Statements (65)
Predicate | Object |
---|---|
gptkbp:instance_of |
gptkb:film
|
gptkbp:bfsLayer |
5
|
gptkbp:bfsParent |
gptkb:Dziga_Vertov
gptkb:The_Man_with_the_Movie_Camera gptkb:The_Red_Square_(1929) |
gptkbp:aims_to |
create emotional responses
|
gptkbp:applies_to |
documentary filmmaking
narrative filmmaking |
gptkbp:associated_with |
gptkb:Dziga_Vertov
gptkb:Vsevolod_Pudovkin gptkb:Sergei_Eisenstein |
gptkbp:developed_by |
Soviet filmmakers
|
gptkbp:emphasizes |
juxtaposition of images
|
gptkbp:examines |
cultural studies
media studies film theory courses film history courses |
gptkbp:focuses_on |
editing techniques
|
gptkbp:has_influence_on |
global cinema
|
https://www.w3.org/2000/01/rdf-schema#label |
Soviet montage theory
|
gptkbp:includes |
rhythmic montage
dialectical montage metric montage overtonal montage tonal montage |
gptkbp:influenced |
modern editing practices
|
gptkbp:influenced_by |
Marxist ideology
|
gptkbp:is_associated_with |
gptkb:the_October_Revolution
gptkb:the_Soviet_Union |
gptkbp:is_characterized_by |
non-linear storytelling
|
gptkbp:is_compared_to |
continuity editing
|
gptkbp:is_considered |
a foundational concept in film theory
a precursor to postmodern editing techniques a revolutionary approach to filmmaking a significant movement in film history |
gptkbp:is_criticized_for |
overly intellectual approach
|
gptkbp:is_explored_in |
gptkb:Film_Director
gptkb:Educational_Institution gptkb:literary_work academic literature film theorists |
gptkbp:is_influenced_by |
gptkb:historical_event
Soviet cultural context Soviet political context |
gptkbp:is_linked_to |
theories of perception
theories of representation theories of narrative structure theories of audience reception |
gptkbp:is_noted_for |
its revolutionary impact
|
gptkbp:is_recognized_for |
its innovative techniques
its contribution to film editing its impact on film language its role in shaping cinematic aesthetics |
gptkbp:is_reflected_in |
gptkb:battle
music videos experimental films commercial films |
gptkbp:is_related_to |
gptkb:film
|
gptkbp:is_studied_in |
film schools
|
gptkbp:is_used_to |
engage audiences
challenge traditional narratives analyze films create meaning in cinema |
gptkbp:promotes |
thematic storytelling
|
gptkbp:used_in |
gptkb:Soviet_cinema
|