Properties (50)
| Predicate | Object |
|---|---|
| gptkbp:instanceOf |
film director
|
| gptkbp:activeYears |
1919–1966
|
| gptkbp:associatedAct |
gptkb:Film_Society_of_Lincoln_Center
gptkb:Cinematheque_Française gptkb:Danish_Film_Institute Criterion Collection |
| gptkbp:awards |
Best_Director_at_the_Cannes_Film_Festival
|
| gptkbp:born |
February 3, 1889
|
| gptkbp:burialPlace |
gptkb:Cemetery_of_Vestre_Gravlund
|
| gptkbp:child |
gptkb:Henrik_Dreyer
gptkb:Kirsten_Dreyer Jørgen Dreyer |
| gptkbp:died |
March 20, 1968
|
| gptkbp:filmography |
natural lighting
character-driven stories long takes exploration of identity exploration of faith use of silence exploration of the human condition exploration of love exploration of spirituality exploration of existentialism thematic complexity exploration of morality close-ups exploration of death exploration of redemption emphasis on performance exploration of human suffering non-linear_narratives |
| https://www.w3.org/2000/01/rdf-schema#label |
Carl Theodor Dreyer
|
| gptkbp:influenced |
gptkb:Andrei_Tarkovsky
gptkb:German_Expressionism gptkb:French_Impressionism gptkb:Ingmar_Bergman gptkb:Robert_Bresson silent film |
| gptkbp:is_known_for |
religious themes
innovative cinematography psychological depth minimalist style |
| gptkbp:nationality |
Danish
|
| gptkbp:notableWork |
Gertrud
Ordet The Passion of Joan of Arc Vampyr |
| gptkbp:occupation |
screenwriter
film editor |
| gptkbp:spouse |
Marie_Ejlersen
|