|
gptkbp:instance_of
|
gptkb:television_series
gptkb:play
gptkb:film
|
|
gptkbp:bfsLayer
|
3
|
|
gptkbp:bfsParent
|
gptkb:The_Angels
gptkb:Mikey_Day
gptkb:Samantha_Bee
gptkb:Bill_Maher
gptkb:Trevor_Noah
gptkb:Natalia_Dyer
gptkb:Emil_Jannings
|
|
gptkbp:adaptation
|
adapted into a stage play
|
|
gptkbp:adapted_into
|
gptkb:musical
gptkb:Rainer_Werner_Fassbinder
gptkb:film
|
|
gptkbp:art_style
|
gptkb:political_organization
expressionist cinematography
|
|
gptkbp:audience
|
mixed at the time of release
|
|
gptkbp:awards
|
gptkb:none
gptkb:CEO
gptkb:Honorary_Academy_Award_(1950)
|
|
gptkbp:based_on
|
gptkb:film
The Last Laugh (play)
play by Hans Wilhelm
|
|
gptkbp:box_office
|
gptkb:unknown
distributed by UFA
|
|
gptkbp:character
|
gptkb:The_antagonist
The protagonist
|
|
gptkbp:character_arc
|
from pride to despair
doorman's downfall
|
|
gptkbp:character_development
|
explores identity
doorman's journey
|
|
gptkbp:character_relationships
|
doorman and the wealthy
internal struggle of the doorman
|
|
gptkbp:cinematography
|
gptkb:Karl_Freund
gptkb:Michael_J._O'_Connor
|
|
gptkbp:composer
|
gptkb:David_Schwartz
|
|
gptkbp:country
|
gptkb:government_agency
gptkb:United_States
|
|
gptkbp:created_by
|
gptkb:Greg_Daniels
|
|
gptkbp:critical_reception
|
acclaimed
positive
mixed reviews
|
|
gptkbp:cultural_impact
|
influenced literature
influenced art
influenced films
influenced comedians
influenced television shows
influenced playwrights
influential in cinema history
significant in film history
|
|
gptkbp:cultural_references
|
referenced in other media
|
|
gptkbp:cultural_significance
|
reflects societal issues of the time
|
|
gptkbp:director
|
gptkb:Fritz_Lang
gptkb:Gregory_Thomas_Garcia
influenced directors like Martin Scorsese
|
|
gptkbp:distributor
|
gptkb:streaming_service
|
|
gptkbp:editor
|
gptkb:Michael_S._Murphy
|
|
gptkbp:famous_quote
|
" The last laugh is the best laugh."
|
|
gptkbp:features
|
gptkb:book_series
|
|
gptkbp:film_festival
|
gptkb:Berlin_International_Film_Festival
screened at various festivals
|
|
gptkbp:film_score
|
original score by various composers
original score by Eugen d' Albert
|
|
gptkbp:filming_location
|
gptkb:Los_Angeles
|
|
gptkbp:filmography
|
gptkb:The_Last_Laugh_(1924_film)
gptkb:Martin_Scorsese
gptkb:The_Cabinet_of_Dr._Caligari
gptkb:Fritz_Lang
approximately 90 minutes
analyzed in film studies
silent film style
use of deep focus
examined for its cinematography
|
|
gptkbp:follows
|
comedians
|
|
gptkbp:format
|
gptkb:television_special
|
|
gptkbp:genre
|
gptkb:musical
gptkb:High_School
|
|
gptkbp:has_cameo
|
gptkb:none
|
|
gptkbp:has_genre
|
gptkb:musical
|
|
gptkbp:historical_context
|
Weimar Republic era
set in post-WWI Germany
|
|
gptkbp:historical_impact
|
important in film history
|
|
gptkbp:historical_significance
|
reflects Weimar Republic society
|
|
gptkbp:home_media_release
|
DVD and Blu-ray
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Last Laugh
|
|
gptkbp:influenced
|
gptkb:German_Expressionism
European theater
subsequent filmmakers
German theater
subsequent plays
|
|
gptkbp:influenced_artists
|
inspired visual artists
drama and comedy
|
|
gptkbp:influenced_by
|
gptkb:German_Expressionism
expressionism
|
|
gptkbp:influences
|
stand-up comedy
|
|
gptkbp:inspiration
|
gptkb:theatre
inspired by real-life events
|
|
gptkbp:inspired_by
|
real events
|
|
gptkbp:is_critical_for
|
analyzed in film studies
|
|
gptkbp:is_influential_in
|
influenced later filmmakers.
