|
gptkbp:instanceOf
|
gptkb:film
|
|
gptkbp:associatedWith
|
gptkb:Weimar_Republic
|
|
gptkbp:characteristic
|
social commentary
psychological themes
chiaroscuro lighting
innovative set design
|
|
gptkbp:country
|
gptkb:Germany
|
|
gptkbp:declinedAfter
|
rise of Nazism
emigration of talent
|
|
gptkbp:genre
|
gptkb:German_Expressionism
gptkb:New_Objectivity
Kammerspielfilm
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Weimar Cinema
|
|
gptkbp:influenced
|
gptkb:Film_Noir
Hollywood cinema
Horror films
|
|
gptkbp:influencedBy
|
gptkb:German_Expressionism
|
|
gptkbp:language
|
gptkb:German
|
|
gptkbp:notableActor
|
gptkb:Louise_Brooks
gptkb:Emil_Jannings
gptkb:Marlene_Dietrich
gptkb:Conrad_Veidt
|
|
gptkbp:notableContributor
|
gptkb:Thea_von_Harbou
gptkb:Carl_Mayer
|
|
gptkbp:notableDirector
|
gptkb:Fritz_Lang
gptkb:F.W._Murnau
gptkb:G.W._Pabst
|
|
gptkbp:notableFilm
|
gptkb:The_Last_Laugh
gptkb:monarchy
gptkb:The_Cabinet_of_Dr._Caligari
gptkb:Pandora's_Box
gptkb:Nosferatu
gptkb:Dr._Mabuse_the_Gambler
M
People on Sunday
|
|
gptkbp:notableFor
|
gptkb:UFA
|
|
gptkbp:notablePerson
|
gptkb:Karl_Freund
gptkb:Friedrich_Weinmann
|
|
gptkbp:notableProduction
|
gptkb:Erich_Pommer
|
|
gptkbp:period
|
1918–1933
|
|
gptkbp:theme
|
gptkb:identity
gptkb:technology
gptkb:crime
madness
modernity
sexuality
authority
urban alienation
social upheaval
|
|
gptkbp:bfsParent
|
gptkb:G.W._Pabst
|
|
gptkbp:bfsLayer
|
6
|