Statements (703)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:opera
gptkb:historical_figure gptkb:tragic_figure gptkb:tragedy gptkb:play gptkb:players gptkb:character |
| gptkbp:action |
five acts.
|
| gptkbp:adaptation |
gptkb:film_adaptation
gptkb:ballet gptkb:Macbeth_(film)_1948 gptkb:Macbeth_(film)_1971 gptkb:Macbeth_(film)_2006 gptkb:Macbeth_(film)_2015 gptkb:opera gptkb:Macbeth_(film,_1948) gptkb:Macbeth_(film,_1971) gptkb:Macbeth_(film,_2010) gptkb:Macbeth_(film,_2015) gptkb:Macbeth_(musical) gptkb:film musical adaptation. graphic novel adaptation. Macbeth (opera) opera adaptation of Shakespeare's play video game adaptation. Macbeth (musical) 1980 |
| gptkbp:adaptation_year |
gptkb:1987
gptkb:2000 gptkb:2010 gptkb:2014 gptkb:2019 |
| gptkbp:adapted_into |
gptkb:video_games
gptkb:television_series gptkb:documentaries gptkb:films gptkb:opera gptkb:novels musicals graphic novels various films theatre productions ballets video games. ballets. musicals. graphic novels. films and operas novels. |
| gptkbp:appears_in |
Macbeth (play)
|
| gptkbp:associated_with |
gptkb:murder
gptkb:Witchblade gptkb:prophecy ambition guilt |
| gptkbp:based_on |
Macbeth by William Shakespeare
|
| gptkbp:battle |
Battle of Lumphanan
|
| gptkbp:becomes_king_after |
killing King Duncan
|
| gptkbp:born_in |
gptkb:Scotland
|
| gptkbp:cast |
films and plays
|
| gptkbp:character |
gptkb:Hecate
gptkb:Fleance gptkb:Ross gptkb:Macduff gptkb:The_Witches gptkb:Lennox gptkb:Banquo gptkb:Duncan gptkb:The_Three_Witches gptkb:Lady_Macduff gptkb:The_Ghost_of_Banquo Malcolm power at any cost |
| gptkbp:character_traits |
bravery
paranoia guilt |
| gptkbp:characteristic |
his psychological complexity
|
| gptkbp:characters |
gptkb:Macbeth
gptkb:Lady_Macbeth gptkb:Macduff gptkb:The_Witches gptkb:Banquo gptkb:Duncan |
| gptkbp:climax |
Macbeth's downfall
|
| gptkbp:composer |
gptkb:Giuseppe_Verdi
|
| gptkbp:conflict |
internal conflict
external conflict |
| gptkbp:consequences |
his actions
|
| gptkbp:created |
gptkb:King_of_England
|
| gptkbp:created_by |
gptkb:William_Shakespeare
|
| gptkbp:critical_reception |
widely studied
performed worldwide widely studied in literature courses performed frequently mixed reviews at premiere adapted into various media considered one of Shakespeare's greatest works |
| gptkbp:crowned |
king of Scotland
|
| gptkbp:cultural_impact |
gptkb:folklore
gptkb:Film_adaptations gptkb:Shakespearean_tragedy gptkb:popular_culture gptkb:theatrical_performances Literary references psychological analysis academic studies inspired literature political commentary inspired various adaptations performed worldwide inspired various artworks inspired video games inspired numerous adaptations inspired visual arts artistic interpretations inspired many adaptations literary references referenced in popular culture performed in various languages inspired academic studies used in educational settings inspired ballets inspired graphic novels translated into many languages inspired artworks inspired songs inspired music compositions inspired operas studied in schools Thematic studies inspired operas and musicals inspired poetry influenced modern storytelling inspired operas and ballets inspired television shows inspired theatrical productions analyzed in literary criticism referenced in popular culture. inspiration for various artworks influenced music compositions explored in feminist readings used in academic studies inspired political commentary adaptations in various languages widely studied in schools. inspired dance performed worldwide. analyzed in political contexts examined in psychological contexts inspired film and television considered one of Shakespeare's greatest works. frequent references in popular culture |
| gptkbp:death_year |
1057
|
| gptkbp:defeated |
gptkb:Macduff
|
| gptkbp:depicted_in |
gptkb:comics
gptkb:Video_games gptkb:television_shows gptkb:Songs gptkb:artworks Movies Poems Graphic novels Operas Ballets a brave warrior |
| gptkbp:director |
gptkb:Dario_Fo
|
| gptkbp:experiences_a_moral_conflict_in |
gptkb:Act_2,_Scene_2
|
| gptkbp:experiences_guilt |
nan
|
| gptkbp:explores_themes |
gptkb:moral_ambiguity
|
| gptkbp:faced |
internal conflict
|
| gptkbp:famous_person |
gptkb:Macbeth
gptkb:Lady_Macbeth |
| gptkbp:famous_quote |
Is this a dagger which I see before me?
