Statements (243)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:film
gptkb:film_series |
| gptkbp:bfsLayer |
3
|
| gptkbp:bfsParent |
gptkb:Francois_Truffaut
|
| gptkbp:awarded_by |
gptkb:Cannes_Film_Festival_Best_Director
|
| gptkbp:awards |
gptkb:Best_Actor
gptkb:Best_Director gptkb:Best_Original_Score gptkb:Cannes_Film_Festival_Best_Director Best Director at Cannes Best Director at Cannes Film Festival Best Foreign Language Film at the National Board of Review |
| gptkbp:based_on |
autobiographical experiences
|
| gptkbp:box_office |
$1.5 million
successful |
| gptkbp:budget |
$120,000
|
| gptkbp:character |
gptkb:Gilbert_Truffaut
gptkb:Antoine_Doinel Antoine's teacher Monsieur Biget Antoine's father Antoine's mother |
| gptkbp:character_development |
Antoine Doinel's character
Antoine's troubled family life Antoine's struggles with authority |
| gptkbp:cinematography |
gptkb:Henri_Decaë
gptkb:unknown |
| gptkbp:color |
black and white
|
| gptkbp:composer |
gptkb:Jean_Constantin
|
| gptkbp:contains |
iconic scenes
|
| gptkbp:country |
gptkb:Monarch
|
| gptkbp:creator |
gptkb:François_Truffaut
|
| gptkbp:critical_reception |
highly acclaimed
|
| gptkbp:cultural_impact |
considered a classic
influenced filmmakers influenced youth culture influential in film history |
| gptkbp:cultural_significance |
gptkb:French_New_Wave_cinema
pioneered coming-of-age genre |
| gptkbp:depicts |
gptkb:legal_case
family issues school life youth rebellion Parisian landmarks |
| gptkbp:directed_by |
gptkb:François_Truffaut
|
| gptkbp:director |
gptkb:François_Truffaut
gptkb:Martin_Scorsese gptkb:Richard_Linklater gptkb:unknown gptkb:Sofia_Coppola gptkb:Wes_Anderson gptkb:Noah_Baumbach |
| gptkbp:distributor |
gptkb:CIC
gptkb:Les_Films_du_Carrosse gptkb:Cinemascope |
| gptkbp:edited_by |
gptkb:Marceline_Loridan
gptkb:Marceline_Loridan-Ivens jump cuts |
| gptkbp:editor |
gptkb:Marceline_Loridan
gptkb:Marceline_Loridan-Ivens Sophie Cousseau |
| gptkbp:explores |
freedom and confinement
|
| gptkbp:famous_quote |
“ I’m not a bad boy.”
|
| gptkbp:features |
gptkb:Paris
gptkb:Jean-Pierre_Léaud improvised dialogue |
| gptkbp:film_festival |
gptkb:Cannes_Film_Festival_1959
|
| gptkbp:film_series |
Antoine Doinel series
|
| gptkbp:filming_location |
gptkb:Lycée_Louis-le-Grand
gptkb:Seine_River gptkb:Palace gptkb:Bastille gptkb:Boulevard_Saint-Germain gptkb:Montmartre gptkb:Place_de_la_République gptkb:Les_Halles gptkb:Rue_de_Rivoli gptkb:Place_des_Vosges gptkb:Cinéma_du_Panthéon gptkb:Rue_de_la_Paix gptkb:Rue_de_la_Huchette Rue de la Grange aux Belles Rue de la République Rue de la Vieille-Du-Temple Rue des Écoles Rue de la Montagne Sainte-Geneviève Rue de la Bastille Rue de la Roquette Rue de la Lune Cinéma vérité style |
| gptkbp:filmography |
natural lighting
stage plays long takes naturalistic acting location shooting jump cuts freeze frame |
| gptkbp:follows |
gptkb:Antoine_Doinel
The 400 Blows (film series) Antoine Doinel's childhood |
| gptkbp:follows_character |
gptkb:Antoine_Doinel
|
| gptkbp:genre |
gptkb:High_School
|
| gptkbp:has |
critical acclaim
|
| gptkbp:has_awards |
gptkb:Cannes_Film_Festival_Award_for_Best_Director
|
| gptkbp:has_cameo |
gptkb:François_Truffaut
|
| gptkbp:has_character |
Gilbert
Antoine's friend Antoine's parents Antoine's teacher Monsieur Biget |
| gptkbp:has_genre |
gptkb:High_School
|
| gptkbp:has_influence_on |
inspired future filmmakers
|
| gptkbp:has_setting |
gptkb:Paris
|
| gptkbp:has_song |
original score by Jean Constantin
|
| gptkbp:has_symbol |
freedom and confinement
|
| gptkbp:has_theme |
youth and rebellion
|
| https://www.w3.org/2000/01/rdf-schema#label |
The 400 Blows
|
| gptkbp:influenced |
gptkb:French_New_Wave_cinema
