|
gptkbp:instanceOf
|
gptkb:person
|
|
gptkbp:almaMater
|
gptkb:Waseda_University
|
|
gptkbp:awards
|
gptkb:Blue_Ribbon_Award_for_Best_Director
gptkb:Mainichi_Film_Award_for_Best_Director
|
|
gptkbp:birthDate
|
1903-12-12
|
|
gptkbp:birthPlace
|
gptkb:Tokyo,_Japan
|
|
gptkbp:burialPlace
|
Engaku-ji, Kamakura, Japan
|
|
gptkbp:causeOfDeath
|
gptkb:cancer
|
|
gptkbp:collaboratesWith
|
gptkb:Haruko_Sugimura
gptkb:Kogo_Noda
gptkb:Setsuko_Hara
gptkb:Chishū_Ryū
|
|
gptkbp:deathDate
|
1963-12-12
|
|
gptkbp:deathPlace
|
gptkb:Tokyo,_Japan
|
|
gptkbp:firstBook
|
gptkb:Sword_of_Penitence
|
|
gptkbp:genre
|
shomingeki
|
|
gptkbp:influenced
|
gptkb:Wim_Wenders
gptkb:Jim_Jarmusch
gptkb:Paul_Schrader
gptkb:Hou_Hsiao-hsien
|
|
gptkbp:knownFor
|
minimalist style
depiction of family life
pillow shots
use of ellipsis
|
|
gptkbp:language
|
Japanese
|
|
gptkbp:lastFilm
|
gptkb:An_Autumn_Afternoon
|
|
gptkbp:militaryService
|
gptkb:Imperial_Japanese_Army
1937–1939
|
|
gptkbp:nationality
|
Japanese
|
|
gptkbp:notableWork
|
gptkb:An_Autumn_Afternoon
gptkb:Floating_Weeds
gptkb:I_Was_Born,_But...
gptkb:Tokyo_Story
Early Summer
Late Spring
|
|
gptkbp:numberOfFilms
|
54
|
|
gptkbp:occupation
|
gptkb:film_director
gptkb:screenwriter
|
|
gptkbp:restingPlace
|
Engaku-ji, Kamakura, Japan
|
|
gptkbp:style
|
low camera angles
domestic drama
static camera
|
|
gptkbp:theme
|
generational conflict
modernization of Japan
marriage and family
transience of life
|
|
gptkbp:yearsActive
|
1927–1962
|
|
gptkbp:bfsParent
|
gptkb:Takeshi_Sakamoto
gptkb:Toho
gptkb:Doing_as_One_Likes
gptkb:Hirokazu_Kore-eda
|
|
gptkbp:bfsLayer
|
6
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Yasujirō Ozu
|