Out, out brief candle! Double, double toil and trouble. Fair is foul, and foul is fair. Tomorrow, and tomorrow, and tomorrow. Something wicked this way comes. |
| gptkbp:fate |
prophecies of the witches
|
| gptkbp:features |
prophecies
visions three witches |
| gptkbp:features_character |
gptkb:Lady_Macbeth
gptkb:Macduff gptkb:Banquo |
| gptkbp:features_prophecy |
gptkb:Three_Witches
Macbeth shall never vanquished be until Great Birnam Wood to high Dunsinane Hill shall come against him Hail, Macbeth, that shalt be king hereafter No man born of woman shall harm Macbeth |
| gptkbp:first_performance |
gptkb:La_Scala,_Milan
1606 1611 |
| gptkbp:genre |
gptkb:tragedy
|
| gptkbp:has |
gptkb:Act_1
gptkb:Act_3 gptkb:Act_2 Act 5 Act 4 |
| gptkbp:has_a_famous_line_about |
the dagger
|
| gptkbp:has_adaptation |
modern settings
|
| gptkbp:has_artwork |
29
|
| gptkbp:has_character |
gptkb:Hecate
gptkb:Macbeth gptkb:Fleance gptkb:Ross gptkb:Lady_Macbeth gptkb:Porter gptkb:Macduff gptkb:Angus gptkb:The_Witches gptkb:Lennox gptkb:Banquo gptkb:Duncan gptkb:Lady_Macduff gptkb:The_Ghost_of_Banquo gptkb:Siward gptkb:Young_Siward Gentlewoman Malcolm Menteith |
| gptkbp:has_conflict_with |
gptkb:Macduff
gptkb:Banquo internal conflict external conflict his ambition |
| gptkbp:has_function |
" I am afraid to think what I have done."
