Statements (598)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:ballet
gptkb:theatre gptkb:earthquake gptkb:opera gptkb:play gptkb:film gptkb:character |
| gptkbp:bfsLayer |
2
|
| gptkbp:bfsParent |
gptkb:Educational_Institution
|
| gptkbp:activities |
two acts
four acts |
| gptkbp:adaptation |
gptkb:musical
gptkb:Othello_(2016_film) gptkb:Othello_(2013_film) gptkb:Othello_(2019_film) gptkb:Othello_(2020_film) gptkb:Othello_(2021_film) gptkb:Othello_(2022_film) gptkb:Othello_(graphic_novel) gptkb:Othello_(musical) gptkb:Othello_(video_game) gptkb:ballet gptkb:theatre gptkb:Othello_(film) gptkb:Othello_(1952_film) gptkb:opera gptkb:Othello_(1981_film) gptkb:Othello_(1995_film) gptkb:Othello_(2001_film) gptkb:Othello_(2015_film) gptkb:film musical adaptations ballet adaptations Opera adaptation ballet adaptation by Mac Millan film adaptation 1995 opera adaptation by Verdi Othello (opera) Othello (novel) Othello (ballet) Othello (stage play) |
| gptkbp:adapted_into |
gptkb:theatre
gptkb:Films gptkb:films gptkb:opera gptkb:novel gptkb:film Operas various films numerous films ballets Modern retellings Modern Settings |
| gptkbp:alter_ego |
gptkb:Cassio
gptkb:Desdemona gptkb:Othello |
| gptkbp:antagonist |
gptkb:Iago
gptkb:Roderigo |
| gptkbp:appears_in |
gptkb:Othello,_the_Moor_of_Venice
gptkb:Othello |
| gptkbp:associated_act |
gptkb:4
gptkb:5 |
| gptkbp:author |
gptkb:Educational_Institution
|
| gptkbp:based_on |
Othello by William Shakespeare
Othello (play) |
| gptkbp:caused_by |
miscommunication
|
| gptkbp:character |
gptkb:Brabantio
gptkb:Iago gptkb:Cassio gptkb:Roderigo gptkb:Bianca gptkb:Desdemona gptkb:Duke_of_Venice gptkb:Othello gptkb:Gratiano Emilia Lodovico Bianca is Cassio's lover. Brabantio is Desdemona's father. Cassio is Othello's lieutenant. Desdemona is Othello's wife. Duke of Venice is a political figure. Emilia is Iago's wife. Gratiano is Brabantio's brother. Iago is the antagonist. Lodovico is a Venetian nobleman. Roderigo is in love with Desdemona. Iago is Othello's ensign. Othello is a Moor. |
| gptkbp:character_appearance |
Jürgen Rose
|
| gptkbp:character_arc |
Iago's manipulation
Othello's downfall Desdemona's innocence Othello's transformation |
| gptkbp:choreography |
gptkb:John_Neumeier
|
| gptkbp:collaborations |
Già nella notte densa
A terra! A terra! L'ora, o Tirsi, è questa |
| gptkbp:command_structure |
five acts
|
| gptkbp:composer |
gptkb:Giuseppe_Verdi
|
| gptkbp:conflict |
external
internal Othello vs Desdemona Othello vs Iago Othello vs himself Othello vs society Othello vs self Othello vs his own insecurities Othello vs societal prejudice |
| gptkbp:convicted_of |
gptkb:Desdemona
|
| gptkbp:created_by |
gptkb:Educational_Institution
|
| gptkbp:critical_reception |
mixed
positive reviews widely acclaimed widely studied considered a classic performed frequently widely studied in literature Adapted into various modern interpretations. Subject of numerous critical analyses. Widely regarded as one of Shakespeare's greatest works. |
| gptkbp:cultural_impact |
gptkb:significant
psychological analysis gender studies inspired literature modern adaptations themes of honor performed worldwide gender roles inspired various artworks themes of love themes of fate themes of morality inspired numerous adaptations inspired visual arts Influenced literature explores themes of identity influenced modern literature themes of identity themes of revenge explored themes of love and betrayal Shakespearean studies referenced in popular culture exploration of race relations inspired academic studies analyzed in academic settings feminist readings adapted into various media Studied in schools explored in academic studies studied in schools adapted into various languages inspired theater productions themes of power explores themes of love adaptations in various media featured in popular culture explores themes of morality exploration of gender roles themes of tragedy influenced modern discussions on race influenced discussions on race explores themes of power influenced discussions on race and identity explores themes of honor examines the nature of evil themes of manipulation Influenced film Influenced theater explores themes of fate inspired musicology research explores themes of tragedy addresses issues of identity racial discussions explores themes of racism exploration of trust and betrayal explores themes of manipulation addresses issues of identity. explores themes of racism. has inspired numerous adaptations. is referenced in popular culture. is studied in academic settings. |
| gptkbp:directed_by |
gptkb:Orson_Welles
|
| gptkbp:duration |
approximately 2 hours
|
| gptkbp:faced |
gptkb:betrayal
|
| gptkbp:famous_quote |
' I am not what I am.'
