_music
Traditional classical forms |
| gptkbp:is_influential_in |
20th-century music
the development of orchestral music the field of orchestration in contemporary orchestral writing in the field of orchestration |
| gptkbp:is_inspired_by |
the concept of a concerto
|
| gptkbp:is_known_for |
expressive melodies
rich textures dramatic contrasts its dynamic contrasts |
| gptkbp:is_notable_for |
Emotional depth
Rich orchestration its rhythmic complexity |
| gptkbp:is_noted_for |
its emotional depth
its rhythmic complexity its thematic development its dynamic contrasts its orchestral color its innovative structure its emotional range its rhythmic vitality its rhythmic drive its use of counterpoint its lyrical passages |
| gptkbp:is_often_accompanied_by |
continuo instruments
|
| gptkbp:is_often_associated_with |
Italian composers
the American sound |
| gptkbp:is_often_compared_to |
solo concerto
other Baroque forms |
| gptkbp:is_often_described_as |
concerto grosso form
|
| gptkbp:is_often_featured_in |
orchestral concerts
concert programs in concert programs music anthologies in classical music playlists orchestral competitions in radio broadcasts |
| gptkbp:is_often_used_in |
gptkb:music_education
music festivals outdoor concerts film scores music competitions historical instruments orchestras and ensembles youth orchestras in concert halls classical music festivals the holiday season renowned conductors in competitions strings and continuo chamber orchestras historically informed performances professional orchestras by symphony orchestras by youth orchestras student orchestras by famous violinists by soloists with orchestras Other contemporary works for commercial releases |
| gptkbp:is_part_of |
classical music repertoire
Bartók's orchestral works the standard orchestral repertoire Bartók's legacy the orchestral repertoire Higdon's orchestral works Copland's legacy the 20th-century orchestral repertoire John Adams' repertoire the American classical music canon Bartók's concert works Higdon's catalog of works Modern violin repertoire |
| gptkbp:is_popular_for |
orchestral auditions
|
| gptkbp:is_popular_in |
Baroque music
musicology research. |
| gptkbp:is_recognized_as |
a significant work
a significant work in 20th-century music for its cultural significance a landmark composition one of Bartók's masterpieces for its innovative use of instruments a pivotal work in orchestral literature a pivotal work in orchestral music. one of Copland's major works |
| gptkbp:is_recognized_by |
music critics
Music critics |
| gptkbp:is_recognized_for |
its thematic development
its innovative use of instruments |
| gptkbp:is_regarded_as |
a staple of the orchestral repertoire
|
| gptkbp:is_related_to |
gptkb:Concerto_for_Orchestra
|
| gptkbp:is_respected_by |
gptkb:musicians
musicians and conductors its artistic merit for its artistic merit for its technical demands |
| gptkbp:is_reviewed_by |
gptkb:The_Guardian
gptkb:The_New_York_Times gptkb:The_Washington_Post music journals by music critics |
| gptkbp:is_significant_for |
Western classical music history
|
| gptkbp:is_sought_after_by |
Orchestras worldwide
|
| gptkbp:is_studied_in |
music schools
musicology in music conservatories in musicology courses |
| gptkbp:is_taught_in |
music conservatories
in music schools |
| gptkbp:key |
various keys
|
| gptkbp:key_feature |
use of ornamentation
ritornello form Baroque festivals dialogue between soloists and orchestra |
| gptkbp:legacy |
remains a staple of the orchestral repertoire
remains a staple of orchestral repertoire |
| gptkbp:lutosławski's_career |
pivotal in his development as a composer
|
| gptkbp:lutosławski's_influence |
significant influence on contemporary music
|
| gptkbp:lutosławski's_style |
characterized by rhythmic complexity
|
| gptkbp:movement |
five
