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gptkbp:instance_of
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gptkb:fictional_character
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gptkbp:bfsLayer
|
5
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gptkbp:bfsParent
|
gptkb:Antoine_Doinel
|
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gptkbp:appears_in
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gptkb:Love_on_the_Run
gptkb:The_Green_Room
gptkb:The_Last_Metro
gptkb:The_400_Blows
gptkb:The_Soft_Skin
gptkb:The_Woman_Next_Door
gptkb:Antoine_and_Colette
gptkb:Bed_and_Board
gptkb:Stolen_Kisses
The 400 Blows (remake)
|
|
gptkbp:birth_date
|
gptkb:1959
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|
gptkbp:character_arc
|
growth and maturity
|
|
gptkbp:child
|
gptkb:Antoine_Doinel
|
|
gptkbp:conflict
|
self-discovery
authority figures
|
|
gptkbp:creator
|
gptkb:François_Truffaut
|
|
gptkbp:cultural_impact
|
gptkb:French_New_Wave_cinema
|
|
gptkbp:developer
|
over several films
|
|
gptkbp:filmography
|
gptkb:Love_on_the_Run
gptkb:Bed_and_Board
gptkb:Stolen_Kisses
|
|
gptkbp:first_appearance
|
gptkb:The_400_Blows
|
|
gptkbp:friend
|
René
|
|
gptkbp:gender
|
male
|
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gptkbp:hobbies
|
writing
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|
https://www.w3.org/2000/01/rdf-schema#label
|
Alain Doinel
|
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gptkbp:influence
|
subsequent filmmakers
|
|
gptkbp:inspiration
|
François Truffaut's childhood
|
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gptkbp:last_appearance
|
gptkb:Love_on_the_Run
|
|
gptkbp:nationality
|
gptkb:French
|
|
gptkbp:notable_for
|
coming-of-age story
|
|
gptkbp:occupation
|
gptkb:University
|
|
gptkbp:personality_trait
|
imaginative
rebellious
sensitive
romantic
nostalgic
|
|
gptkbp:portrayed_by
|
gptkb:Jean-Pierre_Léaud
|
|
gptkbp:relationship
|
gptkb:Christine_Doinel
|
|
gptkbp:series
|
gptkb:Doinel_series
|
|
gptkbp:setting
|
gptkb:Paris
|
|
gptkbp:symbolizes
|
youth in the 1960s
|
|
gptkbp:theme
|
youth and rebellion
|