|
gptkbp:instance_of
|
gptkb:Film_Director
gptkb:filmmakers
gptkb:Screenwriter
|
|
gptkbp:active_years
|
1950-1984
|
|
gptkbp:active_years_end
|
gptkb:1984
|
|
gptkbp:active_years_start
|
gptkb:1959
1950
|
|
gptkbp:associated_act
|
gptkb:Daniel_Auteuil
gptkb:Juliette_Gréco
gptkb:Bernard_Blier
gptkb:Philippe_Noiret
gptkb:Emmanuelle_Béart
gptkb:Nathalie_Baye
gptkb:Léa_Drucker
gptkb:Marina_Foïs
gptkb:Oskar_Werner
gptkb:Charlotte_Gainsbourg
gptkb:Cécile_de_France
gptkb:Léa_Seydoux
gptkb:Juliette_Binoche
gptkb:Audrey_Tautou
gptkb:Catherine_Deneuve
gptkb:Fanny_Ardant
gptkb:Camille_Cottin
gptkb:Gérard_Depardieu
gptkb:Jacques_Demy
gptkb:Marion_Cotillard
gptkb:Adèle_Exarchopoulos
gptkb:Élodie_Bouchez
gptkb:Isabelle_Adjani
gptkb:Anaïs_Demoustier
gptkb:Mireille_Darc
gptkb:Lou_de_Laâge
gptkb:Sophie_Marceau
gptkb:Jean-Claude_Carrière
gptkb:Céline_Sallette
gptkb:Françoise_Dorléac
gptkb:Charles_Aznavour
gptkb:Jean_Rochefort
gptkb:Jean-Pierre_Léaud
gptkb:Claude_Jade
gptkb:Anouk_Aimée
gptkb:Béatrice_Dalle
gptkb:Melanie_Thierry
gptkb:Bernadette_Lafont
|
|
gptkbp:associated_with
|
gptkb:French_New_Wave
gptkb:New_Wave_cinema
|
|
gptkbp:award
|
gptkb:Academy_Award_for_Best_Foreign_Language_Film
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|
gptkbp:awarded_to
|
gptkb:César_Award_for_Best_Director
the Silver Bear at Berlin Film Festival
the Best Director Award at Cannes for The 400 Blows
|
|
gptkbp:awards
|
gptkb:BAFTA_Award_for_Best_Film
gptkb:Academy_Award_for_Best_Foreign_Language_Film
gptkb:César_Award_for_Best_Director
|
|
gptkbp:birth_date
|
1932-02-06
February 6, 1932
|
|
gptkbp:birth_place
|
gptkb:Paris
gptkb:Paris,_France
|
|
gptkbp:birth_year
|
gptkb:1932
|
|
gptkbp:born
|
February 6, 1932
|
|
gptkbp:born_in
|
gptkb:Paris
gptkb:Paris,_France
gptkb:Antibes,_France
|
|
gptkbp:cause_of_death
|
gptkb:Oncology
|
|
gptkbp:child
|
gptkb:Laura_Truffaut
gptkb:Eve_Truffaut
gptkb:Antoine_Truffaut
gptkb:Éva_Truffaut
|
|
gptkbp:children
|
gptkb:Laura_Truffaut
gptkb:Olivier_Truffaut
gptkb:Eve_Truffaut
gptkb:Antoine_Truffaut
|
|
gptkbp:collaborated_with
|
gptkb:Oskar_Werner
gptkb:Catherine_Deneuve
gptkb:Jean-Pierre_Léaud
|
|
gptkbp:death_date
|
October 21, 1984
1984-10-21
|
|
gptkbp:death_place
|
Neuilly-sur-Seine, France
|
|
gptkbp:death_year
|
gptkb:1984
|
|
gptkbp:died
|
October 21, 1984
|
|
gptkbp:died_in
|
gptkb:1984
Neuilly-sur-Seine, France
|
|
gptkbp:died_on
|
October 21, 1984
|
|
gptkbp:directed
|
gptkb:Love_on_the_Run
gptkb:The_Green_Room
gptkb:The_Last_Metro
gptkb:The_Man_Who_Loved_Women
gptkb:Jules_and_Jim
gptkb:Day_for_Night
gptkb:The_400_Blows
gptkb:The_Wild_Child
gptkb:The_Bride_War_Black
gptkb:The_Bride_Wore_Black
gptkb:The_Story_of_Adele_H.
gptkb:Fahrenheit_451
gptkb:The_Soft_Skin
gptkb:The_Woman_Next_Door
gptkb:Stolen_Kisses
Small Change
Two English Girls
The 400 Blows (remake)
|
|
gptkbp:explores_themes
|
gptkb:Love
gptkb:Memory
Childhood
|
|
gptkbp:famous_quote
|
“ The best way to make a film is to make it with your heart.”
“ A film should be like a stone thrown into a pond.”
