Statements (200)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:opera
gptkb:character |
| gptkbp:adaptation |
gptkb:film
Various stage productions various adaptations in different media |
| gptkbp:artistic_influence |
Influenced later operatic works
|
| gptkbp:associated_act |
gptkb:4
|
| gptkbp:audience |
Strong emotional connection with the audience
|
| gptkbp:character_arc |
Nabucco's transformation throughout the opera
|
| gptkbp:character_relationships |
Abigaille and Zaccaria
Nabucco and Abigaille Nabucco and Fenena Nabucco's struggle with his identity Zaccaria and Fenena |
| gptkbp:choreography |
Various interpretations
varies by production |
| gptkbp:climax |
Nabucco's realization of his mistakes
|
| gptkbp:collaborations |
Zaccaria and Nabucco duet
|
| gptkbp:composed_of |
gptkb:Temistocle_Solera
gptkb:Giuseppe_Verdi |
| gptkbp:composer |
gptkb:Giuseppe_Verdi
|
| gptkbp:critical_reception |
Widely acclaimed
initially mixed but later acclaimed initially mixed |
| gptkbp:cultural_impact |
performed worldwide
symbol of Italian unification Influenced nationalistic movements influential in Italian opera |
| gptkbp:cultural_references |
Referenced in various cultural works
|
| gptkbp:cultural_significance |
Italian national identity
Symbol of hope and freedom |
| gptkbp:director |
Various renowned directors
|
| gptkbp:famous_person |
gptkb:Abigaille
gptkb:Fenena gptkb:Ismaele gptkb:Zaccaria gptkb:Nabucodonosor |
| gptkbp:features |
gptkb:Chorus_of_Hebrew_Slaves
gptkb:Chorus_of_the_Hebrew_Slaves |
| gptkbp:filming_location |
gptkb:La_Scala,_Milan
|
| gptkbp:finale_date |
Powerful and emotional conclusion.
|
| gptkbp:first_performance |
gptkb:Teatro_alla_Scala
1842 |
| gptkbp:genre |
gptkb:High_School
gptkb:earthquake |
| gptkbp:has_genre |
gptkb:opera
|
| gptkbp:has_role |
gptkb:Act_2
|
| gptkbp:historical_analysis |
Loosely based on historical events
|
| gptkbp:historical_context |
gptkb:Babylonian_captivity
Set during the Babylonian captivity |
| gptkbp:historical_figure |
gptkb:Nabucodonosor_II
|
| https://www.w3.org/2000/01/rdf-schema#label |
Nabucco
|
| gptkbp:influence |
gptkb:painting
gptkb:Italian_unification |
| gptkbp:influenced_artists |
inspired later operatic works
|
| gptkbp:innovation |
Innovative use of chorus
|
| gptkbp:inspiration |
gptkb:historical_event
Biblical story of Nebuchadnezzar II |
| gptkbp:inspired |
Literature and film adaptations
|
| gptkbp:is_a |
gptkb:fictional_character
gptkb:earthquake tragic character bass role |
| gptkbp:is_associated_with |
gptkb:Babylonian_empire
|
| gptkbp:is_featured_in |
Zaccaria's climax
duet in Act 4 |
| gptkbp:is_influential_in |
Va, pensiero as a symbol of freedom
|
| gptkbp:is_involved_in |
political themes
conflict with Zaccaria |
| gptkbp:is_known_for |
gptkb:Va,_pensiero
his dramatic presence |
| gptkbp:is_motivated_by |
to conquer Jerusalem
|
| gptkbp:is_part_of |
Zaccaria's conflict
Zaccaria's storyline |
| gptkbp:language |
gptkb:Italian
|
| gptkbp:legacy |
Enduring popularity in the opera repertoire
|
| gptkbp:librettist |
gptkb:Temistocle_Solera
|
| gptkbp:main_character |
gptkb:Nabucodonosor
gptkb:Nabucodonosor_II |
| gptkbp:motif |
Oppression and liberation
|
| gptkbp:music_by |
gptkb:Giuseppe_Verdi
|
| gptkbp:music_style |
gptkb:award
Classic three-act structure Rich orchestration and vocal lines |
| gptkbp:notable_appearance |
gptkb:Chorus_of_the_Hebrew_Slaves
|
| gptkbp:notable_artists |
gptkb:Thomas_Hampson
