|
gptkbp:instance_of
|
gptkb:film
|
|
gptkbp:aspect_ratio
|
1.37:1
|
|
gptkbp:box_office
|
$1.5 million
|
|
gptkbp:budget
|
$1 million
|
|
gptkbp:character
|
gptkb:George_Cooper
gptkb:Mr._Cooper
Ruth Cooper
family friends
Mrs. Cooper
Ruth's husband
George's wife
George's children
Marjorie Cooper
Ruth's children
|
|
gptkbp:character_development
|
strong character arcs
|
|
gptkbp:cinematography
|
gptkb:Gregg_Toland
|
|
gptkbp:color
|
black and white
|
|
gptkbp:country
|
gptkb:United_States
|
|
gptkbp:critical_reception
|
highly acclaimed
|
|
gptkbp:cultural_impact
|
considered a classic
|
|
gptkbp:director
|
gptkb:Leo_Mc_Carey
|
|
gptkbp:distributor
|
gptkb:RKO_Radio_Pictures
|
|
gptkbp:editor
|
George Hively
|
|
gptkbp:film_festival
|
gptkb:film_festival
gptkb:Toronto_International_Film_Festival
gptkb:New_York_Film_Festival
|
|
gptkbp:film_score
|
orchestral
|
|
gptkbp:genre
|
gptkb:High_School
|
|
gptkbp:home_media_release
|
gptkb:hospital
gptkb:collection
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Make Way for Tomorrow
|
|
gptkbp:influenced
|
gptkb:Tokyo_Story
|
|
gptkbp:inspiration
|
real-life stories
|
|
gptkbp:language
|
English
naturalistic
|
|
gptkbp:legacy
|
influenced filmmakers
|
|
gptkbp:music
|
gptkb:Dimitri_Tiomkin
|
|
gptkbp:narrative_style
|
realistic
|
|
gptkbp:notable_quote
|
" You can't take it with you."
|
|
gptkbp:premiere
|
gptkb:Borough
|
|
gptkbp:production_company
|
gptkb:RKO_Pictures
|
|
gptkbp:release_date
|
1937
|
|
gptkbp:release_format
|
gptkb:DJ
gptkb:film
|
|
gptkbp:remake
|
gptkb:The_Last_of_the_Mobile_Hot_Shots
|
|
gptkbp:remastered
|
gptkb:battle
|
|
gptkbp:restoration
|
preserved by the Library of Congress
|
|
gptkbp:runtime
|
91 minutes
|
|
gptkbp:screenings
|
public screenings
|
|
gptkbp:screenplay_by
|
gptkb:Viola_Brothers_Shore
|
|
gptkbp:starring
|
gptkb:Victor_Moore
gptkb:Beulah_Bondi
|
|
gptkbp:themes
|
gptkb:family
aging
separation
|
|
gptkbp:bfsParent
|
gptkb:Leo_Mc_Carey
gptkb:Beulah_Bondi
|
|
gptkbp:bfsLayer
|
5
|