“ Film is a battleground.”
“ I believe in cinema.”
“ There is no such thing as an original idea.”
|
|
gptkbp:fan_favorite
|
classic Hollywood cinema
|
|
gptkbp:film
|
gptkb:French_New_Wave
gptkb:Cinematheque_Française
gptkb:La_Fémis
gptkb:IDHEC
|
|
gptkbp:film_awards
|
gptkb:Berlin_International_Film_Festival
gptkb:Cannes_Film_Festival
gptkb:Venice_Film_Festival
|
|
gptkbp:film_festival
|
gptkb:Berlin_International_Film_Festival
gptkb:Cannes_Film_Festival
gptkb:Venice_Film_Festival
|
|
gptkbp:founder
|
gptkb:Cahiers_du_Cinéma
|
|
gptkbp:genre
|
gptkb:Romance
gptkb:science_fiction
gptkb:comedy
gptkb:drama
gptkb:thriller
romance
|
|
gptkbp:has_child
|
gptkb:Laura_Truffaut
gptkb:Eve_Truffaut
gptkb:Antoine_Truffaut
|
|
gptkbp:has_relationship_with
|
gptkb:Jean-Luc_Godard
|
|
gptkbp:hobby
|
gptkb:literature
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
François Truffaut
|
|
gptkbp:influenced
|
gptkb:David_O._Russell
gptkb:Steven_Spielberg
gptkb:narrative_structure
gptkb:Character_development
gptkb:Martin_Scorsese
gptkb:Richard_Linklater
gptkb:Jean-Luc_Godard
gptkb:Pedro_Almodóvar
gptkb:Lars_von_Trier
gptkb:Sofia_Coppola
gptkb:Woody_Allen
gptkb:Jim_Jarmusch
gptkb:Quentin_Tarantino
gptkb:Wes_Anderson
French cinema
Modern cinema
Global cinema
Film editing techniques
many filmmakers
Filmmakers like Steven Spielberg
|
|
gptkbp:influenced_by
|
gptkb:André_Bazin
gptkb:Jean-Luc_Godard
|
|
gptkbp:involved_in
|
gptkb:film
acting
film production
film criticism
screenwriting
film direction
|
|
gptkbp:is_a_member_of
|
gptkb:the_French_Academy
|
|
gptkbp:is_active_in
|
gptkb:French_New_Wave
1950s
|
|
gptkbp:is_associated_with
|
gptkb:Cinematheque_Francaise
gptkb:Les_Films_du_Carrosse
gptkb:Groupe_des_Dix
gptkb:Société_des_Réalisateurs_de_Films
Les Films de la Plume
the film genre of romance
|
|
gptkbp:is_cited_in
|
one of the greatest directors
|
|
gptkbp:is_criticized_for
|
traditional filmmaking techniques
|
|
gptkbp:is_influential_in
|
the French film landscape
|
|
gptkbp:is_known_for
|
gptkb:French_New_Wave_cinema
Emotional depth
Innovative storytelling
Character-driven narratives
Cinematographic style
his character-driven narratives
Use of music in films
|
|
gptkbp:is_married_to
|
gptkb:Madeleine_Morgenstern
|
|
gptkbp:is_remembered_for
|
gptkb:Cultural_impact
Complex characters
Visual storytelling
Themes of existentialism
Themes of identity
Influence on future filmmakers
Exploration of love and relationships
Cinematic legacy
Themes of childhood
Themes of memory
Themes of nostalgia
Use of non-professional actors
Themes of social issues
Dialogue-driven scenes
Narrative innovation
his contributions to cinema
Themes of artistic expression
Contributions to film theory
his character-driven narratives
his innovative storytelling
his collaboration with actors like Jean-Pierre Léaud
his exploration of love and relationships
his impact on modern cinema
his use of autobiographical elements in films
Themes of cinema itself
Themes of personal relationships
|
|
gptkbp:key_player
|
gptkb:the_New_Wave_movement
|
|
gptkbp:known_for
|
gptkb:The_Last_Metro
gptkb:French_New_Wave
gptkb:Jules_and_Jim
gptkb:Day_for_Night
gptkb:The_400_Blows
gptkb:New_Wave_cinema
Romantic dramas
Coming-of-age films
A film critic
|
|
gptkbp:legacy
|
Influence on modern cinema
Cinematic techniques in storytelling
Cultural impact on French cinema
Pioneering the auteur theory
Recognition as a film critic
|
|
gptkbp:mentor
|
many young filmmakers
|
|
gptkbp:nationality
|
gptkb:French
|
|
gptkbp:notable_collaborations
|
gptkb:Oskar_Werner
gptkb:Catherine_Deneuve
gptkb:Jacques_Demy
gptkb:Jean-Pierre_Léaud
gptkb:Claude_Jade
|
|
gptkbp:notable_figures
|
the history of cinema.
