|
gptkbp:instance_of
|
gptkb:document
|
|
gptkbp:attendance
|
500,000
|
|
gptkbp:curator
|
gptkb:Arnold_Bode
|
|
gptkbp:duration
|
100 days
|
|
gptkbp:exhibition
|
Contemporary art
|
|
gptkbp:exhibition_space
|
gptkb:Museum_of_Natural_History_Kassel
gptkb:Karlsaue_Park
gptkb:Documenta-Halle
gptkb:Fridericianum
gptkb:orange
|
|
gptkbp:followed_by
|
gptkb:Documenta_7
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Documenta 6
|
|
gptkbp:impact
|
Cultural dialogue
Increased visibility for contemporary artists
Art market influence
|
|
gptkbp:influenced_by
|
gptkb:performance_art
gptkb:Fluxus_movement
Conceptual art
|
|
gptkbp:is_significant_for
|
TV Buddha by Nam June Paik
The Pack by Joseph Beuys
Canyon by Robert Rauschenberg
The Factory by Andy Warhol
Concrete Traffic by Wolf Vostell
|
|
gptkbp:legacy
|
Promotion of avant-garde art
Encouragement of interdisciplinary approaches
Fostering international artist collaborations
Influence on future Documenta exhibitions
Inspiration for other biennials
|
|
gptkbp:location
|
gptkb:Kassel
|
|
gptkbp:media_coverage
|
Newspapers
Television broadcasts
International art magazines
|
|
gptkbp:notable_artist
|
gptkb:Joseph_Beuys
gptkb:Andy_Warhol
gptkb:Robert_Rauschenberg
gptkb:Wolf_Vostell
gptkb:Nam_June_Paik
|
|
gptkbp:performers
|
gptkb:200
|
|
gptkbp:preceded_by
|
gptkb:Documenta_5
|
|
gptkbp:related_event
|
gptkb:Documenta_7
|
|
gptkbp:sponsored_by
|
gptkb:Hesse_State
gptkb:Federal_Republic_of_Germany
gptkb:Kassel_Municipality
|
|
gptkbp:theme
|
The New Art
|
|
gptkbp:year
|
gptkb:1977
|
|
gptkbp:bfsParent
|
gptkb:Gordon_Matta-Clark
gptkb:Documenta_(1972)
gptkb:The_1980_Documenta
gptkb:Thomas_Bayrle
gptkb:Anthony_Caro
gptkb:Bernd_Becher
gptkb:Ben_Vautier
gptkb:Robert_Filliou
gptkb:Wolf_Vostell
gptkb:Hilla_Becher
gptkb:Documenta_7
|
|
gptkbp:bfsLayer
|
5
|