|
gptkbp:instance_of
|
gptkb:art_exhibition
gptkb:song
gptkb:installation_art
gptkb:television_episode
gptkb:musical_group
gptkb:artwork
gptkb:film
|
|
gptkbp:addressed
|
environmental concerns
|
|
gptkbp:aims_to
|
raise awareness
|
|
gptkbp:air_date
|
2005-04-30
|
|
gptkbp:album
|
gptkb:Finn_Andrews
gptkb:Skeeter_Davis_Sings_The_End_of_the_World
|
|
gptkbp:art_movement
|
gptkb:contemporary_art
Postwar Art
|
|
gptkbp:art_style
|
surrealism
symbolism
abstract imagery
vivid colors
|
|
gptkbp:artist
|
gptkb:Thomas_Hirschhorn
gptkb:Skeeter_Davis
|
|
gptkbp:associated_artist
|
gptkb:Julia_Jacklin
|
|
gptkbp:associated_with
|
gptkb:performance_art
gptkb:installation_art
social commentary
conceptual installations
ecological art
|
|
gptkbp:audience
|
General Public
interactive elements
|
|
gptkbp:available_on
|
gptkb:DVD
gptkb:Blu-ray
gptkb:streaming_platforms
|
|
gptkbp:b-side
|
I Can't Help You
|
|
gptkbp:box_office
|
limited release
|
|
gptkbp:calls_for
|
awareness
|
|
gptkbp:challenges
|
traditional art forms
audience perceptions
environmental narratives
|
|
gptkbp:character_development
|
complex characters
|
|
gptkbp:chart_position
|
#2 on Billboard Hot 100
|
|
gptkbp:cinematography_by
|
gptkb:Ari_Marcopoulos
|
|
gptkbp:closed
|
2023-12-31
|
|
gptkbp:closing_date
|
2024-01-14
2023-09-30
2023-10-31
2024-01-15
|
|
gptkbp:collaborator
|
local communities
|
|
gptkbp:collection
|
gptkb:Museum_of_Modern_Art,_New_York
|
|
gptkbp:color_palette
|
dark colors
earth tones
metallic hues
|
|
gptkbp:composed_by
|
various media
|
|
gptkbp:country
|
gptkb:United_Kingdom
gptkb:United_States
|
|
gptkbp:cover_version
|
gptkb:Glen_Campbell
gptkb:The_Carpenters
|
|
gptkbp:created_by
|
gptkb:Thomas_Hirschhorn
gptkb:Matthew_Barney
gptkb:Douglas_Huebler
gptkb:Joseph_Beuys
gptkb:Anselm_Kiefer
|
|
gptkbp:critical_reception
|
positive
mixed reviews
positive reviews
|
|
gptkbp:cultural_impact
|
gptkb:art_community
gptkb:art_critics
art exhibitions
film festivals
academic studies
featured in films and TV shows
|
|
gptkbp:cultural_significance
|
addresses trauma
challenges perceptions of history
contributes to discussions on identity
explores collective memory
invites reflection on the past
|
|
gptkbp:curated_by
|
gptkb:BALTIC_Centre_for_Contemporary_Art
White Cube Team
|
|
gptkbp:curator
|
gptkb:Massimiliano_Gioni
|
|
gptkbp:date
|
gptkb:2023
|
|
gptkbp:depicted_in
|
symbolic
provocative
transformative
|
|
gptkbp:description
|
features a desolate landscape
a large-scale painting
depicts apocalyptic themes
reflects on destruction and rebirth
uses symbolic imagery
A commentary on ecological and social issues.
|
|
gptkbp:dimensions
|
variable
300 x 400 cm
|
|
gptkbp:director
|
gptkb:Euros_Lyn
|
|
gptkbp:discusses
|
humanity's relationship with nature
themes of perception and reality
|
|
gptkbp:distributor
|
gptkb:Kino_International
|
|
gptkbp:duration
|
60 minutes
Several Months
several months
|
|
gptkbp:edited_by
|
gptkb:Matthew_Barney
|
|
gptkbp:end_date
|
2024-01-15
|
|
gptkbp:episode_number
|
gptkb:26
|
|
gptkbp:exhibited_at
|
gptkb:Whitney_Museum_of_American_Art
gptkb:documenta_7
gptkb:Royal_Academy_of_Arts
gptkb:Switzerland
gptkb:Museum_of_Modern_Art
gptkb:Documenta_IX
Various Locations
Various galleries
|
|
gptkbp:exhibition
|
gptkb:exhibition
gptkb:art_exhibition
gptkb:contemporary_art
solo exhibition
|
|
gptkbp:exhibition_location
|
gptkb:Kassel
gptkb:Gallery_of_Modern_Art
|
|
gptkbp:exhibition_year
|
gptkb:1983
gptkb:1990
|
|
gptkbp:exhibits
|
satirical themes
|
|
gptkbp:explores
|
social issues
|
|
gptkbp:famous_song
|
' Why does the sun go on shining?'
