|
gptkbp:instance_of
|
gptkb:ballet
gptkb:opera
gptkb:tragedy
gptkb:play
gptkb:film
gptkb:players
gptkb:stage_play
gptkb:character
|
|
gptkbp:action
|
two acts
four acts
|
|
gptkbp:adaptation
|
gptkb:film_adaptation
gptkb:film_adaptations
gptkb:Othello_(2016_film)
gptkb:musical_adaptation
gptkb:Othello_(2013_film)
gptkb:Othello_(2019_film)
gptkb:Othello_(2020_film)
gptkb:Othello_(2021_film)
gptkb:Othello_(2022_film)
gptkb:Othello_(graphic_novel)
gptkb:Othello_(musical)
gptkb:Othello_(video_game)
gptkb:ballet
gptkb:Othello_(film)
gptkb:stage_adaptation
gptkb:opera
gptkb:Othello_(1995_film)
gptkb:Othello_(2001_film)
gptkb:Othello_(2015_film)
gptkb:film
musical adaptations
ballet adaptations
Opera adaptation
ballet adaptation by Mac Millan
film adaptation 1995
opera adaptation by Verdi
Othello (opera)
Othello (novel)
Othello (ballet)
Othello (stage play)
|
|
gptkbp:adaptations
|
gptkb:Othello_(2016_film)
gptkb:Othello_(2013_film)
gptkb:Othello_(1952_film)
gptkb:Othello_(1981_film)
gptkb:Othello_(1995_film)
|
|
gptkbp:adapted_into
|
gptkb:Films
gptkb:films
gptkb:opera
gptkb:novels
gptkb:film
gptkb:theater_productions
Operas
various films
numerous films
ballets
Modern retellings
Modern Settings
|
|
gptkbp:antagonist
|
gptkb:Iago
|
|
gptkbp:appears_in
|
gptkb:Othello,_the_Moor_of_Venice
gptkb:Othello
|
|
gptkbp:author
|
gptkb:William_Shakespeare
|
|
gptkbp:based_on
|
Othello by William Shakespeare
Othello (play)
|
|
gptkbp:character
|
gptkb:Brabantio
gptkb:Iago
gptkb:Cassio
gptkb:Roderigo
gptkb:Bianca
gptkb:Desdemona
gptkb:Duke_of_Venice
gptkb:Othello
gptkb:Gratiano
Emilia
Lodovico
Bianca is Cassio's lover.
Brabantio is Desdemona's father.
Cassio is Othello's lieutenant.
Desdemona is Othello's wife.
Duke of Venice is a political figure.
Emilia is Iago's wife.
Gratiano is Brabantio's brother.
Iago is the antagonist.
Lodovico is a Venetian nobleman.
Roderigo is in love with Desdemona.
Iago is Othello's ensign.
Othello is a Moor.
|
|
gptkbp:character_arc
|
Iago's manipulation
Othello's downfall
Desdemona's innocence
Othello's transformation
|
|
gptkbp:choreography
|
gptkb:John_Neumeier
|
|
gptkbp:composer
|
gptkb:Giuseppe_Verdi
|
|
gptkbp:conflict
|
Othello vs Desdemona
Othello vs Iago
Othello vs himself
Othello vs society
Othello vs self
Othello vs his own insecurities
Othello vs societal prejudice
|
|
gptkbp:costume_design
|
Jürgen Rose
|
|
gptkbp:created_by
|
gptkb:William_Shakespeare
|
|
gptkbp:critical_reception
|
positive reviews
widely acclaimed
widely studied
considered a classic
performed frequently
widely studied in literature
Adapted into various modern interpretations.
Subject of numerous critical analyses.
Widely regarded as one of Shakespeare's greatest works.
|
|
gptkbp:cultural_impact
|
psychological analysis
gender studies
inspired literature
modern adaptations
themes of honor
performed worldwide
gender roles
inspired various artworks
themes of love
themes of fate
themes of morality
inspired numerous adaptations
inspired visual arts
Influenced literature
explores themes of identity
influenced modern literature
themes of identity
themes of revenge
explored themes of love and betrayal
Shakespearean studies
referenced in popular culture
exploration of race relations
inspired academic studies
analyzed in academic settings
feminist readings
adapted into various media
Studied in schools
explored in academic studies
studied in schools
adapted into various languages
inspired theater productions
themes of power
explores themes of love
adaptations in various media
featured in popular culture
explores themes of morality
exploration of gender roles
themes of tragedy
influenced modern discussions on race
influenced discussions on race
explores themes of power
influenced discussions on race and identity
explores themes of honor
examines the nature of evil
themes of manipulation
Influenced film
Influenced theater
explores themes of fate
inspired musicology research
explores themes of tragedy
addresses issues of identity
racial discussions
explores themes of racism
exploration of trust and betrayal
explores themes of manipulation
addresses issues of identity.
