|
gptkbp:instance_of
|
gptkb:musical_composition
|
|
gptkbp:associated_with
|
gptkb:Martin_Scorsese
gptkb:Alfred_Hitchcock
|
|
gptkbp:awards
|
gptkb:Grammy_Award
gptkb:Academy_Awards
gptkb:Golden_Globe_Award
|
|
gptkbp:characteristic
|
dissonance
dynamic contrasts
string instruments
thematic motifs
|
|
gptkbp:composed_by
|
gptkb:film
|
|
gptkbp:genre
|
gptkb:film_score
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
original score by Bernard Herrmann
|
|
gptkbp:influenced
|
modern film composers
|
|
gptkbp:influenced_by
|
gptkb:jazz_music
classical music
avant-garde music
film music
|
|
gptkbp:legacy
|
iconic film music
|
|
gptkbp:notable_collaborations
|
Hitchcock films
Scorsese films
|
|
gptkbp:notable_technique
|
rhythmic complexity
motivic development
use of silence
psychological tension
colorful orchestration
|
|
gptkbp:notable_work
|
gptkb:Vertigo
gptkb:Marnie
gptkb:North_by_Northwest
gptkb:Psycho
gptkb:The_39_Steps
gptkb:The_Day_the_Earth_Stood_Still
gptkb:The_Man_in_the_Gray_Flannel_Suit
gptkb:The_Snows_of_Kilimanjaro
gptkb:The_Last_Valley
gptkb:Journey_to_the_Center_of_the_Earth
gptkb:The_Ghost_and_Mrs._Muir
gptkb:The_Last_Temptation_of_Christ
gptkb:The_Man_Who_Knew_Too_Much
gptkb:The_Devil_and_Daniel_Webster
gptkb:The_Magnificent_Ambersons
gptkb:The_Night_Digger
gptkb:The_Trouble_with_Harry
gptkb:Fahrenheit_451
gptkb:The_Sound_of_Fury
gptkb:Taxi_Driver
gptkb:The_Seven_Percent_Solution
|
|
gptkbp:premiered_on
|
1950s
|
|
gptkbp:style
|
orchestral
|
|
gptkbp:bfsParent
|
gptkb:War_of_the_Worlds_(1938_radio_broadcast)
|
|
gptkbp:bfsLayer
|
4
|