gptkb:musical gptkb:New_Wave_cinema gptkb:film French cinema global cinema art house cinema film criticism independent films future filmmakers modern filmmakers cinematic storytelling character-driven narratives coming-of-age films film festivals. |
| gptkbp:influenced_artists |
gptkb:painting
coming-of-age novels |
| gptkbp:influenced_by |
gptkb:Orson_Welles
gptkb:Italian_Neorealism gptkb:Jean-Luc_Godard gptkb:Satyajit_Ray gptkb:Alfred_Hitchcock gptkb:Robert_Bresson gptkb:Vittorio_De_Sica the struggles of adolescence the exploration of family dynamics the exploration of personal identity the existentialist movement the critique of societal norms the concept of childhood innocence the importance of personal freedom Francois Truffaut's own experiences the French culture of the 1950s the depiction of rebellion against authority the impact of education on youth. the portrayal of urban life the post-war era in France the representation of youth culture |
| gptkbp:inspiration |
Truffaut's own childhood
|
| gptkbp:inspired |
numerous films
several sequels |
| gptkbp:is |
often studied in film courses
celebrated for its realism a coming-of-age story influential in film studies a semi-autobiographical film a landmark in world cinema a film about childhood innocence a film about parental neglect a film about societal expectations a film that critiques education system a film that has inspired filmmakers a film that portrays friendship a film that showcases youth's struggles a pivotal film in Truffaut's career part of the Criterion Collection recognized by AFI |
| gptkbp:language |
gptkb:French
|
| gptkbp:legacy |
considered a classic
considered a classic of world cinema |
| gptkbp:main_character |
gptkb:Antoine_Doinel
|
| gptkbp:music |
gptkb:Jean_Constantin
|
| gptkbp:music_by |
gptkb:unknown
gptkb:Jean_Constantin |
| gptkbp:narrative_style |
semi-autobiographical
voice-over narration |
| gptkbp:notable_appearance |
the family dinner scene
the moment of realization the park scene the police station scene the school scene the confrontation with parents the confrontation with the teacher the detention scene the escape to the sea the final shot the runaway scene the schoolyard scene the visit to the cinema |
| gptkbp:notable_character |
gptkb:Jean-Pierre_Léaud
|
| gptkbp:notable_for |
gptkb:New_Wave_cinema
depiction of adolescence |
| gptkbp:part_of |
gptkb:The_Antoine_Doinel_series
gptkb:Doinel_series |
| gptkbp:plot |
A young boy's struggles with his parents and school.
|
| gptkbp:premiere |
gptkb:film_festival
|
| gptkbp:premiered_on |
gptkb:film_festival
|
| gptkbp:produced_by |
gptkb:François_Truffaut
gptkb:Les_Films_du_Carrosse |
| gptkbp:production_company |
gptkb:Les_Films_du_Carrosse
|
| gptkbp:release_date |
gptkb:1959
|
| gptkbp:release_format |
theatrical
|
| gptkbp:release_year |
gptkb:1959
gptkb:2019 |
| gptkbp:released_in |
gptkb:1959
|
| gptkbp:remake |
The 400 Blows (2019)
|
| gptkbp:runtime |
gptkb:unknown
99 minutes |
| gptkbp:screenplay_by |
gptkb:François_Truffaut
gptkb:unknown Marcel Moussy |
| gptkbp:sequel |
gptkb:Antoine_and_Colette
|
| gptkbp:series |
gptkb:Doinel_series
Antoine Doinel series |
| gptkbp:set_in |
gptkb:Paris
|
| gptkbp:setting |
gptkb:Paris,_France
1950s Paris |
| gptkbp:starring |
gptkb:Albert_Rémy
gptkb:Claire_Maurier gptkb:Jean-Pierre_Léaud |
| gptkbp:style |
realism
|
| gptkbp:symbolism |
the 400 blows of life
the running away motif |
| gptkbp:theme |
gptkb:political_movement
gptkb:family freedom childhood |
| gptkbp:themes |
freedom
alienation social issues childhood youth rebellion youth and rebellion parental neglect youth, rebellion, and freedom |
| gptkbp:uses |
voice-over narration
|