|
gptkbp:instanceOf
|
gptkb:film
|
|
gptkbp:alsoKnownAs
|
gptkb:Nouvelle_Vague
|
|
gptkbp:characteristic
|
breaking the fourth wall
natural lighting
improvised dialogue
jump cuts
location shooting
innovative editing
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|
gptkbp:countryOfOrigin
|
gptkb:France
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|
gptkbp:endDate
|
mid 1960s
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|
https://www.w3.org/2000/01/rdf-schema#label
|
French New Wave cinema
|
|
gptkbp:influenced
|
gptkb:Dogme_95
gptkb:British_New_Wave
gptkb:New_Hollywood
|
|
gptkbp:influencedBy
|
gptkb:Italian_Neorealism
Hollywood cinema
|
|
gptkbp:language
|
gptkb:French
|
|
gptkbp:movement
|
avant-garde
modernist
|
|
gptkbp:notableDirector
|
gptkb:François_Truffaut
gptkb:Jean-Luc_Godard
gptkb:Éric_Rohmer
gptkb:Claude_Chabrol
gptkb:Jacques_Rivette
gptkb:Agnès_Varda
|
|
gptkbp:notableFestival
|
gptkb:Cannes_Film_Festival
gptkb:Venice_Film_Festival
|
|
gptkbp:notableFigure
|
gptkb:Jean-Pierre_Melville
gptkb:André_Bazin
gptkb:Chris_Marker
gptkb:Louis_Malle
gptkb:Jacques_Demy
|
|
gptkbp:notableFilm
|
gptkb:Breathless
gptkb:Cléo_from_5_to_7
gptkb:Hiroshima_mon_amour
gptkb:Jules_and_Jim
gptkb:The_400_Blows
|
|
gptkbp:publicationAssociated
|
gptkb:Cahiers_du_Cinéma
|
|
gptkbp:startDate
|
late 1950s
|
|
gptkbp:technology
|
nonlinear narrative
long takes
handheld camera
direct sound recording
on-location sound
|
|
gptkbp:theme
|
alienation
existentialism
individualism
youth culture
romantic relationships
|
|
gptkbp:bfsParent
|
gptkb:Isao_Takahata
|
|
gptkbp:bfsLayer
|
5
|