gptkb:Bryan_Hymel gptkb:Anna_Netrebko gptkb:Diana_Damrau gptkb:Dmitri_Hvorostovsky gptkb:Joyce_Di_Donato gptkb:Nina_Stemme gptkb:Angela_Gheorghiu gptkb:Renée_Fleming gptkb:Sondra_Radvanovsky gptkb:Katherine_Jenkins gptkb:Plácido_Domingo gptkb:Luciano_Pavarotti gptkb:Ildar_Abdrazakov gptkb:José_Carreras gptkb:Michael_Fabiano gptkb:Ailyn_Pérez gptkb:Marina_Rebeka gptkb:Erwin_Schrott gptkb:Matthew_Polenzani Many famous opera singers have performed it |
| gptkbp:notable_character |
gptkb:Nabucco
gptkb:Abigaille gptkb:Fenena gptkb:Ismaele gptkb:Zaccaria |
| gptkbp:notable_conductors |
gptkb:Riccardo_Muti
gptkb:Herbert_von_Karajan gptkb:Zubin_Mehta gptkb:Leopold_Stokowski Many renowned conductors have led performances |
| gptkbp:notable_performance |
performed worldwide
performed in opera houses globally performed at the Vienna State Opera performed at the Metropolitan Opera performed at the Teatro Massimo performed at Covent Garden performed at La Scala performed at the Royal Opera House performed at the Salzburg Festival performed at the San Francisco Opera performed at the Sydney Opera House performed at the Lyric Opera of Chicago performed at the Opéra National de Paris performed at the Teatro Nacional de São Carlos performed at the Teatro Real performed at the Teatro alla Scala performed at the Teatro di San Carlo performed at the National Theatre Prague performed at the Teatro Colón performed at the Deutsche Oper Berlin performed at the Arena di Verona performed at the Gran Teatre del Liceu performed at the Teatro Municipal de Santiago performed at the Teatro Nacional de Argentina performed at the Teatro Nacional de Bolivia performed at the Teatro Nacional de Brasil performed at the Teatro Nacional de Chile performed at the Teatro Nacional de Colombia performed at the Teatro Nacional de Costa Rica performed at the Teatro Nacional de Cuba performed at the Teatro Nacional de Ecuador performed at the Teatro Nacional de El Salvador performed at the Teatro Nacional de Guatemala performed at the Teatro Nacional de Honduras performed at the Teatro Nacional de México performed at the Teatro Nacional de Nicaragua performed at the Teatro Nacional de Panamá performed at the Teatro Nacional de Paraguay performed at the Teatro Nacional de Uruguay performed at the Teatro Nacional de Venezuela |
| gptkbp:notable_performers |
Performed at major opera festivals
|
| gptkbp:notable_production |
gptkb:La_Scala,_Milan
|
| gptkbp:notable_recordings |
numerous
numerous recordings exist numerous commercial recordings Numerous recordings available |
| gptkbp:notable_song |
gptkb:Va,_pensiero
|
| gptkbp:orchestration |
Large orchestra
full orchestra |
| gptkbp:pairing |
gptkb:Zaccaria
|
| gptkbp:performance |
Approximately 2.5 hours
|
| gptkbp:performed_by |
bass singers
|
| gptkbp:portrayed_by |
gptkb:Politician
|
| gptkbp:premiere |
1842
March 9, 1842 |
| gptkbp:premiere_date |
1842
March 9, 1842 |
| gptkbp:premiered_on |
1842
|
| gptkbp:public_perception |
Emotional and powerful performances
|
| gptkbp:reunion |
frequent revivals worldwide
Regularly revived in opera houses |
| gptkbp:set_in |
gptkb:painting
gptkb:Ancient_Babylon Zaccaria's plot |
| gptkbp:setting |
gptkb:Ancient_Babylon
|
| gptkbp:spoken_in |
Opera houses worldwide
|
| gptkbp:thematic_element |
gptkb:Saint
gptkb:military_conflict freedom faith Jewish exile Themes of power and redemption |
| gptkbp:themes |
gptkb:Freedom
Oppression Conflict between love and duty |
| gptkbp:written_by |
gptkb:Giuseppe_Verdi
|
| gptkbp:bfsParent |
gptkb:La_Scala_opera_house
gptkb:Diana_Damrau gptkb:Dmitri_Hvorostovsky gptkb:Friedrich_Schorr gptkb:Giuseppe_Verdi gptkb:Ruggero_Raimondi gptkb:Raymond_Weil |
| gptkbp:bfsLayer |
4
|