gptkbp:instanceOf
|
film
|
gptkbp:awards
|
0
1
|
gptkbp:basedOn
|
gptkb:The_Man_Who_Knew_Too_Much_(1934_film)
|
gptkbp:birthYear
|
1934
|
gptkbp:boxOffice
|
$1 million
$7 million
|
gptkbp:cinematographyBy
|
gptkb:Robert_Burks
Yes
Suspenseful storytelling.
|
gptkbp:country
|
gptkb:United_States
|
gptkbp:criticalReception
|
Generally positive reviews
Mixed reviews.
|
gptkbp:culturalImpact
|
Considered a classic thriller.
Paved the way for future thrillers.
|
gptkbp:director
|
gptkb:Alfred_Hitchcock
|
gptkbp:editor
|
George Tomasini
|
gptkbp:filmography
|
Highly regarded.
|
gptkbp:genre
|
thriller
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Man Who Knew Too Much
|
gptkbp:influenced
|
Many subsequent thrillers.
|
gptkbp:influencedBy
|
gptkb:The_Man_Who_Knew_Too_Much_(1934)
The original 1934 film.
|
gptkbp:inventorCountry
|
gptkb:United_Kingdom
|
gptkbp:language
|
English
|
gptkbp:musicBy
|
gptkb:Bernard_Herrmann
|
gptkbp:musicComposer
|
gptkb:Arthur_Benjamin
|
gptkbp:notableArtists
|
gptkb:Doris_Day
gptkb:Ralph_Meeker
gptkb:James_Stewart
Bernard_Herrmann.
|
gptkbp:notableFeature
|
The assassination attempt at the concert.
The_climax_in_the_Moroccan_marketplace.
|
gptkbp:notableSong
|
gptkb:Que_Sera,_Sera_(Whatever_Will_Be,_Will_Be)
|
gptkbp:officialLanguage
|
English
|
gptkbp:originalPurpose
|
gptkb:Alfred_Hitchcock
gptkb:Gaumont_British_Picture_Corporation
0
|
gptkbp:plot
|
A couple becomes embroiled in an international plot after their child is kidnapped.
|
gptkbp:productionCompany
|
gptkb:Paramount_Pictures
|
gptkbp:releaseDate
|
October 24, 1956
|
gptkbp:releaseYear
|
1956
|
gptkbp:remake
|
gptkb:The_Man_Who_Knew_Too_Much_(1934)
1956
|
gptkbp:runtime
|
120 minutes
75 minutes
|
gptkbp:screenplayBy
|
gptkb:John_Michael_Hayes
|
gptkbp:starring
|
gptkb:Doris_Day
gptkb:James_Stewart
|
gptkbp:styleOfPlay
|
gptkb:Charles_Bennett
|