Statements (51)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:music_education
|
| gptkbp:associated_with |
gptkb:Duke_Philip_the_Good
|
| gptkbp:characterized_by |
gptkb:sacred_music
polyphony secular music |
| gptkbp:contributed_to |
Renaissance music
|
| gptkbp:flourished_during |
15th century
|
| gptkbp:historical_context |
gptkb:Duchy_of_Burgundy
patronage of the arts political power in the 15th century cultural center of Europe |
| https://www.w3.org/2000/01/rdf-schema#label |
Burgundian School
|
| gptkbp:influenced |
later composers
|
| gptkbp:influenced_by |
gptkb:Franco-Flemish_School
|
| gptkbp:legacy |
influence on sacred music
influence on secular music development of polyphonic techniques integration of national styles foundation for later music schools |
| gptkbp:music_composer |
gptkb:Guillaume_Dufay
gptkb:Johannes_Ockeghem gptkb:Antoine_Busnois |
| gptkbp:notable_traits |
text expression
performance practices melodic development vocal ranges contrapuntal techniques rhythmic variety chordal textures use of modal scales use of imitation cultural exchange with Italy cultural exchange with France cultural exchange with the Netherlands emphasis on clarity of text use of instruments in performances |
| gptkbp:notable_works |
gptkb:Missa_Se_la_face_ay_pale
gptkb:Nuper_rosarum_flores gptkb:Missa_L'homme_armé Ave Maria, gratia plena Miserere mei, Deus |
| gptkbp:origin |
gptkb:Burgundy
|
| gptkbp:style |
textural clarity
rich harmonic language use of cantus firmus early polyphonic style chant-based compositions |
| gptkbp:bfsParent |
gptkb:Guillaume_Dufay
gptkb:Johannes_Ockeghem gptkb:Antoine_Busnois |
| gptkbp:bfsLayer |
6
|