|
|
gptkbp:features
|
gptkb:Isabella_Rossellini
gptkb:Installations
gptkb:Drawings
gptkb:New_Works
gptkb:the_Moxx_of_Balhoon
gptkb:Alien
Sculptures
text and images
natural materials
New works
video projections
the Tree of Life
the Adherents of the Repeated Meme
the Face of Boe
David Shrigley's works
|
|
gptkbp:features_artist
|
gptkb:Hito_Steyerl
gptkb:Kara_Walker
gptkb:Maya_Lin
gptkb:Tabor_Robak
emerging artists
|
|
gptkbp:features_works_by
|
gptkb:David_Shrigley
|
|
gptkbp:follows
|
gptkb:Drawing_Restraint_9
gptkb:rose
|
|
gptkbp:format
|
gptkb:single
|
|
gptkbp:genre
|
gptkb:Country
gptkb:film
Experimental
alternative rock
indie rock
|
|
gptkbp:has_soundtrack
|
gptkb:Murray_Gold
|
|
gptkbp:historical_interpretation
|
a call to action
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The End of the World
|
|
gptkbp:includes
|
gptkb:sculptures
|
|
gptkbp:influenced
|
gptkb:contemporary_art
gptkb:performance_art
gptkb:installation_art
pop music
film making
|
|
gptkbp:influenced_artists
|
gptkb:Matthew_Barney
gptkb:Bill_Viola
gptkb:Sigmar_Polke
gptkb:Gerhard_Richter
gptkb:Marina_Abramović
gptkb:Yoko_Ono
gptkb:David_Lynch
gptkb:Julian_Schnabel
|
|
gptkbp:influenced_by
|
gptkb:Fluxus
gptkb:mythology
gptkb:German_Romanticism
gptkb:Postmodernism
gptkb:Surrealism
pop music
political activism
traditional country music
cultural critiques
ecological movements
conceptual art movement
artistic movements of the 20th century
|
|
gptkbp:influences
|
gptkb:philosophy
|
|
gptkbp:inspired_by
|
gptkb:World_War_II
gptkb:Holocaust
gptkb:Japanese_culture
gptkb:philosophy
gptkb:spirituality
American culture
current events
art history
German history
|
|
gptkbp:invites
|
public participation
|
|
gptkbp:is_a
|
gptkb:artwork
|
|
gptkbp:is_a_celebration_of
|
artistic expression
|
|
gptkbp:is_a_focal_point_for
|
art discussions
|
|
gptkbp:is_a_fusion_of
|
art and activism
|
|
gptkbp:is_a_platform_for
|
gptkb:dialogue
|
|
gptkbp:is_a_showcase_of
|
artistic talent
|
|
gptkbp:is_a_source_of
|
inspiration
|
|
gptkbp:is_a_subject_of
|
gptkb:documentaries
|
|
gptkbp:is_a_testament_to
|
artistic innovation
|
|
gptkbp:is_analyzed_in
|
gptkb:philosopher
gptkb:art_critics
academic studies
|
|
gptkbp:is_associated_with
|
gptkb:contemporary_art
gptkb:performance_art
|
|
gptkbp:is_characterized_by
|
intense visuals
|
|
gptkbp:is_cited_in
|
academic papers
|
|
gptkbp:is_connected_to
|
social change
ecological movements
|
|
gptkbp:is_considered_as
|
political statement
a pivotal work
a landmark piece
|
|
gptkbp:is_considered_by
|
gptkb:art_historians
|
|
gptkbp:is_critiqued_by
|
gptkb:media_representation
consumerism
political systems
its abstract nature
|
|
gptkbp:is_discussed_in
|
gptkb:art_critics
art theory
art forums
|
|
