|
gptkbp:instance_of
|
gptkb:film
|
|
gptkbp:art_style
|
Avant-garde
|
|
gptkbp:artistic_technique
|
Double exposure
|
|
gptkbp:awards
|
gptkb:N/_A
|
|
gptkbp:cinematography
|
gptkb:Mikhail_Kaufman
|
|
gptkbp:country
|
gptkb:Soviet_Union
|
|
gptkbp:critical_reception
|
Highly acclaimed
|
|
gptkbp:cultural_impact
|
Influential in cinema history
|
|
gptkbp:cultural_significance
|
Pioneering work in documentary filmmaking
|
|
gptkbp:director
|
gptkb:Dziga_Vertov
gptkb:Jean-Luc_Godard
|
|
gptkbp:distributor
|
gptkb:Kino_International
|
|
gptkbp:editing
|
Rhythmic editing
|
|
gptkbp:editor
|
gptkb:Dziga_Vertov
|
|
gptkbp:film_debut
|
gptkb:Man_with_a_Movie_Camera
|
|
gptkbp:film_festival
|
gptkb:Cannes_Film_Festival
|
|
gptkbp:film_length
|
68 minutes
|
|
gptkbp:film_score
|
gptkb:N/_A
|
|
gptkbp:film_series
|
gptkb:N/_A
|
|
gptkbp:film_technique
|
gptkb:documentary
Camera movement
Tracking shots
|
|
gptkbp:filmography
|
Studied in film schools
|
|
gptkbp:genre
|
gptkb:documentary
|
|
gptkbp:has_cultural_impact
|
Influence on modern documentaries
|
|
gptkbp:home_media_release
|
gptkb:2000
|
|
gptkbp:influenced
|
Experimental film
|
|
gptkbp:influenced_artists
|
Experimental documentary
|
|
gptkbp:influenced_by
|
Constructivism
|
|
gptkbp:influenced_cinematographers
|
gptkb:Christopher_Doyle
|
|
gptkbp:inspiration
|
gptkb:Soviet_montage_theory
|
|
gptkbp:is_influenced_by
|
gptkb:Avant-garde_cinema
|
|
gptkbp:language
|
Silent
|
|
gptkbp:legacy
|
Considered a classic
|
|
gptkbp:music
|
gptkb:Various_Artists
|
|
gptkbp:narrative_style
|
Non-narrative
|
|
gptkbp:notable_aspect
|
Innovative editing techniques
|
|
gptkbp:notable_cinematic_aspect
|
Cinematic realism
|
|
gptkbp:notable_cinematic_element
|
Social commentary
|
|
gptkbp:notable_cinematic_influence
|
Influence on visual storytelling
|
|
gptkbp:notable_cinematic_innovation
|
Use of real-life footage
|
|
gptkbp:notable_cinematic_style
|
Experimental narrative
|
|
gptkbp:notable_cinematic_technique
|
Slow motion
|
|
gptkbp:notable_cinematic_theme
|
Modernity
|
|
gptkbp:notable_editing_technique
|
Jump cuts
|
|
gptkbp:notable_influence
|
Influence on music videos
|
|
gptkbp:notable_scene
|
City life montage
|
|
gptkbp:notable_technique
|
Montage
|
|
gptkbp:premiere
|
gptkb:2000_Cannes_Film_Festival
|
|
gptkbp:release_format
|
gptkb:DVD
|
|
gptkbp:release_year
|
gptkb:2000
|
|
gptkbp:remastering
|
Digital restoration
|
|
gptkbp:renovation
|
gptkb:2000
|
|
gptkbp:runtime
|
68 minutes
|
|
gptkbp:thematic_element
|
Urban life
|
|
gptkbp:writer
|
gptkb:Dziga_Vertov
|
|
gptkbp:bfsParent
|
gptkb:Mikhail_Vertov
|
|
gptkbp:bfsLayer
|
6
|