|
gptkbp:instance_of
|
gptkb:film
|
|
gptkbp:bfsLayer
|
4
|
|
gptkbp:bfsParent
|
gptkb:Matthew_Barney
|
|
gptkbp:awards
|
Best Director at the 2019 Venice Film Festival
|
|
gptkbp:budget
|
$1 million
|
|
gptkbp:cast
|
gptkb:Isabella_Rossellini
gptkb:Matthew_Barney
gptkb:Paulina_Porizkova
gptkb:Catherine_Keener
gptkb:Richard_Serra
gptkb:Aimee_Mullins
|
|
gptkbp:cinematography
|
gptkb:Darius_Khondji
|
|
gptkbp:color
|
gptkb:color
|
|
gptkbp:country
|
gptkb:United_States
|
|
gptkbp:critical_reception
|
Mixed reviews
|
|
gptkbp:director
|
gptkb:Matthew_Barney
|
|
gptkbp:distributor
|
gptkb:Kino_Lorber
|
|
gptkbp:genre
|
gptkb:film
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Cremaster 5
|
|
gptkbp:impact
|
Cultural discussions
Inspired artists
Film theory discussions
Influenced contemporary art films
|
|
gptkbp:influences
|
gptkb:philosopher
gptkb:Artist
gptkb:Monarch
gptkb:artwork
|
|
gptkbp:inspiration
|
gptkb:physicist
Art history
Cultural references
Cremaster muscle
|
|
gptkbp:is_part_of
|
gptkb:Cremaster_series
|
|
gptkbp:language
|
English
|
|
gptkbp:music
|
gptkb:Jonathan_Bepler
|
|
gptkbp:narrative_style
|
Non-linear
|
|
gptkbp:part_of
|
gptkb:Cremaster_Cycle
|
|
gptkbp:premiere
|
gptkb:Guggenheim_Museum
|
|
gptkbp:production_company
|
gptkb:Mathew_Barney_Productions
|
|
gptkbp:release_year
|
gptkb:1997
gptkb:2019
|
|
gptkbp:released_in
|
gptkb:1997
|
|
gptkbp:runtime
|
90 minutes
|
|
gptkbp:screenings
|
gptkb:film_festival
gptkb:Berlin_International_Film_Festival
gptkb:Toronto_International_Film_Festival
|
|
gptkbp:setting
|
the world of the opera
|
|
gptkbp:style
|
Multimedia
Experimental film
Visual symbolism
Abstract narrative
|
|
gptkbp:themes
|
gptkb:TV_series
gptkb:patent
gptkb:mythological_figure
Gender
|