|
|
gptkbp:is_motivated_by
|
desire for respect
|
|
gptkbp:language
|
gptkb:Actor
gptkb:Native_American_tribe
English
silent
|
|
gptkbp:legacy
|
considered a classic
considered a classic of silent cinema
influential silent film
|
|
gptkbp:main_character
|
doorman
The doorman
|
|
gptkbp:music
|
gptkb:Egon_Wellesz
gptkb:Eugen_d'_Albert
|
|
gptkbp:music_by
|
gptkb:David_Schwartz
|
|
gptkbp:narrated_by
|
gptkb:Bob_Saget
|
|
gptkbp:notable_appearance
|
the doorman's transformation
the doorman's uniform
|
|
gptkbp:notable_character
|
gptkb:The_Clown
gptkb:The_Critic
gptkb:The_Star
gptkb:Emil_Jannings
gptkb:The_Director
The Producer
|
|
gptkbp:notable_for
|
innovative camera techniques
|
|
gptkbp:notable_guest
|
gptkb:Bill_Burr
gptkb:David_Spade
gptkb:John_Mulaney
gptkb:Wanda_Sykes
gptkb:Ramy_Youssef
gptkb:Aisha_Tyler
gptkb:Josh_Wolf
gptkb:Ricky_Velez
gptkb:Conan_O'_Brien
gptkb:H._E._Ellen_De_Generes
gptkb:Louis_C._K.
gptkb:Nanjiani_Kumail
gptkb:Chris_S._Redd
gptkb:Michael_Che
gptkb:Liza_Koshy
gptkb:Chris_Rock
gptkb:Damon_Wayans_Jr.
gptkb:Ricky_Gervais
gptkb:Ron_Funches
gptkb:Bert_Kreischer
gptkb:David_Chappell
gptkb:David_Letterman
gptkb:Drew_Lynch
gptkb:Kathy_Griffin
gptkb:Maya_Rudolph
gptkb:Mindy_Kaling
gptkb:Tiffany_Haddish
gptkb:Bill_Maher
gptkb:Kevin_Hart
gptkb:Hannibal_Buress
gptkb:Kurt_Metzger
gptkb:Patton_Oswalt
gptkb:Chelsea_Handler
gptkb:Marlon_Wayans
gptkb:Michelle_Wolf
gptkb:Trevor_Noah
gptkb:Whoopi_Goldberg
gptkb:Margaret_Cho
gptkb:Desus_Nice
gptkb:Ali_Wong
gptkb:Amy_Schumer
gptkb:Kathy_Lee_Gifford
gptkb:Sarah_Silverman
gptkb:Jo_Koy
gptkb:Kevin_Nealon
gptkb:Jim_Gaffigan
gptkb:Chris_D'_Elia
gptkb:Nikki_Glaser
gptkb:The_Kid_Mero
gptkb:Judy_Gold
gptkb:Loni_Love
gptkb:Tig_Notaro
|
|
gptkbp:notable_production
|
gptkb:Vienna_State_Theater
gptkb:Theater_in_der_Josefstadt
gptkb:Burgtheater
gptkb:Berlin_Ensemble
gptkb:Theater_am_Kurfürstendamm
|
|
gptkbp:notable_quote
|
none known
|
|
gptkbp:number_of_episodes
|
gptkb:6
|
|
gptkbp:number_of_seasons
|
gptkb:musical
|
|
gptkbp:official_language
|
gptkb:Native_American_tribe
|
|
gptkbp:original_network
|
gptkb:streaming_service
|
|
gptkbp:performed_by
|
gptkb:government_agency
gptkb:theatre
gptkb:Austria
gptkb:Switzerland
|
|
gptkbp:plot
|
A doorman loses his job and struggles with his identity.
|
|
gptkbp:premiere
|
gptkb:Berlin
|
|
gptkbp:premiere_date
|
January 10, 2020
|
|
gptkbp:premiered_on
|
gptkb:streaming_service
gptkb:1920
|
|
gptkbp:premise
|
comedians reflect on their careers
|
|
gptkbp:producer
|
gptkb:Bob_Saget
gptkb:Greg_Daniels
|
|
gptkbp:production_company
|
gptkb:Funny_or_Die
gptkb:Saget_Productions
gptkb:UFA
|
|
gptkbp:published_by
|
Theaterverlag
|
|
gptkbp:related_to
|
comedy specials
|
|
gptkbp:release_date
|
gptkb:2020
1924-11-01
2020-01-10
|
|
gptkbp:release_format
|
streaming
|
|
gptkbp:release_year
|
1924
|
|
gptkbp:remake
|
gptkb:The_Last_Laugh_(1950)
1950
|
|
gptkbp:restoration
|
restored in 2000
2010 restoration
available for viewing
restored by the Deutsche Kinemathek
restored by various organizations
|
|
gptkbp:runtime
|
90 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Carl_Mayer
|
|
gptkbp:setting
|
gptkb:Vienna
|
|
gptkbp:starring
|
gptkb:Bob_Saget
gptkb:Gilbert_Gottfried
|
|
gptkbp:style
|
documentary-style
|
|
gptkbp:symbolism
|
the bell
the bellboy's uniform
|
|
gptkbp:target_audience
|
adults
|
|
gptkbp:technique
|
camera movement
|
|
gptkbp:thematic_element
|
gptkb:benchmark
disillusionment
success and failure
absurdity
reality vs illusion
|
|
gptkbp:themes
|
gptkb:musical
gptkb:TV_series
gptkb:class
social status
identity and dignity
|
|
gptkbp:viewership
|
gptkb:CEO
|
|
gptkbp:written_by
|
gptkb:Hans_Weigel
|