|
gptkbp:instanceOf
|
gptkb:historical_period
|
|
gptkbp:centeredIn
|
gptkb:Italy
Franco-Flemish region
|
|
gptkbp:characterizedBy
|
imitative counterpoint
balanced vocal lines
smooth polyphony
|
|
gptkbp:followedBy
|
Late Renaissance music
|
|
gptkbp:genre
|
gptkb:Carnatic_music
gptkb:orchestra
gptkb:song
marina
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
High Renaissance music
|
|
gptkbp:influenced
|
Baroque music
|
|
gptkbp:influencedBy
|
gptkb:Burgundian_School
|
|
gptkbp:languageOfVocalMusic
|
gptkb:Latin
vernacular languages
|
|
gptkbp:notableComposer
|
gptkb:Heinrich_Isaac
gptkb:Jacob_Obrecht
gptkb:Pierre_de_La_Rue
gptkb:Josquin_des_Prez
|
|
gptkbp:notableFeature
|
modal harmony
textual clarity
equal-voiced polyphony
|
|
gptkbp:notableWork
|
Choralis Constantinus (Heinrich Isaac)
Missa Hercules Dux Ferrariae (Josquin des Prez)
Missa Pange lingua (Josquin des Prez)
|
|
gptkbp:partOf
|
Renaissance music
|
|
gptkbp:period
|
c. 1490–1520
|
|
gptkbp:precededBy
|
Early Renaissance music
|
|
gptkbp:texture
|
five-part writing
four-part writing
|
|
gptkbp:bfsParent
|
gptkb:Music_of_the_Early_Renaissance
|
|
gptkbp:bfsLayer
|
8
|