explores themes of racism.
has inspired numerous adaptations.
is referenced in popular culture.
is studied in academic settings.
|
|
gptkbp:desdemona's_fate
|
gptkb:death
|
|
gptkbp:directed_by
|
gptkb:Orson_Welles
|
|
gptkbp:duration
|
approximately 2 hours
|
|
gptkbp:explores_themes
|
Racism
Manipulation
|
|
gptkbp:faced
|
gptkb:betrayal
|
|
gptkbp:famous_quote
|
' I am not what I am.'
' O, beware, my lord, of jealousy!'
' Put out the light, and then put out the light.'
|
|
gptkbp:fate
|
Tragic downfall
|
|
gptkbp:features
|
themes of jealousy
|
|
gptkbp:first_appearance
|
gptkb:Othello,_the_Moor_of_Venice
|
|
gptkbp:first_performance
|
gptkb:Hamburg_State_Opera
1604
|
|
gptkbp:first_published
|
1622
|
|
gptkbp:genre
|
gptkb:drama
gptkb:tragedy
|
|
gptkbp:has_adaptation
|
gptkb:opera
|
|
gptkbp:has_character
|
gptkb:Iago
gptkb:Cassio
gptkb:Desdemona
|
|
gptkbp:has_conflict_with
|
gptkb:Iago
Internal Conflict
Romantic Conflict
|
|
gptkbp:has_friend
|
gptkb:Cassio
|
|
gptkbp:has_impact_on
|
gptkb:theater
gptkb:literature
Cultural discussions
|
|
gptkbp:has_influence_on
|
gptkb:literature
|
|
gptkbp:has_lore
|
gptkb:True
gptkb:true
Manipulation
manipulation
|
|
gptkbp:has_occupation
|
gptkb:General
|
|
gptkbp:has_quote
|
' O, beware, my lord, of jealousy!'
|
|
gptkbp:has_relationship_with
|
gptkb:Brabantio
gptkb:Iago
gptkb:Cassio
gptkb:Roderigo
gptkb:Desdemona
Emilia
|
|
gptkbp:has_rival
|
gptkb:Iago
|
|
gptkbp:has_role
|
gptkb:tragedy
|
|
gptkbp:has_setting
|
gptkb:military
|
|
gptkbp:has_spouse
|
gptkb:Desdemona
|
|
gptkbp:has_theme
|
gptkb:betrayal
gptkb:race
gptkb:honor
love
|
|
gptkbp:historical_context
|
Written during the English Renaissance.
Reflects issues of race and identity.
Set in the late 16th century.
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Othello
|
|
gptkbp:iago's_deception
|
gptkb:Othello
|
|
gptkbp:iago's_fate
|
arrest
|
|
gptkbp:iago's_manipulation
|
gptkb:Cassio
gptkb:Desdemona
gptkb:Othello
|
|
gptkbp:iago's_motivation
|
gptkb:revenge
|
|
gptkbp:iago's_wife
|
Emilia
|
|
gptkbp:influence
|
gptkb:film_adaptations
gptkb:Othello:_A_Black_Girl's_Story
gptkb:Othello_(2016_opera)
gptkb:Othello_(2019_opera)
gptkb:Othello_(2020_opera)
gptkb:Othello_(2021_opera)
gptkb:Othello_(2022_opera)
gptkb:Othello_(2023_opera)
gptkb:The_Lion_King
gptkb:theater
gptkb:literature
gptkb:theatrical_performances
gptkb:The_Moor_of_Venice
gptkb:music
gptkb:film
Western literature
inspired many adaptations
|
|
gptkbp:influenced
|
later operas
|
|
gptkbp:influenced_by
|
gptkb:Shakespearean_tragedy
gptkb:Hecatommithi
gptkb:Shakespearean_drama
gptkb:historical_figures
modern dance
Italian opera tradition
Italian literature
|
|
gptkbp:inspired_by
|
gptkb:historical_events
|
|
gptkbp:is
|
gptkb:tragedy
|
|
gptkbp:is_a
|
gptkb:cultural_heritage
gptkb:culture
gptkb:Shakespearean_tragedy
gptkb:Actor
gptkb:William_Shakespeare
gptkb:fictional_character
gptkb:protagonist
gptkb:moorland
gptkb:historical_figure
gptkb:Brigadier_General
gptkb:cultural_icon
gptkb:historical_fiction
gptkb:tragic_figure
gptkb:play
gptkb:General
cultural representation
iconic character
Moor
dramatic narrative
cultural narrative
dramatic character
heroic character
symbol of tragedy
complex character
victim of circumstance
flawed character
literary icon
tragic protagonist
tragic narrative
literary narrative
classic play
black character
dramatic work
|
|
gptkbp:is_about
|
Jealousy