energetic and lively 1. Allegro 2. Adagio 3. Allegro molto |
| gptkbp:music_composer |
gptkb:Arcangelo_Corelli
gptkb:Ludwig_van_Beethoven gptkb:Sergei_Rachmaninoff gptkb:Royal_Philharmonic_Orchestra gptkb:Dmitri_Shostakovich gptkb:Tchaikovsky gptkb:Antonio_Vivaldi gptkb:Johann_Sebastian_Bach gptkb:George_Frideric_Handel gptkb:London_Symphony_Orchestra gptkb:Wolfgang_Amadeus_Mozart gptkb:Boston_Symphony_Orchestra gptkb:Frédéric_Chopin |
| gptkbp:music_style |
gptkb:orchestra
use of counterpoint dissonance rhythmic complexity counterpoint symphonic form extended techniques analyzed in musicology studies frequently analyzed in musicology textural contrasts concerto form sophisticated and modern five distinct movements unique musical language polytonality rhythmic layering uses aleatoric elements |
| gptkbp:music_video |
tells a story through music
|
| gptkbp:musical_elements |
rhythmic complexity
thematic development orchestral dialogue |
| gptkbp:notable_aspect |
use of counterpoint
exploration of time perception use of polyrhythms interaction between piano and orchestra |
| gptkbp:notable_authors |
gptkb:The_Rape_of_Lucretia
gptkb:Peter_Grimes gptkb:The_Prodigal_Son gptkb:Billy_Budd gptkb:Death_in_Venice gptkb:The_Turn_of_the_Screw gptkb:Curlew_River gptkb:Noye's_Fludde gptkb:The_Beggar's_Opera gptkb:War_Requiem gptkb:The_Little_Sweep gptkb:A_Midsummer_Night's_Dream gptkb:Owen_Wingrave |
| gptkbp:notable_awards |
gptkb:Grammy_Award
|
| gptkbp:notable_collaborations |
collaborated with various orchestras
|
| gptkbp:notable_conductors |
gptkb:Daniel_Harding
gptkb:Lothar_Koenigs gptkb:Gustavo_Dudamel gptkb:Antal_Doráti gptkb:Andris_Nelsons gptkb:Daniel_Barenboim gptkb:Simon_Rattle gptkb:Zubin_Mehta gptkb:Leonard_Slatkin gptkb:Pierre_Boulez gptkb:Seiji_Ozawa gptkb:Charles_Munch gptkb:Bernstein gptkb:Serge_Koussevitzky gptkb:Zoltán_Székely conducted by prominent conductors |
| gptkbp:notable_contributor |
to the development of orchestral music
|
| gptkbp:notable_examples |
gptkb:Rachmaninoff's_Piano_Concerto_No._2
gptkb:Chopin's_Piano_Concerto_No._1 gptkb:Corelli's_Concerti_Grossi,_Op._6 gptkb:Handel's_Concerti_Grossi,_Op._3 gptkb:Vivaldi's_Concerti_Grossi gptkb:Beethoven's_Piano_Concerto_No._5 gptkb:Mozart's_Piano_Concerto_No._21 Bach's Keyboard Concerto in D minor |
| gptkbp:notable_feature |
repetitive motifs
use of ornamentation contrapuntal texture virtuosic piano part piano soloist orchestral texture |
| gptkbp:notable_features |
use of counterpoint
thematic development dynamic contrasts colorful orchestration orchestral color contrasting sections use of orchestral color use of folk elements virtuosic solo parts |
| gptkbp:notable_for |
its emotional depth
its orchestration its innovative orchestration its vibrant orchestration its technical demands on performers |
| gptkbp:notable_influence |
gptkb:Concerto_No._1_in_F_major,_BWV_1046
gptkb:Concerto_No._2_in_F_major,_BWV_1047 gptkb:Concerto_No._3_in_G_major,_BWV_1048 gptkb:Concerto_No._4_in_G_major,_BWV_1049 gptkb:Concerto_No._5_in_D_major,_BWV_1050 gptkb:Concerto_No._6_in_B-flat_major,_BWV_1051 gptkb:Finale gptkb:Intermezzo Vivaldi and Handel |
| gptkbp:notable_performance |
gptkb:2009_Grammy_Awards
gptkb:New_York_Philharmonic gptkb:London_Symphony_Orchestra performed by major orchestras |
| gptkbp:notable_performances |
gptkb:Gustav_Mahler_Youth_Orchestra
