|
gptkbp:instance_of
|
gptkb:film
|
|
gptkbp:awards
|
Best Experimental Film at the 2002 New York Film Festival
|
|
gptkbp:box_office
|
$2 million
|
|
gptkbp:budget
|
$1 million
|
|
gptkbp:cinematography
|
gptkb:Darius_Khondji
|
|
gptkbp:critical_reception
|
mixed reviews
|
|
gptkbp:director
|
gptkb:Matthew_Barney
|
|
gptkbp:distributor
|
gptkb:Kino_International
|
|
gptkbp:filming_location
|
gptkb:London
gptkb:Los_Angeles
gptkb:New_York
gptkb:Paris
|
|
gptkbp:follows
|
gptkb:Cremaster_1
|
|
gptkbp:genre
|
gptkb:film
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Cremaster 2
|
|
gptkbp:influences
|
gptkb:Dadaism
gptkb:Modernism
gptkb:Postmodernism
gptkb:feminism
gptkb:Surrealism
|
|
gptkbp:inspired_by
|
gptkb:The_Cremaster_Cycle
Matthew Barney's art
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|
gptkbp:is_part_of
|
gptkb:Cremaster_series
|
|
gptkbp:language
|
English
|
|
gptkbp:music_composer
|
gptkb:Jonathan_Bepler
|
|
gptkbp:notable_cast
|
gptkb:Martha_Graham
gptkb:Matthew_Barney
gptkb:Catherine_Keener
gptkb:Kathy_Acker
gptkb:Paul_Mc_Carthy
gptkb:Richard_Serra
gptkb:Mickey_Rourke
gptkb:Diana_Weymar
gptkb:Aimee_Mullins
|
|
gptkbp:part_of
|
gptkb:Cremaster_Cycle
|
|
gptkbp:precedes
|
gptkb:Cremaster_3
|
|
gptkbp:premiere_location
|
gptkb:New_York_City
|
|
gptkbp:production_company
|
gptkb:Artangel
|
|
gptkbp:release_year
|
gptkb:1999
gptkb:2002
|
|
gptkbp:released_in
|
gptkb:2002
|
|
gptkbp:runtime
|
90 minutes
|
|
gptkbp:screenings
|
digital
35mm
|
|
gptkbp:setting
|
a reimagined version of the American West
|
|
gptkbp:themes
|
gptkb:cultural_identity
gptkb:performance_art
gptkb:mythology
creation
surrealism
|
|
gptkbp:bfsParent
|
gptkb:Matthew_Barney
gptkb:The_Cremaster_Cycle
gptkb:Cremaster_3
|
|
gptkbp:bfsLayer
|
5
|