|
|
gptkbp:is_acclaimed_for
|
gptkb:True
gptkb:true
yes
|
|
gptkbp:is_affected_by
|
Societal prejudice
Iago's schemes
|
|
gptkbp:is_associated_with
|
gptkb:tragedy
Themes of honor
themes of honor
Themes of love
themes of love
themes of fate
Themes of betrayal
themes of identity
race and identity
themes of betrayal
themes of racism
the concept of the 'other'
Shakespearean tragedies
Themes of racism
the concept of otherness
|
|
gptkbp:is_character_in
|
gptkb:Shakespeare's_works
Othello (play)
a play by William Shakespeare
|
|
gptkbp:is_characterized_by
|
gptkb:honor
military prowess
Military prowess
tragic flaws
Tragic flaws
Noble demeanor
his Moorish heritage
|
|
gptkbp:is_cited_in
|
gender studies
thematic studies
academic papers
cultural studies
philosophical discussions
historical analyses
cultural discussions
performance studies
psychological studies
postcolonial studies
academic discussions
sociological studies
literary critiques
narrative theory
adaptation studies
theory of power
theatrical reviews
theory of aesthetics
theory of tragedy
theory of identity
theory of performance
race studies
theory of ethics
theory of representation
drama theory
theory of adaptation
philosophical analyses
theory of comedy
|
|
gptkbp:is_considered
|
A Classic
|
|
gptkbp:is_considered_as
|
One of Shakespeare's greatest works
a classic tragedy
|
|
gptkbp:is_deceived_by
|
gptkb:Iago
|
|
gptkbp:is_described_as
|
gptkb:Noble
gptkb:tragic_figure
valiant
|
|
gptkbp:is_discussed_in
|
Literary circles
|
|
gptkbp:is_explored_in
|
gptkb:literary_criticism
Literary Criticism
Theatrical performances
psychological analysis
academic studies
Academic studies
Critical essays
|
|
gptkbp:is_influenced_by
|
manipulation
classical tragedy
Iago's deceit
Iago's manipulation
|
|
gptkbp:is_involved_in
|
gptkb:Military_campaigns
|
|
gptkbp:is_known_for
|
gptkb:jealousy
gptkb:tragedy
Emotional depth
Complex characters
Jealousy
themes of love
soliloquies
tragic downfall
tragic ending
Famous Quotes
themes of jealousy
Rich language
themes of betrayal
themes of racism
the tragic downfall of the protagonist
|
|
gptkbp:is_married_to
|
gptkb:Desdemona
|
|
gptkbp:is_motivated_by
|
Desire for acceptance
Love for Desdemona
Need for respect
|
|
gptkbp:is_notable_for
|
its complex characters
its tragic ending
its exploration of love
its exploration of betrayal
its dramatic irony
its exploration of race
|
|
gptkbp:is_of_race
|
Moor
|
|
gptkbp:is_part_of
|
gptkb:Shakespeare's_canon
gptkb:Shakespeare's_tragedies
gptkb:Shakespeare's_Works
gptkb:Shakespeare's_Othello
gptkb:Othello
Shakespearean tragedies
|
|
gptkbp:is_portrayed_as
|
gptkb:art
gptkb:Noble
gptkb:artworks
Various actors
various actors
Tragic figure
Victim of manipulation
noble warrior
|
|
gptkbp:is_referenced_in
|
gptkb:popular_culture
Popular culture
|
|
gptkbp:is_related_to
|
gptkb:Brabantio
gptkb:Iago
gptkb:Cassio
gptkb:Roderigo
Emilia
|
|
gptkbp:is_respected_by
|
gptkb:Iago
|
|
gptkbp:is_set_in
|
gptkb:Venice
gptkb:Cyprus
Jürgen Rose
|
|
gptkbp:is_studied_in
|
literature courses
Literature classes
|
|
gptkbp:is_symbolic_of
|
Jealousy
racial tensions
Racial tensions
Trust and betrayal
|
|
gptkbp:is_tragic_due_to
|
miscommunication
|
|
gptkbp:language
|
gptkb:Italian
Early Modern English
English
|
|
gptkbp:librettist
|
gptkb:Arrigo_Boito
|
|
gptkbp:lighting
|
gptkb:Thomas_W._Schall
|
|
gptkbp:literary_devices
|
Utilizes symbolism.