gptkb:Lincoln_Center gptkb:Wigmore_Hall gptkb:BBC_Proms gptkb:festival gptkb:Chicago_Symphony_Orchestra gptkb:Los_Angeles_Philharmonic gptkb:New_York_Philharmonic gptkb:Royal_Liverpool_Philharmonic_Orchestra gptkb:London_Philharmonic_Orchestra gptkb:Cleveland_Orchestra gptkb:Orchestre_de_Paris gptkb:Philadelphia_Orchestra gptkb:San_Francisco_Symphony gptkb:Edinburgh_Festival_Fringe gptkb:National_Symphony_Orchestra gptkb:London_Symphony_Orchestra gptkb:Boston_Symphony_Orchestra gptkb:Sydney_Opera_House gptkb:Concertgebouw gptkb:Royal_Scottish_National_Orchestra gptkb:Toronto_Symphony_Orchestra gptkb:Orchestre_National_de_France performed at major music festivals performed in major concert halls performed by major orchestras worldwide featured in competitions performed at festivals broadcast on radio and television performed at major festivals part of orchestral repertoire recorded by orchestras featured in classical music concerts performed by famous pianists Boston Symphony Orchestra premiere recorded by famous conductors influenced orchestral performance practices London Symphony Orchestra premiere |
| gptkbp:notable_performers |
gptkb:Royal_Concertgebouw_Orchestra
gptkb:Chicago_Symphony_Orchestra gptkb:Los_Angeles_Philharmonic gptkb:New_York_Philharmonic gptkb:Berlin_Philharmonic gptkb:London_Symphony_Orchestra gptkb:Boston_Symphony_Orchestra Baroque ensembles |
| gptkbp:notable_production |
premiered in major cities
often commissioned works |
| gptkbp:notable_recordings |
gptkb:Cincinnati_Symphony_Orchestra
gptkb:New_York_Philharmonic_recording gptkb:Deutsche_Grammophon gptkb:Orchid_Classics gptkb:Los_Angeles_Philharmonic gptkb:Naxos_Records gptkb:RCA_Victor gptkb:Royal_Liverpool_Philharmonic_Orchestra gptkb:Sony_Classical gptkb:BBC_Symphony_Orchestra gptkb:EMI_Classics gptkb:Philips_Records gptkb:Telarc_International gptkb:Chandos_Records performed by the New York Philharmonic conducted by various renowned conductors performed by the London Sinfonietta by famous conductors Leonard Bernstein conducting Zubin Mehta conducting performed by the Los Angeles Philharmonic CPO Records Deutsche Grammophon recording available on various music platforms Chandos recording Berlin Philharmonic recording London Symphony Orchestra recording Eugene Ormandy conducting André Previn conducting Daniel Barenboim conducting Gustavo Dudamel conducting Riccardo Muti conducting Simon Rattle conducting Corelli's Concerti Grossi by various orchestras Handel's Concerti Grossi by various orchestras Vivaldi's Concerti Grossi by various orchestras Boston Symphony Orchestra recording Leonard Slatkin conducting Charles Dutoit conducting Claudio Abbado conducting Kurt Masur conducting Mariss Jansons conducting Martha Argerich's recording Michael Tilson Thomas conducting Mikhail Pletnev conducting Mstislav Rostropovich conducting Vassily Sinaisky conducting Vladimir Ashkenazy conducting Vladimir Jurowski conducting Jaap van Zweden conducting Jukka-Pekka Saraste conducting Krzysztof Penderecki conducting Lorin Maazel conducting Marek Janowski conducting Osmo Vänskä conducting Pierre Boulez conducting Semyon Bychkov conducting Chicago Symphony Orchestra recording Naxos recording Vienna Philharmonic recording Esa-Pekka Salonen conducting Los Angeles Philharmonic recording Philadelphia Orchestra recording Royal Concertgebouw Orchestra recording EMI recording Gustavo Gimeno conducting Yannick Nézet-Séguin conducting David Robertson conducting Milan Horvat conducting Murray Perahia conducting Takuo Yuasa conducting András Keller conducting Dmitri Jurowski conducting London Symphony Orchestra under Thomas Adès Yuja Wang with Los Angeles Philharmonic |
| gptkbp:notable_traits |
historical importance
thematic development dynamic contrasts stylistic diversity expressive depth emotional expressiveness use of ornamentation rhythmic vitality contrapuntal textures harmonic richness structural clarity use of dance forms varied instrumentation melodic inventiveness dialogue between soloists and orchestra |
| gptkbp:notable_work |
thematic development
musicological studies structural innovation Concerto Grosso in D major, Op. 6, No. 4 Concerto Grosso in F major, Op. 6, No. 9 Concerto Grosso in G minor, Op. 6, No. 8 |
| gptkbp:notable_works |
gptkb:Mendelssohn's_Violin_Concerto
