Properties (47)
| Predicate | Object |
|---|---|
| gptkbp:instanceOf |
composer
|
| gptkbp:associatedAct |
Harmonia Mundi
Camerata de' Bardi |
| gptkbp:birthDate |
c. 1450
|
| gptkbp:contribution |
integration of text and music
advancement of choral music development of counterpoint refinement of musical notation |
| gptkbp:culturalImpact |
influence on composers
celebration in festivals impact on music education influence on music theory analysis in academic research inspiration for modern musicians performance in concert repertoire recognition in music history study in musicology preservation_of_Renaissance_music |
| gptkbp:deathDate |
1521
|
| gptkbp:famousFor |
chansons
motets masses |
| gptkbp:genre |
Renaissance_music
|
| https://www.w3.org/2000/01/rdf-schema#label |
Josquin des Prez
|
| gptkbp:influenced |
gptkb:Palestrina
Orlando di Lasso |
| gptkbp:influencedBy |
Guilielmus de Machaut
|
| gptkbp:instrument |
voice
|
| gptkbp:is_a_member_of |
gptkb:Ercole_I_d'Este
Ludovico Sforza |
| gptkbp:legacy |
establishment of polyphony
pioneering figure in music influence_on_Western_music |
| gptkbp:nationality |
Flemish
|
| gptkbp:notableWork |
Miserere_mei,_Deus
Ave_Maria,_..._virgo_serena El_Grillo |
| gptkbp:occupation |
music theorist
|
| gptkbp:placeOfBirth |
gptkb:Saint-Quentin
|
| gptkbp:placeOfDeath |
gptkb:Condé-sur-l'Escaut
|
| gptkbp:productionCompany |
Renaissance
|
| gptkbp:recordLabel |
gptkb:Naxos_Records
gptkb:Hyperion_Records gptkb:Chandos_Records Deutsche Grammophon Harmonia Mundi |
| gptkbp:style |
polyphonic
|