|
gptkbp:instance_of
|
gptkb:film
|
|
gptkbp:bfsLayer
|
4
|
|
gptkbp:bfsParent
|
gptkb:Matthew_Barney
|
|
gptkbp:art_style
|
gptkb:Matthew_Barney
surrealism
symbolism
|
|
gptkbp:awards
|
gptkb:none
|
|
gptkbp:box_office
|
limited release
|
|
gptkbp:character_appearance
|
gptkb:Matthew_Barney
|
|
gptkbp:cinematography
|
Kirk P. Thomas
|
|
gptkbp:critical_reception
|
mixed reviews
|
|
gptkbp:design
|
gptkb:Matthew_Barney
|
|
gptkbp:director
|
gptkb:Matthew_Barney
|
|
gptkbp:distributor
|
gptkb:Kino_International
|
|
gptkbp:editor
|
Jesse Mc Lean
|
|
gptkbp:features
|
gptkb:Eve_Sussman
gptkb:John_Epperson
gptkb:Richard_Serra
gptkb:Diana_Weymar
gptkb:Aimee_Mullins
|
|
gptkbp:filming_location
|
gptkb:Ireland
gptkb:Italy
gptkb:Monarch
gptkb:United_Kingdom
gptkb:United_States
|
|
gptkbp:follows
|
gptkb:The_Cremaster_5
|
|
gptkbp:genre
|
gptkb:film
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Cremaster 46
|
|
gptkbp:influences
|
gptkb:art_installation
gptkb:artwork
gptkb:film
surrealist art
avant-garde film
|
|
gptkbp:inspired_by
|
gptkb:Cremaster_1
gptkb:Cremaster_2
gptkb:Cremaster_3
gptkb:Cremaster_4
gptkb:Cremaster_5
|
|
gptkbp:language
|
English
|
|
gptkbp:music_by
|
gptkb:Matthew_Barney
|
|
gptkbp:narrative_style
|
non-linear
|
|
gptkbp:part_of
|
gptkb:Cremaster_Cycle
|
|
gptkbp:premiere
|
gptkb:2002_Venice_Film_Festival
|
|
gptkbp:production_company
|
gptkb:Artangel
|
|
gptkbp:release_year
|
gptkb:2002
|
|
gptkbp:runtime
|
90 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Matthew_Barney
|
|
gptkbp:themes
|
gptkb:mythological_figure
gptkb:artwork
gptkb:organization
sexuality
|