|
gptkbp:instance_of
|
gptkb:film
gptkb:film_series
|
|
gptkbp:awarded_for
|
gptkb:Cannes_Film_Festival_Best_Director
|
|
gptkbp:awards
|
gptkb:Cannes_Film_Festival_Best_Director
Best Director at Cannes
Best Director at Cannes Film Festival
|
|
gptkbp:based_on
|
autobiographical experiences
|
|
gptkbp:box_office
|
$1.5 million
successful
|
|
gptkbp:budget
|
$120,000
|
|
gptkbp:character
|
gptkb:Gilbert_Truffaut
gptkb:Antoine_Doinel
Antoine's teacher
Monsieur Biget
Antoine's father
Antoine's mother
|
|
gptkbp:character_development
|
Antoine Doinel's character
Antoine's troubled family life
Antoine's struggles with authority
|
|
gptkbp:cinematography
|
gptkb:Henri_Decaë
|
|
gptkbp:cinematography_by
|
gptkb:Henri_Decaë
gptkb:unknown
|
|
gptkbp:color
|
black and white
|
|
gptkbp:contains
|
iconic scenes
|
|
gptkbp:country
|
gptkb:France
|
|
gptkbp:creator
|
gptkb:François_Truffaut
|
|
gptkbp:critical_reception
|
highly acclaimed
|
|
gptkbp:cultural_impact
|
considered a classic
influenced filmmakers
influential in film history
|
|
gptkbp:cultural_significance
|
gptkb:French_New_Wave_cinema
pioneered coming-of-age genre
|
|
gptkbp:depicts
|
gptkb:court_cases
family issues
school life
youth rebellion
Parisian landmarks
|
|
gptkbp:directed_by
|
gptkb:François_Truffaut
|
|
gptkbp:director
|
gptkb:François_Truffaut
gptkb:Martin_Scorsese
gptkb:Richard_Linklater
gptkb:unknown
gptkb:Sofia_Coppola
gptkb:Wes_Anderson
gptkb:Noah_Baumbach
|
|
gptkbp:distributor
|
gptkb:CIC
gptkb:Les_Films_du_Carrosse
gptkb:Cinemascope
|
|
gptkbp:edited_by
|
gptkb:Marceline_Loridan
gptkb:Marceline_Loridan-Ivens
|
|
gptkbp:editing
|
gptkb:Marceline_Loridan
gptkb:Marceline_Loridan-Ivens
Sophie Cousseau
|
|
gptkbp:explores
|
freedom and confinement
|
|
gptkbp:famous_quote
|
“ I’m not a bad boy.”
|
|
gptkbp:features
|
gptkb:Paris
gptkb:Jean-Pierre_Léaud
improvised dialogue
|
|
gptkbp:film_awards
|
gptkb:Best_Director
|
|
gptkbp:film_festival
|
gptkb:Cannes_Film_Festival_1959
|
|
gptkbp:film_series
|
Antoine Doinel series
|
|
gptkbp:film_technique
|
natural lighting
stage plays
long takes
naturalistic acting
location shooting
jump cuts
freeze frame
|
|
gptkbp:filming_location
|
gptkb:Lycée_Louis-le-Grand
gptkb:Seine_River
gptkb:Palace
gptkb:Bastille
gptkb:Boulevard_Saint-Germain
gptkb:Montmartre
gptkb:Place_de_la_République
gptkb:Les_Halles
gptkb:Rue_de_Rivoli
gptkb:Place_des_Vosges
gptkb:Cinéma_du_Panthéon
gptkb:Rue_de_la_Paix
gptkb:Rue_de_la_Huchette
Rue de la Grange aux Belles
Rue de la République
Rue de la Vieille-Du-Temple
Rue des Écoles
Rue de la Montagne Sainte-Geneviève
Rue de la Bastille
Rue de la Roquette
Rue de la Lune
Cinéma vérité style
|
|
gptkbp:follows
|
gptkb:Antoine_Doinel
The 400 Blows (film series)
Antoine Doinel's childhood
|
|
gptkbp:follows_character
|
gptkb:Antoine_Doinel
|
|
gptkbp:genre
|
gptkb:drama
|
|
gptkbp:has
|
critical acclaim
|
|
gptkbp:has_awards
|
gptkb:Cannes_Film_Festival_Award_for_Best_Director
|
|
gptkbp:has_cameo
|
gptkb:François_Truffaut
|
|
gptkbp:has_character
|
Gilbert
Antoine's friend
Antoine's parents
Antoine's teacher
Monsieur Biget
|
|
gptkbp:has_cultural_impact
|
influenced youth culture
|
|
gptkbp:has_editing_by
|
jump cuts
|
|
gptkbp:has_genre
|
gptkb:drama
|
|
gptkbp:has_influence_on
|
inspired future filmmakers
|
|
gptkbp:has_language
|
gptkb:French
|
|
gptkbp:has_legacy
|
considered a classic
|
|
gptkbp:has_produced
|
gptkb:François_Truffaut
|
|
gptkbp:has_setting
|
gptkb:Paris
|
|
gptkbp:has_soundtrack
|
original score by Jean Constantin
|
|
gptkbp:has_symbol
|
freedom and confinement
|
|
gptkbp:has_theme
|
youth and rebellion
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The 400 Blows
|
|
gptkbp:influenced
|
gptkb:French_New_Wave_cinema
gptkb:television_series
gptkb:New_Wave_cinema
gptkb:film
French cinema
global cinema
art house cinema
film criticism
independent films
future filmmakers
modern filmmakers
cinematic storytelling
character-driven narratives
coming-of-age films
film festivals.