' O, beware, my lord, of jealousy!' ' Put out the light, and then put out the light.' |
| gptkbp:fate |
gptkb:cemetery
arrest Tragic downfall |
| gptkbp:features |
themes of jealousy
|
| gptkbp:filming_location |
gptkb:Venice
|
| gptkbp:final_score |
Shostakovich's music
|
| gptkbp:first_appearance |
gptkb:Othello,_the_Moor_of_Venice
|
| gptkbp:first_performance |
gptkb:Hamburg_State_Opera
1604 |
| gptkbp:first_published |
1622
|
| gptkbp:first_race |
Moor
|
| gptkbp:friend |
gptkb:Cassio
|
| gptkbp:genre |
gptkb:High_School
gptkb:earthquake |
| gptkbp:has |
' O, beware, my lord, of jealousy!'
|
| gptkbp:has_character |
gptkb:Iago
gptkb:Cassio gptkb:Desdemona |
| gptkbp:has_conflict_with |
gptkb:Iago
Internal Conflict Romantic Conflict |
| gptkbp:has_friend |
gptkb:Cassio
|
| gptkbp:has_impact_on |
gptkb:theatre
gptkb:literary_work Cultural discussions |
| gptkbp:has_influence_on |
gptkb:literary_work
|
| gptkbp:has_lore |
gptkb:theorem
Manipulation manipulation |
| gptkbp:has_occupation |
gptkb:military_officer
|
| gptkbp:has_role |
gptkb:earthquake
|
| gptkbp:has_setting |
gptkb:military_unit
|
| gptkbp:has_theme |
gptkb:award
gptkb:betrayal gptkb:species love |
| gptkbp:historical_context |
Written during the English Renaissance.
Reflects issues of race and identity. Set in the late 16th century. |
| https://www.w3.org/2000/01/rdf-schema#label |
Othello
|
| gptkbp:influence |
gptkb:musical
gptkb:Othello:_A_Black_Girl's_Story gptkb:Othello_(2016_opera) gptkb:Othello_(2019_opera) gptkb:Othello_(2020_opera) gptkb:Othello_(2021_opera) gptkb:Othello_(2022_opera) gptkb:Othello_(2023_opera) gptkb:theatre gptkb:The_Lion_King gptkb:literary_work gptkb:The_Moor_of_Venice gptkb:film Western literature inspired many adaptations |
| gptkbp:influenced |
later operas
|
| gptkbp:influenced_by |
gptkb:Shakespearean_tragedy
gptkb:Hecatommithi gptkb:historical_figure gptkb:Shakespearean_drama modern dance Italian opera tradition Italian literature |
| gptkbp:inspired_by |
gptkb:historical_event
|
| gptkbp:is |
gptkb:earthquake
|
| gptkbp:is_a |
gptkb:philosopher
gptkb:church gptkb:military_officer gptkb:political_movement gptkb:Shakespearean_tragedy gptkb:Film_Director gptkb:fictional_character gptkb:earthquake gptkb:artifact gptkb:Educational_Institution gptkb:beach gptkb:historical_figure gptkb:play cultural representation iconic character Moor dramatic narrative cultural narrative dramatic character heroic character symbol of tragedy complex character victim of circumstance flawed character literary icon tragic protagonist tragic narrative literary narrative classic play black character dramatic work |
| gptkbp:is_about |
Jealousy
|
| gptkbp:is_affected_by |
Societal prejudice
Iago's schemes |
| gptkbp:is_associated_with |
gptkb:earthquake
Themes of honor themes of honor Themes of love themes of love themes of fate Themes of betrayal themes of identity race and identity themes of betrayal themes of racism the concept of the 'other' Shakespearean tragedies Themes of racism the concept of otherness |
| gptkbp:is_character_in |
gptkb:Shakespeare's_works
Othello (play) a play by William Shakespeare |
| gptkbp:is_characterized_by |
gptkb:award
military prowess Military prowess tragic flaws Tragic flaws Noble demeanor his Moorish heritage |
| gptkbp:is_cited_in |
gender studies
thematic studies academic papers cultural studies philosophical discussions historical analyses cultural discussions performance studies psychological studies postcolonial studies academic discussions sociological studies literary critiques narrative theory adaptation studies theory of power theatrical reviews theory of aesthetics theory of tragedy theory of identity theory of performance race studies theory of ethics theory of representation drama theory theory of adaptation philosophical analyses theory of comedy |