gptkb:Brahms'_Violin_Concerto gptkb:Mendelssohn's_Violin_Concerto_in_E_minor gptkb:Beethoven's_Violin_Concerto gptkb:Tchaikovsky's_Violin_Concerto gptkb:Bach's_Violin_Concerto_in_A_minor gptkb:Beethoven's_Violin_Concerto_in_D_major gptkb:Brahms'_Violin_Concerto_in_D_major gptkb:Tchaikovsky's_Violin_Concerto_in_D_major |
| gptkbp:number_of_movements |
gptkb:5
five |
| gptkbp:number_of_stages |
gptkb:orchestra
|
| gptkbp:often_contrasts |
soloists and orchestra
|
| gptkbp:often_explored_in |
musicology studies
music theory discussions |
| gptkbp:often_features |
gptkb:orchestra
dynamic contrasts cadenza dialogue between soloist and orchestra lyrical passages contrapuntal textures a small group of soloists |
| gptkbp:often_includes |
gptkb:exhibition
improvisation thematic development recapitulation three movements music education curricula orchestral interludes ritornello form a larger orchestral ensemble |
| gptkbp:often_written_for |
two violins and cello
|
| gptkbp:orchestration |
large orchestra
full orchestra piano, strings, woodwinds, brass, percussion Solo violin and orchestra |
| gptkbp:origin |
gptkb:Italy
|
| gptkbp:originated_in |
the Baroque period
|
| gptkbp:part_of |
Bach's legacy
music education curriculum standard orchestral repertoire Steve Reich's legacy. Steve Reich's repertoire modern classical canon Corelli's legacy John Adams' orchestral works |
| gptkbp:performance |
widely performed
technical demands orchestral accompaniment performed internationally often performed in competitions interpretative freedom often performed in concert settings frequently performed worldwide requires skilled orchestral musicians interpretative challenges technical demands on musicians performed frequently since its premiere requires virtuosic playing approximately 20-40 minutes challenging for musicians challenges for orchestral musicians |
| gptkbp:performance_style |
virtuosic
|
| gptkbp:performance_tradition |
frequently performed in concert halls
performed in major concert halls frequent concert repertoire often includes improvisation performed by chamber orchestras part of modern orchestral tradition |
| gptkbp:performance_venue |
music festivals
concert halls concert halls worldwide orchestral concerts performed in concert halls worldwide |
| gptkbp:performed_at |
gptkb:Lincoln_Center
gptkb:Carnegie_Hall gptkb:Walt_Disney_Concert_Hall major music festivals Major music festivals major concert halls |
| gptkbp:performed_by |
gptkb:orchestra
gptkb:Hilary_Hahn various orchestras orchestras orchestras worldwide youth orchestras string orchestras symphony orchestras Many orchestras worldwide solo violin and orchestra pianists worldwide professional orchestras many orchestras worldwide amateur orchestras Top soloists |
| gptkbp:performed_in |
gptkb:special_occasions
gptkb:festivals worldwide educational settings music festivals competitions concert halls international festivals in educational settings concert halls worldwide chamber music settings international venues in competitions various arrangements major music festivals solo recitals special concerts major concert halls in concert halls worldwide in orchestral competitions in international festivals in symphonic concerts |
| gptkbp:performers |
gptkb:Yo-Yo_Ma
gptkb:Itzhak_Perlman gptkb:Joshua_Bell gptkb:Anne-Sophie_Mutter gptkb:Hilary_Hahn orchestras worldwide six |
| gptkbp:premiere |
gptkb:1971
gptkb:2002 gptkb:2003 gptkb:2005 gptkb:2009 1946 1950 positive often performed in concert halls |
| gptkbp:premiere_date |
gptkb:1944
gptkb:1954 gptkb:1986 gptkb:1987 gptkb:1988 gptkb:2007 1946 |
| gptkbp:premiere_location |
gptkb:Brussels
gptkb:Royal_Festival_Hall,_London gptkb:Budapest gptkb:Berlin gptkb:Boston gptkb:Boston,_Massachusetts gptkb:London gptkb:Los_Angeles gptkb:Boston_Symphony_Hall |
| gptkbp:premiere_soloist |
gptkb:Leila_Josefowicz
|
| gptkbp:premiered_on |
gptkb:1944