gptkbp:is_displayed_in
|
gptkb:museums
|
|
gptkbp:is_documented_in
|
art history books
art publications
art literature
|
|
gptkbp:is_evaluated_by
|
critics
|
|
gptkbp:is_examined_in
|
human relationship with nature
societal values
art's role in society
|
|
gptkbp:is_explored_in
|
gptkb:documentaries
art exhibitions
academic studies
|
|
gptkbp:is_featured_in
|
art festivals
exhibition catalogs
|
|
gptkbp:is_influenced_by
|
gptkb:German_Romanticism
gptkb:Dadaism
|
|
gptkbp:is_influential_in
|
art education
|
|
gptkbp:is_inspired_by
|
gptkb:spirituality
|
|
gptkbp:is_part_of
|
gptkb:The_Cremaster_Cycle
gptkb:art_discourse
art movements
Douglas Huebler's body of work
Beuys' artistic philosophy
Beuys' conceptual framework
Beuys' exhibitions
Beuys' legacy
Beuys' philosophy
David Shrigley exhibition series
Hirschhorn's body of work
|
|
gptkbp:is_recognized_as
|
iconic work
|
|
gptkbp:is_recognized_by
|
art institutions
|
|
gptkbp:is_referenced_in
|
gptkb:popular_culture
|
|
gptkbp:is_reflected_in
|
gptkb:historical_events
gptkb:public_discourse
gptkb:contemporary_art
societal fears
human condition
artistic practices.
|
|
gptkbp:is_related_to
|
social sculpture
|
|
gptkbp:is_symbolic_of
|
gptkb:artistic_vision
cultural critique
|
|
gptkbp:label
|
gptkb:RCA_Victor
|
|
gptkbp:landmark
|
art history
|
|
gptkbp:language
|
English
|
|
gptkbp:language_spoken
|
the audience
|
|
gptkbp:legacy
|
influenced future artists
contributed to environmental art
part of Beuys' mythos
|
|
gptkbp:length
|
2:58
42:00
|
|
gptkbp:location
|
gptkb:Kassel,_Germany
gptkb:Museum_of_Contemporary_Art
gptkb:Tate_Modern
gptkb:White_Cube
gptkb:Museum_of_Modern_Art,_New_York
gptkb:New_Museum
gptkb:Hayward_Gallery
gptkb:Museum_of_Contemporary_Art,_Chicago
gptkb:Museum_of_Contemporary_Art,_Los_Angeles
gptkb:Kunsthalle_Zurich
gptkb:Ben_Uri_Gallery
|
|
gptkbp:main_character
|
gptkb:The_Ninth_Doctor
gptkb:Rose_Tyler
|
|
gptkbp:medium
|
gptkb:installation
gptkb:installation_art
gptkb:photography
mixed media
|
|
gptkbp:music_by
|
gptkb:Matthew_Barney
|
|
gptkbp:music_genre
|
pop
|
|
gptkbp:music_video
|
gptkb:Yes
|
|
gptkbp:narrative
|
non-linear
human experience
|
|
gptkbp:notable_awards
|
Best Short Film at the 2007 Venice Film Festival
|
|
gptkbp:notable_cover
|
gptkb:The_Judds
by The Carpenters
|
|
gptkbp:notable_features
|
gptkb:installation_art
|
|
gptkbp:notable_quote
|
nan
|
|
gptkbp:notable_speakers
|
modern society
cultural narratives
|
|
gptkbp:opened
|
2023-09-10
|
|
gptkbp:opening_date
|
gptkb:2015
2023-10-01
2023-09-01
2023-09-30
October 2019
2023-05-01
2023-09-29
|
|
gptkbp:origin
|
gptkb:Australia
|
|
gptkbp:part_of
|
gptkb:The_Cremaster_Cycle
gptkb:Doctor_Who
Beuys' larger body of work
|
|
gptkbp:performed_by
|
gptkb:R._E._M.
