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gptkbp:instance_of
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gptkb:film
|
|
gptkbp:adaptation
|
loose adaptation
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gptkbp:adapted_into
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gptkb:film
|
|
gptkbp:author
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gptkb:Booth_Tarkington
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|
gptkbp:awards
|
Academy Award nomination for Best Supporting Actress
Academy Award nomination for Best Picture
BAFTA nomination for Best Film
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gptkbp:based_on
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gptkb:novel
novel by Booth Tarkington
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|
gptkbp:box_office
|
$1.1 million
$1.5 million
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|
gptkbp:budget
|
$1.5 million
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|
gptkbp:cast
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gptkb:Michael_Gambon
gptkb:Richard_E._Grant
gptkb:John_D._Mc_Ginty
gptkb:Hannah_Taylor-Gordon
gptkb:Jeremy_Irons
gptkb:Timothy_Spall
gptkb:Matthew_Goode
gptkb:Jodhi_May
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|
gptkbp:character
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gptkb:Eugene_Morgan
gptkb:Fanny_Minafer
gptkb:George_Amberson_Minafer
gptkb:Isabel_Amberson
gptkb:Jack_Amberson
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gptkbp:cinematography
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gptkb:Gregg_Toland
gptkb:Phedon_Papamichael
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|
gptkbp:composer
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gptkb:T-Bone_Burnett
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|
gptkbp:country
|
gptkb:United_States
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|
gptkbp:critical_reception
|
mixed reviews
|
|
gptkbp:cultural_impact
|
critically acclaimed
cult following
considered a classic
influenced filmmakers
inspired discussions on adaptation
|
|
gptkbp:directed_by
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gptkb:Orson_Welles
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gptkbp:director
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gptkb:Mike_Figgis
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gptkbp:distributor
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gptkb:Sony_Pictures_Classics
|
|
gptkbp:edited_by
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gptkb:Verna_Fields
|
|
gptkbp:editor
|
gptkb:Mick_Audsley
|
|
gptkbp:film_festival
|
gptkb:film_festival
gptkb:Toronto_International_Film_Festival
|
|
gptkbp:film_score
|
gptkb:Richard_Hageman
|
|
gptkbp:filmography
|
gptkb:Verna_Fields
|
|
gptkbp:genre
|
gptkb:High_School
gptkb:novel
romance
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|
gptkbp:has_character
|
gptkb:Jack_Amberson
|
|
https://www.w3.org/2000/01/rdf-schema#label
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The Magnificent Ambersons
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gptkbp:influenced
|
gptkb:Citizen_Kane
gptkb:The_Godfather_Part_II
|
|
gptkbp:influenced_by
|
silent film era
|
|
gptkbp:influences
|
gptkb:Citizen_Kane
gptkb:The_Great_Gatsby
American literature
|
|
gptkbp:language
|
English
|
|
gptkbp:music_by
|
gptkb:Richard_Hageman
|
|
gptkbp:notable_feature
|
gptkb:book
cinematography style
period accuracy
|
|
gptkbp:notable_quote
|
" The past is never dead. It's not even past."
|
|
gptkbp:premiere
|
gptkb:Borough
|
|
gptkbp:produced_by
|
gptkb:RKO_Radio_Pictures
|
|
gptkbp:production_company
|
gptkb:Columbia_Pictures
|
|
gptkbp:published_by
|
1918
|
|
gptkbp:rating
|
gptkb:R
|
|
gptkbp:release_date
|
December 20, 2002
October 10, 1942
|
|
gptkbp:release_year
|
gptkb:2002
|
|
gptkbp:released
|
gptkb:1942
|
|
gptkbp:restoration
|
gptkb:1990
gptkb:2002
|
|
gptkbp:runtime
|
139 minutes
88 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Orson_Welles
gptkb:Mike_Figgis
|
|
gptkbp:set_in
|
early 20th century
|
|
gptkbp:setting
|
early 20th century America
|
|
gptkbp:starring
|
gptkb:Dolores_Costello
gptkb:Anne_Baxter
gptkb:Tim_Holt
gptkb:Joseph_Cotten
gptkb:Ray_Collins
|
|
gptkbp:themes
|
industrialization
social change
nostalgia
family dynamics
decline of aristocracy
|
|
gptkbp:bfsParent
|
gptkb:Orson_Welles
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|
gptkbp:bfsLayer
|
3
|