|
gptkbp:instance_of
|
gptkb:film
|
|
gptkbp:bfsLayer
|
4
|
|
gptkbp:bfsParent
|
gptkb:Matthew_Barney
|
|
gptkbp:art_style
|
surrealism
symbolism
|
|
gptkbp:awards
|
gptkb:Special_Jury_Prize
gptkb:Best_Experimental_Film
|
|
gptkbp:box_office
|
$1 million
|
|
gptkbp:cinematography
|
Kirk P. Thomas
|
|
gptkbp:critical_reception
|
mixed reviews
|
|
gptkbp:cultural_impact
|
inspired artists
influenced contemporary art
featured in exhibitions
discussed in film studies
analyzed in art criticism
|
|
gptkbp:director
|
gptkb:Matthew_Barney
|
|
gptkbp:distributor
|
gptkb:Artangel
|
|
gptkbp:edited_by
|
gptkb:Matthew_Barney
|
|
gptkbp:features
|
gptkb:Matthew_Barney
gptkb:Elizabeth_Berkley
gptkb:Aidan_Gillen
gptkb:Diana_Weymar
|
|
gptkbp:follows
|
gptkb:The_Cremaster_4
|
|
gptkbp:genre
|
gptkb:film
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Cremaster 5
|
|
gptkbp:influences
|
gptkb:philosopher
gptkb:church
gptkb:Artist
gptkb:Monarch
|
|
gptkbp:language
|
English
|
|
gptkbp:music_by
|
gptkb:Matthew_Barney
|
|
gptkbp:notable_appearance
|
gptkb:The_Ascension
gptkb:The_Climb
gptkb:The_Rite_of_Spring
The Final Scene
|
|
gptkbp:part_of
|
gptkb:Cremaster_Cycle
|
|
gptkbp:precedes
|
gptkb:The_Cremaster_3
|
|
gptkbp:premiere
|
gptkb:1997_Cannes_Film_Festival
|
|
gptkbp:produced_by
|
gptkb:Matthew_Barney
|
|
gptkbp:release_year
|
gptkb:1997
|
|
gptkbp:runtime
|
90 minutes
|
|
gptkbp:themes
|
gptkb:mythological_figure
gptkb:organization
creation
sexuality
artistic process
|