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gptkbp:instanceOf
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gptkb:literature
cinematic movement
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|
gptkbp:characteristic
|
gptkb:detective_fiction
gptkb:crime
style
moral ambiguity
voice-over narration
cynicism
flashbacks
urban settings
femme fatale
low-key lighting
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|
gptkbp:etymology
|
French for 'black film'
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gptkbp:genre
|
crime film
thriller
neo-noir
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https://www.w3.org/2000/01/rdf-schema#label
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Film Noir
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gptkbp:influencedBy
|
gptkb:German_Expressionism
hardboiled fiction
|
|
gptkbp:introducedIn
|
gptkb:Nino_Frank
1946
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|
gptkbp:language
|
English
|
|
gptkbp:mood
|
disillusionment
fatalism
pessimism
|
|
gptkbp:notableDirector
|
gptkb:Otto_Preminger
gptkb:Billy_Wilder
gptkb:John_Huston
gptkb:Fritz_Lang
|
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gptkbp:notableFilm
|
gptkb:Double_Indemnity
gptkb:The_Big_Sleep
gptkb:The_Maltese_Falcon
gptkb:Sunset_Boulevard
|
|
gptkbp:originatedIn
|
gptkb:United_States
|
|
gptkbp:periodOfPopularity
|
1940s
1950s
|
|
gptkbp:style
|
chiaroscuro
deep shadows
high contrast lighting
oblique camera angles
|
|
gptkbp:theme
|
alienation
betrayal
corruption
greed
existential dread
|
|
gptkbp:typicalAntagonist
|
femme fatale
corrupt authority
|
|
gptkbp:typicalProtagonist
|
gptkb:detective_fiction
gptkb:crime
antagonist
|
|
gptkbp:bfsParent
|
gptkb:Ran_Blake
gptkb:Poetic_Realism
|
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gptkbp:bfsLayer
|
6
|