Statements (54)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:document
|
| gptkbp:art_movement |
gptkb:Fluxus
gptkb:Minimalism gptkb:Postmodernism Performance art movement |
| gptkbp:attendance |
Over 100,000 visitors
|
| gptkbp:cultural_significance |
International collaboration
Interdisciplinary approaches Art as a form of protest Critique of modernity Exploration of identity Art as a reflection of society Art as a tool for change Engagement with social issues Art as a means of communication Art as a means of expression Art as a political statement Art as a way to challenge norms Art as a reflection of the human condition Art as a catalyst for discussion Art as a commentary on contemporary issues Art as a means of exploring the future. Dialogue with history Reflection on war and conflict |
| gptkbp:curator |
gptkb:Harald_Szeemann
|
| gptkbp:duration |
100 days
|
| gptkbp:exhibition |
Contemporary art exhibition
|
| gptkbp:exhibition_space |
gptkb:Kunsthalle_Kassel
gptkb:Fridericianum gptkb:orange gptkb:Documenta_Halle |
| gptkbp:followed_by |
gptkb:Documenta_6
|
| https://www.w3.org/2000/01/rdf-schema#label |
The 1974 Documenta
|
| gptkbp:influenced_by |
gptkb:performance_art
Conceptual art |
| gptkbp:is_significant_for |
gptkb:The_End_of_the_World
gptkb:The_Black_Room gptkb:I_Like_America_and_America_Likes_Me gptkb:The_Pack |
| gptkbp:location |
gptkb:Kassel,_Germany
|
| gptkbp:notable_artist |
gptkb:Joseph_Beuys
gptkb:Marina_Abramović gptkb:Richard_Serra gptkb:Robert_Rauschenberg |
| gptkbp:notable_installation |
The 1974 Documenta's ' The End of the World' installation.
The ' Black Room' installation. The ' Pack' installation. The ' I Like America and America Likes Me' installation. |
| gptkbp:performers |
Approximately 200
|
| gptkbp:preceded_by |
gptkb:Documenta_5
|
| gptkbp:theme |
The end of the world
|
| gptkbp:year |
gptkb:1974
|
| gptkbp:bfsParent |
gptkb:Lee_Ufan
|
| gptkbp:bfsLayer |
5
|