|
| gptkbp:has_influence_on |
gptkb:theater
gptkb:literature gptkb:music gptkb:film |
| gptkbp:has_influenced |
music compositions
other literary works |
| gptkbp:has_lore |
gptkb:Macbeth
gptkb:true |
| gptkbp:has_property |
his actions
|
| gptkbp:has_setting |
medieval Scotland
|
| gptkbp:has_symbol |
gptkb:blood
darkness weather |
| gptkbp:has_theme |
gptkb:fate
supernatural ambition guilt |
| gptkbp:historical_context |
gptkb:political_intrigue
Jacobean era Scottish history based on historical figures set in the 11th century reflects the political climate of Shakespeare's time |
| gptkbp:historical_event |
gptkb:Murder_of_Duncan_I
gptkb:Crowning_of_Macbeth gptkb:Battle_of_Dunsinane Death of Lady Macbeth |
| gptkbp:historical_significance |
Moral ambiguity
Tyranny Power and ambition Fate vs free will Guilt and conscience |
| https://www.w3.org/2000/01/rdf-schema#label |
Macbeth
|
| gptkbp:influence |
gptkb:theater
gptkb:literature gptkb:popular_culture gptkb:music gptkb:film Western literature in literature in theater in film inspired many adaptations. influenced literature. influenced theater. |
| gptkbp:influence_on |
gptkb:theater
gptkb:literature gptkb:psychology gptkb:film Popular culture |
| gptkbp:influenced |
gptkb:film_adaptations
gptkb:theater_productions modern operas |
| gptkbp:influenced_by |
gptkb:Shakespearean_drama
Italian opera tradition three witches |
| gptkbp:is_a |
gptkb:Scottish_nobility
gptkb:tragic_figure character in a play |
| gptkbp:is_a_central_figure_in |
gptkb:Scottish_tragedy
Scottish history the theme of ambition |
| gptkbp:is_a_character_that_embodies_the_theme_of |
the corrupting power of unchecked ambition
|
| gptkbp:is_a_character_that_has_a_complex_relationship_with |
gptkb:Lady_Macbeth
|
| gptkbp:is_a_character_that_has_been_interpreted_in |
various ways by critics
|
| gptkbp:is_a_character_that_is_often_seen_as_a |
cautionary tale.
|
| gptkbp:is_a_character_that_is_often_used_to_discuss |
the nature of power
|
| gptkbp:is_a_character_that_reflects_the_theme_of |
the supernatural's influence on humanity
|
| gptkbp:is_a_character_that_represents_the_idea_of |
the tragic flaw
|
| gptkbp:is_a_character_that_represents_the_struggle_between |
good and evil
|
| gptkbp:is_a_character_who_becomes |
a tyrant
|
| gptkbp:is_a_character_who_is_driven_to |
gptkb:murder
|
| gptkbp:is_a_character_who_is_haunted_by |
his actions
|
| gptkbp:is_a_character_who_is_often_associated_with |
darkness and night
|
| gptkbp:is_a_character_who_is_often_depicted_as |
conflicted
|
| gptkbp:is_a_character_who_is_often_seen_as |
a villain
|
| gptkbp:is_a_character_who_is_ultimately |
defeated by his own actions
|
| gptkbp:is_a_character_who_struggles_with |
his conscience
|
| gptkbp:is_a_character_who_ultimately |
loses everything
|
| gptkbp:is_a_figure_in |
gptkb:Shakespearean_tragedy
Scottish literature Scottish history |
| gptkbp:is_a_figure_in_literature_that_represents |
the tragic consequences of ambition
|
| gptkbp:is_a_figure_that_has_inspired |
numerous works of art
|
| gptkbp:is_a_play_that_examines_the_relationship_between |
power and morality
|
| gptkbp:is_a_play_that_explores |
the nature of evil
|
| gptkbp:is_a_play_that_explores_the_theme_of |
appearance versus reality
|
| gptkbp:is_a_play_that_features |
the supernatural
prophecies |
| gptkbp:is_a_play_that_has_a_significant_impact_on |
Western literature.