gptkb:2007 gptkb:2008 gptkb:Boston_Symphony_Orchestra 1950-10-01 |
| gptkbp:published |
posthumously
|
| gptkbp:published_by |
gptkb:E._C._Schirmer_Music_Company
gptkb:Chester_Music gptkb:Universal_Edition gptkb:Boosey_&_Hawkes gptkb:Lawdon_Press gptkb:C._F._Peters_Corporation |
| gptkbp:publisher |
gptkb:G._Schirmer
gptkb:Boosey_&_Hawkes |
| gptkbp:recognized_by |
gptkb:music_awards
|
| gptkbp:record_label |
gptkb:Nonesuch_Records
gptkb:Deutsche_Grammophon gptkb:Columbia_Records gptkb:Decca_Records gptkb:EMI_Classics available on streaming platforms NMC Recordings recorded by major classical labels multiple record labels often released as part of compilations |
| gptkbp:recorded_by |
gptkb:Nonesuch_Records
gptkb:Hilary_Hahn multiple artists various artists numerous artists many orchestras multiple record labels |
| gptkbp:recorded_in |
various artists
|
| gptkbp:recording_artist |
gptkb:Mitsuko_Uchida
gptkb:Yuja_Wang performed by renowned orchestras |
| gptkbp:recordings |
gptkb:Deutsche_Grammophon
gptkb:2010 1946 numerous numerous recordings exist numerous commercial recordings available numerous recordings available numerous interpretations available multiple recordings available available on various labels Thomas Adès conducting the London Symphony Orchestra |
| gptkbp:reflects |
Bartók's experiences during World War II
|
| gptkbp:related_concept |
gptkb:Concerto_for_Orchestra
concerto grosso Concerto grosso form double concerto solo concerto Concertino Ripieno triple concerto |
| gptkbp:related_to |
Lutosławski's other concertos
|
| gptkbp:related_works |
gptkb:piano
gptkb:Concerto_for_Piano_and_Orchestra gptkb:Sonata_for_Two_Pianos_and_Percussion gptkb:Music_for_Strings,_Percussion,_and_Celesta gptkb:Cello_Concerto gptkb:Symphony_No._2 gptkb:Concerto_for_Two_Pianos_and_Orchestra gptkb:Concerto_for_Orchestra gptkb:Le_Marteau_sans_Maître Piano Concertos Concerto for Orchestra by Béla Bartók Concerto for Orchestra by other composers other orchestral works by Lutosławski other orchestral compositions by Jennifer Higdon other concertos by Lutosławski |
| gptkbp:repertoire |
standard orchestral repertoire
|
| gptkbp:requires |
technical skill
extensive practice |
| gptkbp:second_movement |
gptkb:Finale_-Presto
gptkb:Allegro gptkb:Finale gptkb:Scherzo gptkb:Intermezzo_interrotto gptkb:Allegro_con_brio gptkb:Passacaglia gptkb:Elegy gptkb:Toccata gptkb:Intermezzo gptkb:Nocturne Giuoco delle coppie Introduzione Larghetto Presto adagio allegro Interlude rondo Introduzione -Allegro vivace |
| gptkbp:signature_move |
Three movements
five |
| gptkbp:significance |
one of Bartók's most popular works
one of Lutosławski's most famous works |
| gptkbp:structure |
three movements
five movements typically in three movements |
| gptkbp:style |
gptkb:postmodernism
gptkb:musical_instruments neoclassical contemporary classical concerto grosso modern classical 20th-century classical music post-minimalism |
| gptkbp:technique |
improvisation
extended techniques |
| gptkbp:thematic_element |
varied and contrasting themes
complex and innovative complex thematic development explores various moods |
| gptkbp:theme |
dramatic contrasts
colorful orchestration varied and diverse varied and contrasting themes explores various musical themes contrast between sections lyrical passages recurring themes throughout the work rhythmic drive varied themes throughout movements playful and energetic motifs |
| gptkbp:themes |
celebration and joy
|
| gptkbp:time_period |
Baroque period
|
| gptkbp:uses |
various musical techniques
various instrumental techniques varied instrumental colors |
| gptkbp:was_a_precursor_to |
the symphony
|
| gptkbp:written_in |
five movements
|
| gptkbp:year_composed |
gptkb:1986
1943 1945 1950 1953 1721 |
| gptkbp:bfsParent |
gptkb:John_Adams
gptkb:Philip_Glass |
| gptkbp:bfsLayer |
3
|