|
|
gptkbp:performed_in
|
gptkb:Skeeter_Davis
|
|
gptkbp:preceded_by
|
gptkb:One_Piece_at_a_Time
|
|
gptkbp:precedes
|
gptkb:The_Unquiet_Dead
|
|
gptkbp:premiered_on
|
gptkb:2007_Venice_Biennale
|
|
gptkbp:produced_by
|
gptkb:Matthew_Barney
|
|
gptkbp:production_company
|
gptkb:BBC
|
|
gptkbp:public_reaction
|
controversial
mixed
thought-provoking
|
|
gptkbp:recording_location
|
gptkb:RCA_Studio_B
|
|
gptkbp:reflects
|
cultural anxieties
|
|
gptkbp:related_to
|
climate change
art and activism
|
|
gptkbp:related_vehicle
|
social change
|
|
gptkbp:release_date
|
2022-09-30
|
|
gptkbp:release_year
|
gptkb:1962
gptkb:2007
|
|
gptkbp:runtime
|
45 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Matthew_Barney
|
|
gptkbp:season
|
gptkb:1
|
|
gptkbp:setting
|
gptkb:Earth
|
|
gptkbp:size
|
large scale
|
|
gptkbp:songwriters
|
gptkb:Arthur_Kent
gptkb:Sylvia_Dee
gptkb:Skeeter_Davis
|
|
gptkbp:sponsor
|
gptkb:New_Museum
|
|
gptkbp:start_date
|
2023-10-01
|
|
gptkbp:style
|
gptkb:conceptual_art
|
|
gptkbp:succeeded_by
|
gptkb:The_End_of_the_World_(Deluxe_Edition)
|
|
gptkbp:technique
|
symbolism
layering
textural contrast
|
|
gptkbp:theme
|
gptkb:disaster_response
gptkb:Apocalypse
gptkb:apocalyptic_literature
gptkb:memory
gptkb:technology
climate change
Existentialism
history
heartbreak
destruction
environmentalism
|
|
gptkbp:themes
|
gptkb:apocalyptic_literature
gptkb:identity
gptkb:transformation
nature
|
|
gptkbp:track_count
|
gptkb:10
|
|
gptkbp:type
|
gptkb:art_exhibition
gptkb:conceptual_art
gptkb:installation_art
gptkb:film
|
|
gptkbp:type_of
|
gptkb:art_exhibition
gptkb:installation_art
|
|
gptkbp:uses
|
found objects
|
|
gptkbp:utilizes
|
light and sound
textual elements
|
|
gptkbp:viewership
|
8.4 million
|
|
gptkbp:vision
|
the future
|
|
gptkbp:was_a_response_to
|
global crises
|
|
gptkbp:website
|
newmuseum.org
|
|
gptkbp:writer
|
gptkb:Russell_T_Davies
|
|
gptkbp:year
|
gptkb:1998
gptkb:2019
gptkb:2023
|
|
gptkbp:year_created
|
gptkb:1968
gptkb:1983
gptkb:1990
gptkb:2010
|
|
gptkbp:bfsParent
|
gptkb:Debbie_Harry
gptkb:Yes_Featuring_Jon_Anderson
gptkb:Jeff_Wall
gptkb:Judy_Chicago
gptkb:Harry_Potter_and_the_Goblet_of_Fire:_Original_Motion_Picture_Soundtrack
gptkb:The_Miley_Cyrus_and_Her_Dead_Petz_Tour
gptkb:Blink-182
gptkb:The_Angels
gptkb:The_Bouncing_Souls
gptkb:The_Cure
gptkb:The_Fall
gptkb:The_Head_and_the_Heart
gptkb:The_Lone_Bellow
gptkb:The_Lumineers
gptkb:The_Oh_Hellos
gptkb:The_View
gptkb:Dark_Comedy
gptkb:Final_Fantasy_IX
gptkb:Jurassic_World:_Fallen_Kingdom
gptkb:Marina_Abramović
gptkb:Wolfgang_Tillmans
gptkb:Faye_Webster
gptkb:Loki
gptkb:Pablo_Neruda
gptkb:Damien_Hirst
gptkb:Michael_Gordon
gptkb:John_Richardson
gptkb:Gareth_Emery
gptkb:John_Baldessari
gptkb:The_Interrupters
gptkb:Oasis
gptkb:Maggie
gptkb:States
gptkb:The_Caretaker
gptkb:Adventure_Time
gptkb:The_Powerpuff_Girls
gptkb:Gotye
gptkb:Inherent_Vice
gptkb:The_Avalanches
gptkb:sports
|
|
gptkbp:bfsLayer
|
4
|