|
gptkbp:instanceOf
|
gptkb:film
|
|
gptkbp:AFI100
|
9
|
|
gptkbp:aspectRatio
|
1.85:1
|
|
gptkbp:basedOn
|
gptkb:D'entre_les_morts
gptkb:Pierre_Boileau
gptkb:Thomas_Narcejac
|
|
gptkbp:boxOfficeGross
|
$7.3 million (original release)
|
|
gptkbp:character
|
gptkb:John_'Scottie'_Ferguson
gptkb:Judy_Barton
gptkb:Madeleine_Elster
gptkb:Midge_Wood
gptkb:Gavin_Elster
|
|
gptkbp:cinematography
|
gptkb:Robert_Burks
|
|
gptkbp:colorProcess
|
gptkb:Technicolor
|
|
gptkbp:countryOfOrigin
|
gptkb:United_States
|
|
gptkbp:criteria
|
gptkb:United_States_National_Film_Registry
|
|
gptkbp:criticalReception
|
acclaimed in later years
mixed at release
|
|
gptkbp:directed
|
gptkb:Alfred_Hitchcock
|
|
gptkbp:distributedBy
|
gptkb:Paramount_Pictures
|
|
gptkbp:editingBy
|
gptkb:George_Tomasini
|
|
gptkbp:enteredInto
|
gptkb:Cannes_Classics_2013
|
|
gptkbp:genre
|
mystery
psychological thriller
|
|
gptkbp:homeMediaRelease
|
gptkb:DVD
gptkb:Blu-ray
gptkb:VHS
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Vertigo
|
|
gptkbp:language
|
English
|
|
gptkbp:musicBy
|
gptkb:Bernard_Herrmann
|
|
gptkbp:notableFor
|
innovative camera techniques
dolly zoom effect
themes of obsession and identity
|
|
gptkbp:posterArtist
|
gptkb:Saul_Bass
|
|
gptkbp:producedBy
|
gptkb:Alfred_Hitchcock
|
|
gptkbp:productionCompany
|
gptkb:Alfred_J._Hitchcock_Productions
|
|
gptkbp:rank
|
gptkb:Sight_&_Sound_2012
greatest film of all time (Sight & Sound 2012 critics' poll)
|
|
gptkbp:releaseYear
|
1958
|
|
gptkbp:restored
|
gptkb:James_C._Katz
gptkb:Robert_A._Harris
|
|
gptkbp:runtime
|
128 minutes
|
|
gptkbp:screenplayBy
|
gptkb:Alec_Coppel
gptkb:Samuel_A._Taylor
|
|
gptkbp:setIn
|
gptkb:San_Francisco
|
|
gptkbp:starring
|
gptkb:James_Stewart
gptkb:Kim_Novak
|
|
gptkbp:theme
|
gptkb:identity
deception
acrophobia
romantic obsession
|
|
gptkbp:bfsParent
|
gptkb:DC
gptkb:U2
|
|
gptkbp:bfsLayer
|
4
|