|
gptkbp:instance_of
|
gptkb:Actor
|
|
gptkbp:active_years
|
1816-1873
|
|
gptkbp:affiliation
|
gptkb:The_Lyceum_Theatre
gptkb:Drury_Lane_Theatre
gptkb:Covent_Garden_Theatre
|
|
gptkbp:associated_act
|
gptkb:Charles_Kean
gptkb:Henry_Irving
gptkb:Edmund_Kean
|
|
gptkbp:birth_date
|
1793-03-03
|
|
gptkbp:birth_place
|
gptkb:London
|
|
gptkbp:children
|
gptkb:William_Macready_Jr.
|
|
gptkbp:contribution
|
advocating for actor's rights
promoting the importance of rehearsal
improving stagecraft
popularizing Shakespeare
|
|
gptkbp:death_date
|
1873-04-27
|
|
gptkbp:death_place
|
gptkb:Hereford
|
|
gptkbp:education
|
gptkb:Royal_Academy_of_Music
|
|
gptkbp:famous_for
|
gptkb:theatrical_performances
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
William Macready
|
|
gptkbp:influence
|
theatrical naturalism
theatrical realism
modern theatre practices
actor training methods
the role of the director
|
|
gptkbp:influenced
|
gptkb:Henry_Irving
|
|
gptkbp:influenced_by
|
gptkb:David_Garrick
|
|
gptkbp:is_portrayed_as
|
gptkb:Sir_Toby_Belch
gptkb:Iago
gptkb:Macbeth
gptkb:Shylock
gptkb:Brutus
gptkb:Richard_III
gptkb:Julius_Caesar
gptkb:Henry_V
gptkb:Hamlet
gptkb:Falstaff
gptkb:King_Lear
gptkb:Othello
gptkb:The_Ghost_in_Hamlet
The King in King Lear
The Duke of York in Richard II
The Prince in Henry IV.
|
|
gptkbp:known_for
|
Shakespearean roles
|
|
gptkbp:legacy
|
influential in the development of modern acting
|
|
gptkbp:nationality
|
gptkb:British
|
|
gptkbp:notable_work
|
gptkb:Macbeth
gptkb:Hamlet
gptkb:Othello
|
|
gptkbp:occupation
|
gptkb:theater_productions
|
|
gptkbp:spouse
|
Mary Macready
|
|
gptkbp:bfsParent
|
gptkb:The_Garrick_Club
|
|
gptkbp:bfsLayer
|
5
|