Employs soliloquies.
Features foreshadowing.
Uses dramatic irony.
|
|
gptkbp:main_character
|
gptkb:Iago
gptkb:Cassio
gptkb:Desdemona
gptkb:Othello
|
|
gptkbp:motif
|
gptkb:honor
gptkb:deception
gptkb:identity
gptkb:war
love
|
|
gptkbp:music_by
|
gptkb:Dmitri_Shostakovich
|
|
gptkbp:notable_aria
|
A te, o cara
Dio ti giocondi
Si, pel ciel
' A te, o cara'
' Dio ti giocondi'
|
|
gptkbp:notable_character
|
gptkb:Brabantio
gptkb:Cassio
gptkb:Roderigo
Emilia
|
|
gptkbp:notable_collaborations
|
Già nella notte densa
A terra! A terra!
L'ora, o Tirsi, è questa
|
|
gptkbp:notable_performance
|
gptkb:opera_by_Giuseppe_Verdi
gptkb:Royal_Shakespeare_Company
gptkb:ballet_by_John_Neumeier
gptkb:theater
gptkb:film_adaptation_by_Oliver_Parker
gptkb:film_adaptation_by_Orson_Welles
gptkb:film_adaptation_by_Tim_Blake_Nelson
Broadway adaptation
film adaptation by Franco Zeffirelli
Ileana Cotrubas as Desdemona
Luciano Pavarotti as Cassio
Plácido Domingo as Othello
Renata Tebaldi as Desdemona
Sherrill Milnes as Iago
musical adaptation ' Othello: The Remix'
|
|
gptkbp:notable_performances
|
gptkb:Cincinnati_Ballet
gptkb:American_Ballet_Theatre
gptkb:Royal_Danish_Ballet
gptkb:Vienna_State_Ballet
gptkb:National_Ballet_of_Canada
gptkb:Ballet_de_l'_Opéra_de_Lyon
gptkb:New_York_City_Ballet
gptkb:Royal_Ballet
gptkb:Ballet_West
gptkb:Houston_Ballet
gptkb:Paris_Opera_Ballet
gptkb:Bolshoi_Ballet
gptkb:Ballet_Nacional_de_España
gptkb:San_Francisco_Ballet
gptkb:Australian_Ballet
gptkb:Ballet_de_Marseille
gptkb:Tokyo_Ballet
|
|
gptkbp:notable_performers
|
gptkb:Irek_Mukhamedov
gptkb:Marianela_Nuñez
gptkb:Misty_Copeland
gptkb:Carlos_Acosta
|
|
gptkbp:notable_production
|
National Theatre production.
Royal Shakespeare Company production.
Broadway production.
Film adaptation by Franco Zeffirelli.
Film adaptation by Oliver Parker.
Film adaptation by Orson Welles.
Film adaptation by Tim Blake Nelson.
|
|
gptkbp:notable_quote
|
' I am not what I am.'
' O, beware, my lord, of jealousy!'
' The Moor of Venice'.
' Put out the light, and then put out the light.'
' I loved you too much.'
' O, beware, my lord, of jealousy! It is the green-eyed monster which doth mock the meat it feeds on.'
|
|
gptkbp:number_of_acts
|
gptkb:4
gptkb:5
|
|
gptkbp:orchestration
|
orchestra and voices
|
|
gptkbp:original_language
|
English
|
|
gptkbp:othello's_adaptations
|
gptkb:ballet
gptkb:opera
gptkb:theater
gptkb:film
|
|
gptkbp:othello's_adversary
|
gptkb:Roderigo
|
|
gptkbp:othello's_conflict
|
external
internal
|
|
gptkbp:othello's_critical_reception
|
mixed
|
|
gptkbp:othello's_cultural_impact
|
gptkb:significant
|
|
gptkbp:othello's_dramatic_irony
|
present
|
|
gptkbp:othello's_emotional_state
|
anguish
|
|
gptkbp:othello's_fate
|
gptkb:death
|
|
gptkbp:othello's_foreshadowing
|
present
|
|
gptkbp:othello's_friend
|
gptkb:Cassio
|
|
gptkbp:othello's_jealousy
|
gptkb:Desdemona
|
|
gptkbp:othello's_language
|
Early Modern English
|
|
gptkbp:othello's_legacy
|
gptkb:literature
|
|
gptkbp:othello's_motifs
|
gptkb:honor
gptkb:deception
gptkb:identity
manipulation
appearance vs reality
|
|
gptkbp:othello's_occupation
|
gptkb:General
|
|
gptkbp:othello's_performance_history
|
long-standing
|
|
gptkbp:othello's_race
|
Moor
|
|
gptkbp:othello's_resolution
|
gptkb:tragedy
|
|
gptkbp:othello's_structure
|
five acts
|
|
gptkbp:othello's_symbolism
|
gptkb:the_storm
the sea
the moon
light and dark
handkerchief
|
|
gptkbp:othello's_tragic_flaw
|
gptkb:trust
|
|
gptkbp:othello's_wife
|
gptkb:Desdemona
|
|
gptkbp:performance
|
gptkb:theater
gptkb:drama
gptkb:tragedy
Adapted into various languages.