the French film industry
|
|
gptkbp:notable_film
|
gptkb:The_Green_Room
gptkb:The_Last_Metro
gptkb:Day_for_Night
gptkb:The_400_Blows
gptkb:The_Wild_Child
gptkb:The_Story_of_Adele_H.
gptkb:Fahrenheit_451
gptkb:The_Soft_Skin
gptkb:The_Woman_Next_Door
Two English Girls
|
|
gptkbp:notable_recipients
|
gptkb:the_Legion_of_Honor
|
|
gptkbp:notable_work
|
gptkb:The_Last_Metro
gptkb:Jules_and_Jim
gptkb:Day_for_Night
gptkb:The_400_Blows
gptkb:The_Wild_Child
gptkb:Fahrenheit_451
|
|
gptkbp:occupation
|
gptkb:Actor
gptkb:Author
gptkb:Film_Director
gptkb:Producer
gptkb:Screenwriter
gptkb:art_critics
gptkb:editor
|
|
gptkbp:place_of_birth
|
gptkb:Paris,_France
|
|
gptkbp:place_of_death
|
Neuilly-sur-Seine, France
|
|
gptkbp:produced
|
gptkb:The_Last_Metro
gptkb:Jules_and_Jim
gptkb:Day_for_Night
gptkb:The_400_Blows
gptkb:Fahrenheit_451
|
|
gptkbp:received
|
gptkb:Honorary_César_Award
|
|
gptkbp:signature
|
Character-driven narratives
Innovative editing techniques
Use of voice-over narration
Intimate storytelling
|
|
gptkbp:spouse
|
gptkb:Madeleine_Morgenstern
|
|
gptkbp:was_a_film_critic_for
|
gptkb:Cahiers_du_Cinéma
|
|
gptkbp:was_a_key_figure_in
|
gptkb:French_New_Wave
the development of character arcs
|
|
gptkbp:was_a_pioneer_in
|
the use of sound in film
auter theory
|
|
gptkbp:was_a_proponent_of
|
cinema as an art form
|
|
gptkbp:was_influenced_by
|
gptkb:André_Bazin
gptkb:Orson_Welles
gptkb:Italian_Neorealism
gptkb:Jean-Luc_Godard
gptkb:Alfred_Hitchcock
gptkb:Jean_Renoir
the works of Jean Renoir
|
|
gptkbp:was_known_for
|
Acting
Cinematography
Film production
Screenwriting
Film criticism
Innovative storytelling
Cinematic techniques
Character-driven narratives
his unique visual style
his innovative storytelling
his autobiographical elements in films
his collaborations with actors
his emotional depth in films
his exploration of childhood themes
his focus on human relationships
his innovative editing techniques
his philosophical approach to filmmaking
his use of improvisation
|
|
gptkbp:website
|
http://www.truffaut.com
francoistruffaut.com
|
|
gptkbp:won
|
gptkb:BAFTA_Award_for_Best_Film
gptkb:Academy_Award_for_Best_Foreign_Language_Film
gptkb:César_Award_for_Best_Director
Best Director Award at Cannes Film Festival
|
|
gptkbp:won_award
|
gptkb:BAFTA_Award_for_Best_Film
gptkb:Oscar_for_Best_Foreign_Language_Film
gptkb:Academy_Award_for_Best_Foreign_Language_Film
gptkb:César_Award_for_Best_Director
|
|
gptkbp:wrote
|
gptkb:The_Last_Metro
gptkb:Jules_and_Jim
gptkb:Day_for_Night
gptkb:The_400_Blows
gptkb:Fahrenheit_451
|
|
gptkbp:bfsParent
|
gptkb:Olivier_Assayas
gptkb:Fahrenheit_451_(1966_film)
gptkb:Legion_of_Honor
gptkb:Les_Films_du_Carrosse
gptkb:Catherine_Deneuve
gptkb:Jean-Luc_Godard
gptkb:Gérard_Depardieu
gptkb:Jean-Paul_Belmondo
gptkb:Jean_Cocteau
gptkb:Saint-Malo
gptkb:Henri_Cartier-Bresson
gptkb:French_New_Wave
gptkb:Montmartre
gptkb:Nantes,_France
gptkb:Calais
gptkb:Wes_Anderson
gptkb:Sophie_Marceau
gptkb:Henri-Georges_Clouzot
gptkb:Close_Encounters_of_the_Third_Kind
gptkb:Hitchcock/_Truffaut
gptkb:Fahrenheit_451
gptkb:Fahrenheit_451_(film)
gptkb:French_Grand_Croix_of_the_Legion_of_Honour
gptkb:July_Monarchy
gptkb:SACD
gptkb:Hitchcock/_Truffaut:_The_Definitive_Study_of_Alfred_Hitchcock
|
|
gptkbp:bfsLayer
|
4
|