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gptkbp:instanceOf
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gptkb:film
|
|
gptkbp:awarded
|
gptkb:Kinema_Junpo_Award_for_Best_Film
gptkb:Mainichi_Film_Award_for_Best_Film
|
|
gptkbp:cinematography
|
gptkb:Yūharu_Atsuta
|
|
gptkbp:color
|
black-and-white
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|
gptkbp:countryOfOrigin
|
gptkb:Japan
|
|
gptkbp:director
|
gptkb:Yasujirō_Ozu
|
|
gptkbp:distributor
|
gptkb:Shochiku
|
|
gptkbp:editingBy
|
gptkb:Yoshiyasu_Hamamura
|
|
gptkbp:filmingLocation
|
gptkb:Tokyo
gptkb:Onomichi
|
|
gptkbp:format
|
35 mm
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|
gptkbp:genre
|
gptkb:drama
|
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gptkbp:hasTheme
|
gptkb:family
gptkb:urban_development
alienation
loss
aging
generational conflict
modernization
|
|
gptkbp:influenced
|
gptkb:An_Autumn_Afternoon
Late Spring
|
|
gptkbp:influencedBy
|
gptkb:Make_Way_for_Tomorrow
|
|
gptkbp:language
|
Japanese
|
|
gptkbp:musicBy
|
gptkb:Takanobu_Saitō
|
|
gptkbp:notableFor
|
minimalist style
low camera angles
static camera
influence on world cinema
|
|
gptkbp:plotSummary
|
An elderly couple visit their children in Tokyo, but find themselves neglected.
|
|
gptkbp:preservedIn
|
gptkb:National_Film_Registry_(U.S.)
|
|
gptkbp:producer
|
gptkb:Takeshi_Yamamoto
|
|
gptkbp:productionCompany
|
gptkb:Shochiku
|
|
gptkbp:rank
|
gptkb:Sight_&_Sound_Greatest_Films_of_All_Time
|
|
gptkbp:releaseDate
|
1953-11-03
|
|
gptkbp:runtime
|
136 minutes
|
|
gptkbp:setInPeriod
|
postwar Japan
|
|
gptkbp:starring
|
gptkb:Eijirō_Tōno
gptkb:Hisao_Toake
gptkb:Kuniko_Miyake
gptkb:Kyōko_Kagawa
gptkb:Mutsuko_Sakura
gptkb:Nobuo_Nakamura
gptkb:Shirō_Osaka
gptkb:Teruko_Nagaoka
gptkb:Tomoko_Naniwa
gptkb:Sō_Yamamura
gptkb:Haruko_Sugimura
gptkb:Setsuko_Hara
gptkb:Chieko_Higashiyama
gptkb:Chishū_Ryū
|
|
gptkbp:writer
|
gptkb:Yasujirō_Ozu
gptkb:Kogo_Noda
|
|
gptkbp:bfsParent
|
gptkb:Roger_Ebert's_Great_Movies
gptkb:The_Criterion_Collection
gptkb:Yasujiro_Ozu
gptkb:Onomichi
gptkb:Shochiku
|
|
gptkbp:bfsLayer
|
6
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Tokyo Story
|