|
| gptkbp:is_a_play_that_has_been |
performed worldwide
|
| gptkbp:is_a_play_that_has_been_interpreted_in |
various ways
|
| gptkbp:is_a_play_that_has_influenced |
many other works
|
| gptkbp:is_a_play_that_includes |
the theme of betrayal
|
| gptkbp:is_a_play_that_includes_the_motif_of |
gptkb:blood
|
| gptkbp:is_a_play_written_by |
gptkb:William_Shakespeare
|
| gptkbp:is_a_scottish_nobleman |
nan
|
| gptkbp:is_a_subject_of |
gptkb:film_adaptations
gptkb:academic_research gptkb:literary_analysis many adaptations modern retellings |
| gptkbp:is_a_symbol_of |
moral decay
unchecked ambition |
| gptkbp:is_a_tragic_figure_due_to |
his moral decline
|
| gptkbp:is_a_tragic_hero |
nan
|
| gptkbp:is_a_work_that_includes |
soliloquies
|
| gptkbp:is_about |
gptkb:fate
supernatural ambition guilt |
| gptkbp:is_analyzed_in |
psychological depth
its psychological depth |
| gptkbp:is_associated_with |
gptkb:murder
gptkb:blood darkness Scottish history guilt the concept of betrayal the concept of madness the concept of tyranny the motif of blood. the motif of darkness. the motif of madness. the motif of power. the motif of prophecy. |
| gptkbp:is_associated_with_the_quote |
' Out, out brief candle'
|
| gptkbp:is_character_in |
gptkb:video_games
gptkb:folklore gptkb:Macbeth gptkb:poetry gptkb:opera gptkb:short_stories gptkb:artworks gptkb:novels gptkb:historical_analysis gptkb:literary_criticism academic studies cultural studies philosophical discussions musicals graphic novels Shakespeare's play psychological studies ballets sociological studies theater history many scholarly articles struggles with his conscience betrayed by his ambition |
| gptkbp:is_characterized_by |
ambition
|
| gptkbp:is_cited_in |
gptkb:artworks
cultural references academic studies philosophical discussions popular media |
| gptkbp:is_considered_as |
a cautionary tale
a classic of English literature a cautionary tale. one of Shakespeare's greatest works a psychological thriller. a classic of English literature. a study of ambition. a study of fate. a study of morality. a study of power dynamics. a study of the consequences of ambition. a study of the human condition. a study of the impact of guilt. a study of the nature of evil. one of Shakespeare's greatest works. |
| gptkbp:is_divided_into_acts |
five
|
| gptkbp:is_driven_by |
gptkb:prophecy
|
| gptkbp:is_driven_by_ambition |
nan
|
| gptkbp:is_explored_in |
philosophical discussions
historical analyses psychological studies guilt and paranoia |
| gptkbp:is_featured_in |
the Scottish Play
|
| gptkbp:is_foil_to |
gptkb:Banquo
|
| gptkbp:is_from |
gptkb:Scotland
|
| gptkbp:is_influenced_by |
gptkb:the_three_witches
the witches the historical figure Macbeth of Scotland. |
| gptkbp:is_known_for |
gptkb:tragedy
dark themes supernatural elements ambition its complex characters its moral ambiguity its dark themes its tragic ending its exploration of ambition its supernatural elements its exploration of power dynamics its dramatic irony the theme of betrayal. the line ' Fair is foul, and foul is fair'. the line ' Out, out brief candle'. the line ' Tomorrow, and tomorrow, and tomorrow'. the line ' Is this a dagger which I see before me?'. its strong female characters. the quote ' Out, out brief candle!' its dramatic irony. its exploration of gender roles. its tragic hero. its use of soliloquies. the quote ' Double, double toil and trouble'. the quote ' Out, out brief candle'. the theme of fate vs free will. the theme of the corrupting power of unchecked ambition. |
| gptkbp:is_known_for_his_ambition_leading_to |
his downfall
|
| gptkbp:is_known_for_his_downfall_due_to |
his own actions
|
| gptkbp:is_known_for_his_famous_quote |
' Out, out brief candle!'
|
| gptkbp:is_married_to |
gptkb:Lady_Macbeth
|
| gptkbp:is_motivated_by |
gptkb:true
ambition to become king |
| gptkbp:is_notable_for |
its complex characters.
