|
gptkbp:instance_of
|
gptkb:performance_art
|
|
gptkbp:art_movement
|
gptkb:Neo-Dada
|
|
gptkbp:artistic_exploration
|
identity and belonging
|
|
gptkbp:artistic_expression
|
personal narrative
|
|
gptkbp:artistic_influence
|
gptkb:performers
in contemporary discussions
|
|
gptkbp:artistic_innovation
|
new forms of expression
|
|
gptkbp:artistic_legacy
|
inspiration for future artists
|
|
gptkbp:artistic_philosophy
|
social sculpture
art as a tool for change
|
|
gptkbp:artistic_technique
|
gptkb:installation_art
improvisation
interdisciplinary
spirituality in art
|
|
gptkbp:artistic_vision
|
transformation of society
|
|
gptkbp:audience
|
gptkb:immersive_experience
gptkb:Public
gptkb:art_community
participatory art
|
|
gptkbp:challenges
|
traditional art forms
|
|
gptkbp:collaboration
|
gptkb:Coyote
artistic community
with animals
|
|
gptkbp:context
|
post-war Germany
|
|
gptkbp:coyote
|
central figure
representative of duality
symbol of American wilderness
|
|
gptkbp:created_by
|
gptkb:Joseph_Beuys
|
|
gptkbp:creator
|
gptkb:Joseph_Beuys
|
|
gptkbp:cultural_impact
|
discussion on identity
influence on public perception
|
|
gptkbp:cultural_significance
|
exploration of identity
|
|
gptkbp:defense
|
gptkb:activists
gptkb:painter
gptkb:sculpture
gptkb:political_leaders
gptkb:educators
gptkb:performers
advocate for social change
cultural commentator
influential figure in art history
philosopher of art
explorer of human experience
innovator in art education
pioneer of performance art
|
|
gptkbp:duration
|
3 days
|
|
gptkbp:exhibition
|
gptkb:The_Guggenheim_Museum
The René Block Gallery
|
|
gptkbp:features
|
gptkb:Coyote
|
|
gptkbp:format
|
gptkb:live_performance
|
|
gptkbp:has_culture
|
East-West relations
|
|
gptkbp:has_reception
|
mixed reviews
|
|
gptkbp:historical_context
|
1970s art movements
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
I Like America and America Likes Me
|
|
gptkbp:impact
|
social commentary
artistic discourse
|
|
gptkbp:influence
|
gptkb:conceptual_art
|
|
gptkbp:influenced_by
|
German culture
|
|
gptkbp:inspiration
|
gptkb:Native_American_culture
American culture
|
|
gptkbp:is_critiqued_by
|
American values
American society
|
|
gptkbp:is_reflected_in
|
on American culture
|
|
gptkbp:is_symbolic_of
|
connection to nature
|
|
gptkbp:legacy
|
influence on performance art
influential performance art piece
|
|
gptkbp:location
|
gptkb:New_York_City
|
|
gptkbp:medium
|
gptkb:performance
gptkb:performance_art
|
|
gptkbp:message
|
cultural critique
|
|
gptkbp:narrative
|
between cultures
personal and collective experience
|
|
gptkbp:notable_aspect
|
interaction with a coyote
|
|
gptkbp:performance
|
1974-05-01 to 1974-05-03
|
|
gptkbp:performance_art_form
|
conceptual performance
|
|
gptkbp:performance_style
|
gallery space
|
|
gptkbp:performing_arts
|
site-specific
|
|
gptkbp:philosophy
|
social engagement
|
|
gptkbp:related_works
|
gptkb:How_to_Explain_Pictures_to_a_Dead_Hare
|
|
gptkbp:significance
|
exploration of American culture
|
|
gptkbp:style
|
gptkb:Fluxus
|
|
gptkbp:symbolism
|
gptkb:Coyote
coyote as a mediator
|
|
gptkbp:theme
|
gptkb:cultural_identity
|
|
gptkbp:year
|
gptkb:1974
|
|
gptkbp:bfsParent
|
gptkb:Joseph_Beuys
|
|
gptkbp:bfsLayer
|
4
|