Statements (124)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:musical
gptkb:collection gptkb:poet gptkb:play |
| gptkbp:bfsLayer |
4
|
| gptkbp:bfsParent |
gptkb:George_Gascoigne
|
| gptkbp:adaptation |
gptkb:The_Woman's_Prize
influenced later comedies adapted into various performances adapted into various theatrical productions |
| gptkbp:audience |
popular among contemporary audiences
|
| gptkbp:author |
gptkb:John_Keats
gptkb:John_Lyly |
| gptkbp:character_development |
explores gender roles
characters undergo personal growth explores social status |
| gptkbp:character_relationships |
Celia and Lysander are lovers
Euphues and Philautus are friends Euphues faces challenges in love Euphues helps Philautus win Celia Lysimachus deals with unrequited love Lysimachus loves Philautus's sister Philautus loves Celia Philautus struggles with jealousy features complex relationships among characters |
| gptkbp:conflict |
social class differences
romantic rivalry romantic misunderstandings |
| gptkbp:contains |
philosophical arguments
sonnets |
| gptkbp:created_by |
gptkb:John_Locke
|
| gptkbp:critical_reception |
mixed
mixed reviews mixed reviews in its time |
| gptkbp:cultural_impact |
remains a subject of study in literature courses
|
| gptkbp:cultural_references |
referenced in discussions of Elizabethan theatre
|
| gptkbp:cultural_significance |
reflects social norms of the time
early example of romantic comedy |
| gptkbp:dedicated_to |
gptkb:Charles_Cowden_Clarke
|
| gptkbp:discusses |
the nature of knowledge
|
| gptkbp:ends_at |
concludes with reconciliations
|
| gptkbp:first_performance |
1594
|
| gptkbp:follows |
gptkb:Endymion
|
| gptkbp:genre |
gptkb:musical
gptkb:philosopher gptkb:poet |
| gptkbp:historical_context |
reflects the values of the late 16th century
set in the Renaissance period |
| gptkbp:historical_significance |
important work in the canon of English literature
|
| https://www.w3.org/2000/01/rdf-schema#label |
The Supposes
|
| gptkbp:influence |
Elizabethan drama
influenced modern romantic comedies later comedies |
| gptkbp:influenced |
later poets
|
| gptkbp:influenced_artists |
influenced later playwrights like Shakespeare
|
| gptkbp:influenced_by |
gptkb:award
Rationalism |
| gptkbp:inspiration |
inspired by classical comedies
|
| gptkbp:inspired_by |
gptkb:mythological_figure
classical literature |
| gptkbp:is_available_in |
gptkb:printer
digital format |
| gptkbp:is_motivated_by |
characters motivated by love
characters motivated by social status |
| gptkbp:is_part_of |
Locke's larger body of work
|
| gptkbp:language |
English
features clever wordplay |
| gptkbp:music_style |
follows a five-act structure
part of the English Renaissance theatre |
| gptkbp:narrative_style |
characterized by elaborate language
|
| gptkbp:notable_character |
gptkb:Lysander
gptkb:Euphues gptkb:Philautus gptkb:Lysimachus gptkb:Celia |
| gptkbp:notable_for |
its exploration of hypothetical scenarios
|
| gptkbp:notable_performance |
often adapted for modern audiences
|
| gptkbp:notable_production |
performed by the Royal Shakespeare Company
|
| gptkbp:notable_quote |
“ All's fair in love and war.”
“ Deceit is the mother of all mischief.” “ Love is a sweet passion.” “ The heart knows what it wants.” “ To win her love, I must be true.” |
| gptkbp:notable_song |
gptkb:Ode_to_a_Nightingale
|
| gptkbp:official_language |
English
|
| gptkbp:page_count |
120
|
| gptkbp:performance |
performed at the Globe Theatre
often performed in a light-hearted manner performed at the court of Queen Elizabeth I |
| gptkbp:plot |
explores themes of love and friendship
involves mistaken identities involves comedic misunderstandings involves romantic entanglements |
| gptkbp:precedes |
gptkb:Lamia
|
| gptkbp:published_by |
1595
1597 1706 1817 |
| gptkbp:publisher |
gptkb:Richard_Jones
gptkb:John_Murray |
| gptkbp:related_works |
gptkb:Euphues:_The_Anatomy_of_Wit
|
| gptkbp:resolution |
love triumphs over obstacles
|
| gptkbp:role |
Euphues as the protagonist
Lysimachus as the romantic interest Philautus as the foil to Euphues |
| gptkbp:scholarly_analysis |
analyzed for its themes and characters
|
| gptkbp:setting |
gptkb:Borough
|
| gptkbp:style |
lyrical
rhetorical and elaborate language rhetorical and witty dialogue use of puns and wordplay |
| gptkbp:thematic_element |
explores the nature of reality
examines friendship dynamics questions the nature of love |
| gptkbp:theme |
gptkb:TV_series
gptkb:military_operation love |
| gptkbp:themes |
love
nature mortality |
| gptkbp:translated_into |
gptkb:French
gptkb:Spanish gptkb:Native_American_tribe |
| gptkbp:type |
gptkb:play
|