| gptkbp:is_considered |
A Classic
|
| gptkbp:is_considered_as |
One of Shakespeare's greatest works
a classic tragedy |
| gptkbp:is_described_as |
gptkb:noble_title
gptkb:earthquake valiant |
| gptkbp:is_discussed_in |
Literary circles
|
| gptkbp:is_evaluated_by |
gptkb:theorem
gptkb:battle |
| gptkbp:is_explored_in |
gptkb:literary_work
Literary Criticism Theatrical performances psychological analysis academic studies Academic studies Critical essays |
| gptkbp:is_influenced_by |
manipulation
classical tragedy Iago's deceit Iago's manipulation |
| gptkbp:is_informed_by |
gptkb:Iago
|
| gptkbp:is_involved_in |
gptkb:Military_campaigns
|
| gptkbp:is_known_for |
gptkb:jealousy
gptkb:earthquake Emotional depth Complex characters Jealousy themes of love soliloquies tragic downfall tragic ending Famous Quotes themes of jealousy Rich language themes of betrayal themes of racism the tragic downfall of the protagonist |
| gptkbp:is_motivated_by |
gptkb:revenge
Desire for acceptance Love for Desdemona Need for respect |
| gptkbp:is_part_of |
gptkb:Shakespeare's_canon
gptkb:Shakespeare's_tragedies gptkb:Shakespeare's_Works gptkb:Shakespeare's_Othello gptkb:Othello Shakespearean tragedies |
| gptkbp:is_referenced_in |
gptkb:organization
Popular culture |
| gptkbp:is_related_to |
gptkb:Brabantio
gptkb:Iago gptkb:Cassio gptkb:Roderigo Emilia |
| gptkbp:is_respected_by |
gptkb:Iago
|
| gptkbp:is_studied_in |
literature courses
Literature classes |
| gptkbp:is_symbolic_of |
Jealousy
racial tensions Racial tensions Trust and betrayal |
| gptkbp:language |
gptkb:Italian
Early Modern English English |
| gptkbp:legacy |
gptkb:literary_work
|
| gptkbp:librettist |
gptkb:Arrigo_Boito
|
| gptkbp:lighting |
gptkb:Thomas_W._Schall
|
| gptkbp:literary_devices |
Utilizes symbolism.
Employs soliloquies. Features foreshadowing. Uses dramatic irony. |
| gptkbp:main_character |
gptkb:Iago
gptkb:Cassio gptkb:Desdemona gptkb:Othello |
| gptkbp:mood |
anguish
|
| gptkbp:motif |
gptkb:TV_series
gptkb:award gptkb:military_operation gptkb:war love manipulation appearance vs reality |
| gptkbp:music_by |
gptkb:Dmitri_Shostakovich
|
| gptkbp:notable_character |
gptkb:Brabantio
gptkb:Cassio gptkb:Roderigo Emilia |
| gptkbp:notable_for |
its complex characters
its tragic ending its exploration of love its exploration of betrayal its dramatic irony its exploration of race |
| gptkbp:notable_performance |
gptkb:Cincinnati_Ballet
gptkb:American_Ballet_Theatre gptkb:Royal_Danish_Ballet gptkb:Vienna_State_Ballet gptkb:National_Ballet_of_Canada gptkb:theatre gptkb:opera_by_Giuseppe_Verdi gptkb:Ballet_de_l'_Opéra_de_Lyon gptkb:New_York_City_Ballet gptkb:Royal_Ballet gptkb:Ballet_West gptkb:Houston_Ballet gptkb:Paris_Opera_Ballet gptkb:Bolshoi_Ballet gptkb:Ballet_Nacional_de_España gptkb:Royal_Shakespeare_Company gptkb:San_Francisco_Ballet gptkb:Australian_Ballet gptkb:Ballet_de_Marseille gptkb:Tokyo_Ballet gptkb:earthquake gptkb:ballet_by_John_Neumeier gptkb:film_adaptation_by_Oliver_Parker gptkb:film_adaptation_by_Orson_Welles gptkb:film_adaptation_by_Tim_Blake_Nelson Shakespearean plays modern adaptations Broadway adaptation Shakespearean theater film adaptation by Franco Zeffirelli Ileana Cotrubas as Desdemona Luciano Pavarotti as Cassio Plácido Domingo as Othello Renata Tebaldi as Desdemona Sherrill Milnes as Iago adapted for various cultures. often performed in diverse settings. musical adaptation ' Othello: The Remix' |
| gptkbp:notable_performers |
gptkb:Irek_Mukhamedov
gptkb:Marianela_Nuñez gptkb:Misty_Copeland gptkb:Carlos_Acosta |
| gptkbp:notable_production |
National Theatre production.