its supernatural elements. its dark themes. its exploration of moral ambiguity. its tragic ending. |
| gptkbp:is_often_associated_with |
the supernatural
|
| gptkbp:is_often_depicted_as |
a tragic figure
a tyrant a tragic anti-hero other Shakespearean villains |
| gptkbp:is_often_seen_in |
a commentary on ambition
|
| gptkbp:is_often_used_in |
gptkb:film_adaptations
|
| gptkbp:is_part_of |
gptkb:Shakespeare's_canon
gptkb:Shakespeare's_tragedies gptkb:Shakespeare's_works Shakespearean canon Shakespearean tragedies |
| gptkbp:is_portrayed_as |
modern adaptations
a tragic figure many actors tragic and flawed |
| gptkbp:is_referenced_in |
gptkb:popular_culture
popular culture. |
| gptkbp:is_set_in |
gptkb:Scotland
medieval Scotland |
| gptkbp:is_studied_in |
literature courses
literature classes literature courses. |
| gptkbp:is_the_title_character_of |
the play ' Macbeth'
|
| gptkbp:is_troubled_by |
the consequences of his actions
|
| gptkbp:key_feature |
remorse
|
| gptkbp:language |
gptkb:Italian
English written in Early Modern English. |
| gptkbp:legacy |
adapted into various media
influenced many writers remains a staple of English literature |
| gptkbp:length |
approximately 2,500 lines.
|
| gptkbp:librettist |
gptkb:Francesco_Maria_Piave
|
| gptkbp:literary_devices |
symbolism
imagery irony foreshadowing soliloquy |
| gptkbp:main_character |
gptkb:Macbeth
gptkb:Lady_Macbeth gptkb:Macduff gptkb:Banquo |
| gptkbp:mood |
dark
tragic tense suspenseful foreboding |
| gptkbp:motif |
gptkb:murder
gptkb:deception gptkb:prophecy sleep |
| gptkbp:narrative |
the consequences of ambition
the rise and fall of a ruler |
| gptkbp:notable_aria |
La luce langue
|
| gptkbp:notable_characters |
gptkb:Hecate
gptkb:Macduff gptkb:Banquo gptkb:Duncan gptkb:The_Three_Witches gptkb:Three_Witches Malcolm |
| gptkbp:notable_conductors |
gptkb:Riccardo_Muti
|
| gptkbp:notable_performers |
gptkb:Anna_Netrebko
gptkb:Franco_Corelli gptkb:Zeljko_Lucic |
| gptkbp:notable_production |
Royal Opera House production
Metropolitan Opera production |
| gptkbp:notable_quote |
Is this a dagger which I see before me?
Out, out brief candle! Double, double toil and trouble. Fair is foul, and foul is fair. Tomorrow, and tomorrow, and tomorrow. |
| gptkbp:notable_scene |
final battle
sleepwalking scene banquet scene murder of Duncan |
| gptkbp:notable_song |
Scottish soldiers' chorus
witches' chorus |
| gptkbp:notable_themes |
gptkb:moral_ambiguity
the supernatural moral corruption the nature of evil fate vs free will the consequences of ambition the consequences of ambition. the supernatural. the nature of evil. power and its consequences the role of fate and free will the conflict between fate and free will. |
| gptkbp:number_of_acts |
gptkb:5
four |
| gptkbp:orchestration |
full orchestra
|
| gptkbp:original_language |
Early Modern English
English English. |
| gptkbp:performance |
frequently performed
performed in theaters worldwide adapted into various languages often performed |
| gptkbp:performance_tradition |
modern adaptations
school performances performed in opera houses worldwide Shakespearean theater |
| gptkbp:performed_at |
the Globe Theatre.
