|
gptkbp:instanceOf
|
gptkb:film_director
gptkb:person
gptkb:screenwriter
|
|
gptkbp:almaMater
|
gptkb:Lycée_Lakanal
|
|
gptkbp:awardReceived
|
gptkb:Best_Director_at_Cannes_Film_Festival
gptkb:Golden_Lion_for_Career_Achievement
|
|
gptkbp:birthDate
|
1901-09-25
|
|
gptkbp:birthPlace
|
gptkb:Bromont-Lamothe,_France
|
|
gptkbp:burialPlace
|
gptkb:Cimetière_de_Dagneux
|
|
gptkbp:deathDate
|
1999-12-18
|
|
gptkbp:deathPlace
|
gptkb:Paris,_France
|
|
gptkbp:filmography
|
gptkb:A_Man_Escaped
gptkb:Angels_of_Sin
gptkb:Au_Hasard_Balthazar
gptkb:Diary_of_a_Country_Priest
gptkb:L'Argent
gptkb:Lancelot_du_Lac
gptkb:Les_Dames_du_Bois_de_Boulogne
gptkb:Mouchette
gptkb:Pickpocket
gptkb:The_Devil,_Probably
gptkb:The_Trial_of_Joan_of_Arc
|
|
gptkbp:genre
|
drama
experimental film
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Robert Bresson
|
|
gptkbp:influenced
|
gptkb:Michael_Haneke
gptkb:Jean-Luc_Godard
gptkb:Andrei_Tarkovsky
gptkb:Paul_Schrader
|
|
gptkbp:influencedBy
|
gptkb:Fyodor_Dostoevsky
|
|
gptkbp:language
|
gptkb:French
|
|
gptkbp:nationality
|
gptkb:French
|
|
gptkbp:notableWork
|
gptkb:A_Man_Escaped
gptkb:Au_Hasard_Balthazar
gptkb:Diary_of_a_Country_Priest
gptkb:L'Argent
gptkb:Lancelot_du_Lac
gptkb:Les_Dames_du_Bois_de_Boulogne
gptkb:Mouchette
gptkb:Pickpocket
gptkb:The_Trial_of_Joan_of_Arc
|
|
gptkbp:occupation
|
gptkb:film_director
gptkb:screenwriter
|
|
gptkbp:religion
|
gptkb:Catholicism
|
|
gptkbp:signature
|
spiritual themes
ascetic visual style
minimalist sound design
use of non-professional actors
|
|
gptkbp:spouse
|
gptkb:Marie-Madeleine_van_der_Mersch
|
|
gptkbp:subjectOf
|
gptkb:Bresson,_Notes_on_the_Cinematographer_(book)
gptkb:Bresson_on_Bresson_(book)
|
|
gptkbp:yearsActive
|
1933–1983
|
|
gptkbp:bfsParent
|
gptkb:Gus_Van_Sant
|
|
gptkbp:bfsLayer
|
4
|