Royal Shakespeare Company production. Broadway production. Film adaptation by Franco Zeffirelli. Film adaptation by Oliver Parker. Film adaptation by Orson Welles. Film adaptation by Tim Blake Nelson. |
| gptkbp:notable_quote |
' I am not what I am.'
' O, beware, my lord, of jealousy!' ' The Moor of Venice'. ' Put out the light, and then put out the light.' ' I loved you too much.' ' O, beware, my lord, of jealousy! It is the green-eyed monster which doth mock the meat it feeds on.' |
| gptkbp:notable_race |
Moor
|
| gptkbp:notable_recordings |
gptkb:Decca_Records
gptkb:Sony_Classical gptkb:EMI_Classics |
| gptkbp:notable_song |
A te, o cara
Dio ti giocondi Si, pel ciel ' A te, o cara' ' Dio ti giocondi' |
| gptkbp:occupation |
gptkb:military_officer
|
| gptkbp:official_language |
English
|
| gptkbp:orchestration |
orchestra and voices
|
| gptkbp:performance |
gptkb:theatre
gptkb:High_School gptkb:earthquake long-standing Adapted into various languages. Often performed in theaters. Has been performed worldwide. |
| gptkbp:performed_by |
gptkb:Hamburg_Ballet
gptkb:theatre gptkb:La_Scala gptkb:Royal_Opera_House gptkb:The_Blackfriars_Theatre gptkb:The_Globe_Theatre gptkb:opera Theatres theaters theater worldwide Theaters worldwide actors in various adaptations |
| gptkbp:personality_trait |
gptkb:noble_title
gptkb:jealousy bravery tragic flaw |
| gptkbp:plot_twist |
gptkb:Trust
present |
| gptkbp:portrayed_by |
gptkb:noble_title
gptkb:Artist gptkb:artwork Various actors various actors Tragic figure Victim of manipulation noble warrior |
| gptkbp:premiere |
1887
|
| gptkbp:premiere_date |
1604
|
| gptkbp:premiered_on |
1975-01-01
|
| gptkbp:published_by |
gptkb:Thomas_Walkley
gptkb:First_Folio_1623 gptkb:Quarto_1622 1622 |
| gptkbp:relationship |
gptkb:Brabantio
gptkb:Iago gptkb:Cassio gptkb:Roderigo gptkb:Desdemona Emilia |
| gptkbp:resolution |
gptkb:earthquake
|
| gptkbp:rival |
gptkb:Iago
gptkb:Desdemona |
| gptkbp:security_features |
gptkb:Iago
|
| gptkbp:set_in |
gptkb:Venice
gptkb:Cyprus Jürgen Rose |
| gptkbp:setting |
gptkb:Venice
gptkb:Cyprus Venice and Cyprus |
| gptkbp:spouse |
gptkb:Desdemona
Emilia |
| gptkbp:style |
neoclassical ballet
|
| gptkbp:symbol |
the sea
the moon handkerchief |
| gptkbp:symbolism |
gptkb:the_storm
the sea the moon light and darkness light and dark handkerchief light and dark symbolize good and evil. the handkerchief symbolizes fidelity. the sea symbolizes the unknown. the storm symbolizes chaos. |
| gptkbp:thematic_element |
gptkb:award
gptkb:betrayal gptkb:jealousy gptkb:species love |
| gptkbp:theme |
gptkb:award
gptkb:Love gptkb:betrayal gptkb:jealousy gptkb:species love Racism Manipulation Jealousy |
| gptkbp:themes |
gptkb:award
gptkb:betrayal gptkb:jealousy gptkb:species love Racism Manipulation |
| gptkbp:user_experience |
gptkb:jealousy
gptkb:earthquake Emotional turmoil |
| gptkbp:written_by |
gptkb:Educational_Institution
|