|
|
gptkbp:influenced_artists
|
gptkb:visual_arts
coming-of-age novels
|
|
gptkbp:influenced_by
|
gptkb:Orson_Welles
gptkb:Italian_Neorealism
gptkb:Jean-Luc_Godard
gptkb:Satyajit_Ray
gptkb:Alfred_Hitchcock
gptkb:Robert_Bresson
gptkb:Vittorio_De_Sica
the struggles of adolescence
the exploration of family dynamics
the exploration of personal identity
the existentialist movement
the critique of societal norms
the concept of childhood innocence
the importance of personal freedom
Francois Truffaut's own experiences
the French culture of the 1950s
the depiction of rebellion against authority
the impact of education on youth.
the portrayal of urban life
the post-war era in France
the representation of youth culture
|
|
gptkbp:inspiration
|
Truffaut's own childhood
|
|
gptkbp:inspired
|
numerous films
several sequels
|
|
gptkbp:is
|
often studied in film courses
celebrated for its realism
a coming-of-age story
influential in film studies
a semi-autobiographical film
a landmark in world cinema
a film about childhood innocence
a film about parental neglect
a film about societal expectations
a film that critiques education system
a film that has inspired filmmakers
a film that portrays friendship
a film that showcases youth's struggles
a pivotal film in Truffaut's career
part of the Criterion Collection
recognized by AFI
|
|
gptkbp:language
|
gptkb:French
|
|
gptkbp:legacy
|
considered a classic
considered a classic of world cinema
|
|
gptkbp:main_character
|
gptkb:Antoine_Doinel
|
|
gptkbp:music
|
gptkb:Jean_Constantin
|
|
gptkbp:music_by
|
gptkb:unknown
gptkb:Jean_Constantin
|
|
gptkbp:music_composer
|
gptkb:Jean_Constantin
|
|
gptkbp:narrative
|
semi-autobiographical
|
|
gptkbp:narrative_style
|
semi-autobiographical
voice-over narration
|
|
gptkbp:notable_actor
|
gptkb:Jean-Pierre_Léaud
|
|
gptkbp:notable_awards
|
Best Director at Cannes Film Festival
Best Foreign Language Film at the National Board of Review
|
|
gptkbp:notable_for
|
gptkb:New_Wave_cinema
depiction of adolescence
|
|
gptkbp:notable_scene
|
the family dinner scene
the moment of realization
the park scene
the police station scene
the school scene
the confrontation with parents
the confrontation with the teacher
the detention scene
the escape to the sea
the final shot
the runaway scene
the schoolyard scene
the visit to the cinema
|
|
gptkbp:part_of
|
gptkb:The_Antoine_Doinel_series
gptkb:Doinel_series
|
|
gptkbp:part_of_series
|
gptkb:Doinel_series
Antoine Doinel series
|
|
gptkbp:plot
|
A young boy's struggles with his parents and school.
|
|
gptkbp:premiere
|
gptkb:Cannes_Film_Festival
|
|
gptkbp:premiered_on
|
gptkb:Cannes_Film_Festival
|
|
gptkbp:produced_by
|
gptkb:François_Truffaut
gptkb:Les_Films_du_Carrosse
|
|
gptkbp:production_company
|
gptkb:Les_Films_du_Carrosse
|
|
gptkbp:release_date
|
gptkb:1959
|
|
gptkbp:release_format
|
theatrical
|
|
gptkbp:release_year
|
gptkb:1959
gptkb:2019
|
|
gptkbp:released_in
|
gptkb:1959
|
|
gptkbp:remake
|
The 400 Blows (2019)
|
|
gptkbp:runtime
|
gptkb:unknown
99 minutes
|
|
gptkbp:screenplay
|
gptkb:François_Truffaut
|
|
gptkbp:screenplay_by
|
gptkb:François_Truffaut
gptkb:unknown
Marcel Moussy
|
|
gptkbp:sequel
|
gptkb:Antoine_and_Colette
|
|
gptkbp:set_in
|
gptkb:Paris
|
|
gptkbp:setting
|
gptkb:Paris,_France
1950s Paris
|
|
gptkbp:starring
|
gptkb:Albert_Rémy
gptkb:Claire_Maurier
gptkb:Jean-Pierre_Léaud
|
|
gptkbp:style
|
realism
|
|
gptkbp:symbolism
|
the 400 blows of life
the running away motif
|
|
gptkbp:theme
|
gptkb:family
gptkb:rebellion
freedom
childhood
|
|
gptkbp:themes
|
freedom
alienation
social issues
childhood
youth rebellion
youth and rebellion
parental neglect
youth, rebellion, and freedom
|
|
gptkbp:uses
|
voice-over narration
|
|
gptkbp:won_award
|
gptkb:Best_Actor
gptkb:Best_Director
gptkb:Best_Original_Score
|
|
gptkbp:bfsParent
|
gptkb:Boyhood
gptkb:French_New_Wave
gptkb:Francois_Truffaut
gptkb:Jean-Pierre_Aumont
|
|
gptkbp:bfsLayer
|
4
|