Statements (60)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:opera
|
| gptkbp:action |
four acts
|
| gptkbp:adaptations |
adapted into films and musicals
|
| gptkbp:audience |
popular with audiences
|
| gptkbp:character_development |
complex character arcs
|
| gptkbp:choreography |
often includes ballet
|
| gptkbp:composer |
gptkb:Giuseppe_Verdi
|
| gptkbp:critical_reception |
initially mixed reviews
|
| gptkbp:cultural_impact |
gptkb:Italian_unification
|
| gptkbp:cultural_influence |
adapted in various cultures
|
| gptkbp:cultural_references |
referenced in literature and art
|
| gptkbp:cultural_significance |
symbol of hope for oppressed people
|
| gptkbp:demographics |
appeals to diverse audiences
|
| gptkbp:famous_event |
featured in cultural festivals worldwide
|
| gptkbp:focus |
explores deep themes of identity
|
| gptkbp:genre |
dramatic opera
|
| gptkbp:historical_context |
premiered during Italian nationalism
|
| gptkbp:historical_figures |
depicts historical figures
|
| gptkbp:historical_legacy |
remains a staple of opera repertoire
|
| https://www.w3.org/2000/01/rdf-schema#label |
Verdi's Nabucco
|
| gptkbp:impact |
evokes strong emotions
|
| gptkbp:influence |
influenced later operas
|
| gptkbp:inspiration |
Biblical story of Nebuchadnezzar II
|
| gptkbp:is_influential_in |
inspired composers like Puccini
|
| gptkbp:language |
gptkb:Italian
|
| gptkbp:libretto |
gptkb:Temistocle_Solera
|
| gptkbp:music_style |
gptkb:Romanticism
traditional operatic structure analyzed for its musical innovations elaborate staging and costumes highly dramatic plot |
| gptkbp:notable_aria |
gptkb:Va,_pensiero
" Dio di Giuda" " Non son più la" |
| gptkbp:notable_character |
gptkb:Nabucco
gptkb:Abigaille gptkb:Fenena gptkb:Zaccaria |
| gptkbp:notable_collaborations |
Zaccaria and Nabucco duet
collaborated with prominent artists. |
| gptkbp:notable_conductors |
conducted by famous conductors
|
| gptkbp:notable_performances |
performed at major opera festivals
performed during significant historical events |
| gptkbp:notable_production |
gptkb:Metropolitan_Opera,_New_York
gptkb:Royal_Opera_House,_London gptkb:La_Scala,_Milan |
| gptkbp:notable_quote |
" Va, pensiero, sull'ali dorate"
|
| gptkbp:notable_song |
important role of chorus
|
| gptkbp:notable_themes |
faith and redemption
|
| gptkbp:orchestration |
large orchestra
|
| gptkbp:performance |
frequently performed
loosely based on history |
| gptkbp:premiere |
March 9, 1842
|
| gptkbp:recordings |
numerous recordings exist
|
| gptkbp:scholarly_analysis |
extensively studied in musicology
|
| gptkbp:setting |
gptkb:Ancient_Babylon
|
| gptkbp:thematic_element |
oppression and freedom
|
| gptkbp:theme |
recurring musical themes
|
| gptkbp:bfsParent |
gptkb:Slave_Chorus
|
| gptkbp:bfsLayer |
5
|