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gptkbp:instanceOf
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gptkb:literature
gptkb:cinematic_movement
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gptkbp:characteristic
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gptkb:style
gptkb:detective_fiction
gptkb:crime
moral ambiguity
voice-over narration
cynicism
flashbacks
urban settings
femme fatale
low-key lighting
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gptkbp:etymology
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French for 'black film'
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gptkbp:genre
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gptkb:crime_film
gptkb:neo-noir
thriller
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gptkbp:influencedBy
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gptkb:German_Expressionism
hardboiled fiction
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gptkbp:introducedIn
|
gptkb:Nino_Frank
1946
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gptkbp:language
|
English
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gptkbp:mood
|
disillusionment
fatalism
pessimism
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gptkbp:notableDirector
|
gptkb:Otto_Preminger
gptkb:Billy_Wilder
gptkb:John_Huston
gptkb:Fritz_Lang
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gptkbp:notableFilm
|
gptkb:Double_Indemnity
gptkb:The_Big_Sleep
gptkb:The_Maltese_Falcon
gptkb:Sunset_Boulevard
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gptkbp:originatedIn
|
gptkb:United_States
|
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gptkbp:periodOfPopularity
|
1940s
1950s
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gptkbp:style
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chiaroscuro
deep shadows
high contrast lighting
oblique camera angles
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gptkbp:theme
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gptkb:corruption
alienation
betrayal
greed
existential dread
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gptkbp:typicalAntagonist
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femme fatale
corrupt authority
|
|
gptkbp:typicalProtagonist
|
gptkb:antagonist
gptkb:detective_fiction
gptkb:crime
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gptkbp:bfsParent
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gptkb:Ran_Blake
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gptkbp:bfsLayer
|
6
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https://www.w3.org/2000/01/rdf-schema#label
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Film Noir
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