Statements (55)
Predicate | Object |
---|---|
gptkbp:instanceOf |
musical school
|
gptkbp:associatedWith |
gptkb:Duke_Philip_the_Good
|
gptkbp:characterizedBy |
polyphonic music
|
gptkbp:contributedTo |
Renaissance_music
|
gptkbp:developedBy |
15th century
|
gptkbp:historicalContext |
patronage of music
cultural_exchange court_of_Burgundy |
https://www.w3.org/2000/01/rdf-schema#label |
Burgundian School
|
gptkbp:influenced |
later_Flemish_composers
|
gptkbp:influencedBy |
gptkb:Gregorian_chant
|
gptkbp:instrument |
organ
voice lute viol |
gptkbp:legacy |
development of polyphonic techniques
foundation for later choral music influence_on_the_Franco-Flemish_school |
gptkbp:notableArtists |
gptkb:Guillaume_Dufay
gptkb:Johannes_Ockeghem Antoine_Busnois |
gptkbp:notableEvent |
religious ceremonies
musical competitions diplomatic events royal weddings Burgundian_composers_and_poets Burgundian_court_music_festivals musicians_from_Austria musicians_from_Central_Asia musicians_from_England musicians_from_France musicians_from_Germany musicians_from_Hungary musicians_from_Italy musicians_from_North_Africa musicians_from_Poland musicians_from_Portugal musicians_from_Scandinavia musicians_from_Spain musicians_from_Switzerland musicians_from_the_Balkans musicians_from_the_Caucasus musicians_from_the_Czech_Republic musicians_from_the_Middle_East musicians_from_the_Netherlands |
gptkbp:notableFeature |
imitation
textural clarity rich harmonies use of cantus firmus |
gptkbp:notableWorks |
gptkb:Ave_Regina_caelorum
gptkb:Missa_L'homme_armé Missa Se la face ay pale Miserere_mei,_Deus |
gptkbp:originatedIn |
Burgundy
|
gptkbp:style |
early polyphony
|