Often performed in theaters.
Has been performed worldwide.
|
|
gptkbp:performance_style
|
gptkb:tragedy
|
|
gptkbp:performance_tradition
|
gptkb:tragedy
Shakespearean plays
modern adaptations
Shakespearean theater
adapted for various cultures.
often performed in diverse settings.
|
|
gptkbp:performed_at
|
gptkb:La_Scala
gptkb:Royal_Opera_House
gptkb:The_Blackfriars_Theatre
gptkb:The_Globe_Theatre
gptkb:opera
|
|
gptkbp:performed_by
|
gptkb:Hamburg_Ballet
actors in various adaptations
|
|
gptkbp:performed_in
|
gptkb:theater_productions
Theatres
theaters
theater worldwide
Theaters worldwide
|
|
gptkbp:personality_trait
|
gptkb:jealousy
gptkb:nobility
bravery
tragic flaw
|
|
gptkbp:premiere
|
1887
|
|
gptkbp:premiere_date
|
1604
|
|
gptkbp:premiere_location
|
gptkb:Venice
|
|
gptkbp:premiered_on
|
1975-01-01
|
|
gptkbp:published
|
1622
|
|
gptkbp:published_by
|
gptkb:Thomas_Walkley
|
|
gptkbp:published_in
|
gptkb:First_Folio_1623
gptkb:Quarto_1622
1622
|
|
gptkbp:recordings
|
gptkb:Decca_Records
gptkb:Sony_Classical
gptkb:EMI_Classics
|
|
gptkbp:score
|
Shostakovich's music
|
|
gptkbp:security
|
gptkb:Iago
|
|
gptkbp:set_in
|
gptkb:Venice
gptkb:Cyprus
|
|
gptkbp:setting
|
gptkb:Venice
gptkb:Cyprus
Venice and Cyprus
|
|
gptkbp:style
|
neoclassical ballet
|
|
gptkbp:symbol
|
the sea
the moon
handkerchief
|
|
gptkbp:symbolism
|
the sea
the moon
light and darkness
handkerchief
light and dark symbolize good and evil.
the handkerchief symbolizes fidelity.
the sea symbolizes the unknown.
the storm symbolizes chaos.
|
|
gptkbp:thematic_element
|
gptkb:betrayal
gptkb:jealousy
gptkb:race
gptkb:honor
love
|
|
gptkbp:theme
|
gptkb:Love
gptkb:betrayal
gptkb:jealousy
gptkb:race
gptkb:honor
love
Racism
Manipulation
Jealousy
|
|
gptkbp:themes
|
gptkb:betrayal
gptkb:jealousy
gptkb:race
gptkb:honor
love
|
|
gptkbp:user_experience
|
gptkb:jealousy
gptkb:tragedy
Emotional turmoil
|
|
gptkbp:was_executed_by
|
gptkb:Desdemona
|
|
gptkbp:written_by
|
gptkb:William_Shakespeare
|
|
gptkbp:bfsParent
|
gptkb:Shakespeare
gptkb:Orson_Welles
gptkb:Royal_National_Theatre
gptkb:Richard_Burton
gptkb:Michael_Grandage
gptkb:Dr._Paul_Robeson
gptkb:Daniel_Craig
gptkb:William_Shakespeare
gptkb:Chicago_Shakespeare_Theater
gptkb:Kelsey_Grammer
gptkb:Renaissance_theatre
gptkb:David_Oyelowo
gptkb:Edwin_Booth
gptkb:Otello
gptkb:Tom_Hiddleston
gptkb:Chiwetel_Ejiofor
gptkb:The_Globe_Theatre
gptkb:Adrian_Lester
gptkb:Laurence_Fishburne
gptkb:Laurence_Olivier
gptkb:The_Bold_and_the_Beautiful
gptkb:The_Straz_Center_for_the_Performing_Arts
gptkb:The_National_Theatre's_Othello
gptkb:Shakespeare's_Globe_Theatre
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