Transcendental Style in Film: Ozu, Bresson, Dreyer
GPTKB entity
Statements (20)
| Predicate | Object |
|---|---|
| gptkbp:instanceOf |
gptkb:book
|
| gptkbp:author |
gptkb:Paul_Schrader
|
| gptkbp:countryOfOrigin |
gptkb:United_States
|
| gptkbp:genre |
non-fiction
|
| gptkbp:influenced |
film studies
film criticism |
| gptkbp:ISBN |
9780306803352
|
| gptkbp:language |
English
|
| gptkbp:notableFor |
analysis of transcendental style in cinema
|
| gptkbp:pages |
224
|
| gptkbp:publicationYear |
1972
|
| gptkbp:publisher |
gptkb:University_of_California_Press
|
| gptkbp:subject |
gptkb:Carl_Theodor_Dreyer
gptkb:cinema gptkb:film gptkb:Yasujirō_Ozu gptkb:Robert_Bresson |
| gptkbp:bfsParent |
gptkb:Paul_Schrader
|
| gptkbp:bfsLayer |
6
|
| https://www.w3.org/2000/01/rdf-schema#label |
Transcendental Style in Film: Ozu, Bresson, Dreyer
|