|
| gptkbp:performed_by |
professional theatre companies
amateur theatre groups actors worldwide. |
| gptkbp:performed_in |
worldwide
theatres theatre festivals |
| gptkbp:plot |
Macbeth's downfall
Macbeth's rise to power the prophecy of the witches Lady Macbeth's madness murder of King Duncan Lady Macbeth's descent into madness the fall of Macbeth Lady Macbeth descends into madness. Macbeth becomes king. Macbeth is ultimately defeated. Macbeth murders King Duncan. Macbeth receives a prophecy from witches. |
| gptkbp:plot_point |
gptkb:Murder_of_Duncan
gptkb:Banquo's_ghost Macbeth's downfall Lady Macbeth's madness Death of Lady Macbeth Battle against Macduff Macbeth's prophecy The Witches' prophecies |
| gptkbp:portrayed_by |
gptkb:Patrick_Stewart
gptkb:Michael_Fassbender gptkb:Francesca_Annis gptkb:Ian_Mc_Kellen |
| gptkbp:predecessor |
gptkb:Duncan_I
|
| gptkbp:premiere |
1847
|
| gptkbp:premiered_on |
1606
|
| gptkbp:product |
his environment
|
| gptkbp:published |
1620
First Folio. |
| gptkbp:published_by |
1606
1620 |
| gptkbp:published_in |
gptkb:First_Folio
|
| gptkbp:recordings |
multiple recordings available
|
| gptkbp:reign |
11th century
|
| gptkbp:reign_end |
1057 AD
|
| gptkbp:reign_start |
1040 AD
|
| gptkbp:resolution |
restoration of order
|
| gptkbp:role |
gptkb:protagonist
gptkb:antagonist |
| gptkbp:sees |
gptkb:the_ghost_of_Banquo
|
| gptkbp:set_in |
gptkb:Scotland
|
| gptkbp:setting |
gptkb:Castle_Inverness
gptkb:Forest_of_Birnam gptkb:Scotland Scone Dunsinane Hill King Duncan's castle |
| gptkbp:spouse |
gptkb:Lady_Macbeth
|
| gptkbp:structure |
five acts
|
| gptkbp:successor |
gptkb:Malcolm_III
|
| gptkbp:suffered_from |
guilt
|
| gptkbp:symbol |
gptkb:the_owl
gptkb:blood darkness the crown the witches the dagger the weather the hands the night. the ghost. the forest. blood. the blood-stained hands. the candle. the crown of Scotland. the crown. the dagger. the hands. the mirror. the owl. the prophecy. the sleep. the throne. the weather. the witches' cauldron. the sleep |
| gptkbp:symbolism |
gptkb:blood
darkness the supernatural weather the crown a moral decline the dagger the consequences of ambition the weather sympathy and horror a tragic downfall |
| gptkbp:thematic_element |
supernatural
ambition guilt |
| gptkbp:theme |
gptkb:fate
supernatural ambition guilt the nature of evil the corrupting power of unchecked ambition the relationship between fate and free will |
| gptkbp:themes |
gptkb:fate
supernatural ambition fate and free will guilt |
| gptkbp:title |
gptkb:Thane_of_Cawdor
gptkb:King_of_England gptkb:Thane_of_Glamis |
| gptkbp:translated_into |
many languages
|
| gptkbp:user_experience |
guilt
|
| gptkbp:vision |
gptkb:Banquo's_ghost
a bloody dagger |
| gptkbp:was_executed_by |
gptkb:King_Duncan
gptkb:Macduff gptkb:Banquo gptkb:Duncan Macduff's family |
| gptkbp:was_known_for |
gptkb:the_three_witches
soliloquies |
| gptkbp:washes_his_hands_to |
remove blood
|
| gptkbp:writings |
Macbeth (play)
|
| gptkbp:written_by |
gptkb:William_Shakespeare
|
| gptkbp:written_in |
1606
|
| gptkbp:bfsParent |
gptkb:Shakespeare
gptkb:Orson_Welles gptkb:Sir_Patrick_Stewart gptkb:James_Mc_Avoy gptkb:Giuseppe_Verdi gptkb:Scotland gptkb:William_Shakespeare gptkb:Chicago_Shakespeare_Theater gptkb:Kelsey_Grammer gptkb:Michael_Fassbender gptkb:Edwin_Booth gptkb:Marion_Cotillard gptkb:The_Globe_Theatre gptkb:The_Tragedy_of_Macbeth gptkb:The_Tragedy_of_Macbeth_(2021) gptkb:Duncan gptkb:The_Witch gptkb:The_Straz_Center_for_the_Performing_Arts gptkb:Shakespeare's_Globe_Theatre |
| gptkbp:bfsLayer |
4
|