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gptkbp:instance_of
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gptkb:film
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gptkbp:bfsLayer
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3
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gptkbp:bfsParent
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gptkb:Duke
gptkb:Robert_Redford
gptkb:Marvin_Hamlisch
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gptkbp:awards
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gptkb:Academy_Award_for_Best_Director
gptkb:Academy_Award_for_Best_Original_Score
gptkb:Academy_Award_for_Best_Original_Screenplay
gptkb:Academy_Award_for_Best_Picture
gptkb:Best_Director
gptkb:Academy_Award_for_Best_Art_Direction
gptkb:Academy_Award_for_Best_Costume_Design
Best Original Screenplay
Best Picture
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gptkbp:based_on
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gptkb:The_Big_Con
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gptkbp:box_office
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$159 million
$159.6 million
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gptkbp:budget
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$5.5 million
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gptkbp:character
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gptkb:Johnny_Hooker
gptkb:The_Boss
gptkb:The_Client
gptkb:The_Friend
gptkb:The_Man
gptkb:The_Stranger
gptkb:The_Comic_Relief
gptkb:The_Hero
gptkb:The_Mentor
gptkb:The_Detective
gptkb:Henry_Gondorff
gptkb:Doyle_Lonnegan
gptkb:The_Twist
gptkb:The_Betrayal
gptkb:The_Kid
gptkb:The_Protagonist
gptkb:The_Enemy
gptkb:Ferguson
gptkb:The_Informant
gptkb:The_Witness
gptkb:The_Guide
gptkb:The_Confidant
The Victim
The Sidekick
The Rival
The Love Interest
The Antagonist
The Bystander
The Antihero
The Accomplice
The Partner
The Associate
The Rivalry
The Mark
The Con Man
The Foil
Lonnegan's henchman
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gptkbp:cinematography
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gptkb:Gordon_Willis
gptkb:Robert_Surtees
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gptkbp:color
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gptkb:Technicolor
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gptkbp:country
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gptkb:United_States
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gptkbp:critical_reception
|
Highly acclaimed
positive
widely acclaimed
considered a classic
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|
gptkbp:cultural_impact
|
influential
inspired video games
inspired numerous parodies
inspired books
inspired stage adaptations
inspired television shows
Influential in film history
Iconic con artist film
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gptkbp:cultural_references
|
gptkb:Brooklyn_Nine-Nine
gptkb:television_series
gptkb:Family_Guy
gptkb:The_Office
gptkb:Video_games
Various TV shows
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gptkbp:directed_by
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gptkb:George_Roy_Hill
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gptkbp:director
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gptkb:George_Roy_Hill
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gptkbp:distributor
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gptkb:Universal_Pictures
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gptkbp:edited_by
|
gptkb:Richard_Marks
gptkb:Richard_C._Meyer
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|
gptkbp:editor
|
gptkb:Richard_C._Meyer
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|
gptkbp:film_festival
|
gptkb:film_festival
gptkb:award
gptkb:CEO
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|
gptkbp:film_series
|
gptkb:CEO
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|
gptkbp:filmography
|
129 minutes
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gptkbp:followed_by
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gptkb:The_Sting_II
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gptkbp:follows
|
gptkb:Butch_Cassidy_and_the_Sundance_Kid
gptkb:The_Sting_II
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|
gptkbp:genre
|
gptkb:musical
gptkb:Police_Department
gptkb:High_School
gptkb:film
crime film
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|
gptkbp:home_media_release
|
gptkb:DJ
gptkb:collection
gptkb:film
|
|
https://www.w3.org/2000/01/rdf-schema#label
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The Sting
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gptkbp:influenced
|
Comedy films
Drama films
Heist films
heist films
Con artist films
con artist films
comedy-dramas
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|
gptkbp:influenced_by
|
gptkb:Butch_Cassidy_and_the_Sundance_Kid
gptkb:The_Italian_Job
gptkb:The_Hustler
gptkb:The_Spanish_Prisoner
gptkb:Catch_Me_If_You_Can
gptkb:The_Great_Train_Robbery
gptkb:The_Usual_Suspects
gptkb:The_Grifters
gptkb:Ocean's_Eleven
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|
gptkbp:inspiration
|
real-life con artists
Real-life con artists
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|
gptkbp:language
|
English
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|
gptkbp:legacy
|
Considered a classic
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|
gptkbp:music
|
gptkb:Marvin_Hamlisch
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gptkbp:music_by
|
gptkb:Marvin_Hamlisch
|
|
gptkbp:notable_quote
|
“ I’m not a crook.”
“ You’re not going to believe this.”
" You can't lose what you don't put in the middle."
“ The con is on.”
" It's all in the game."
" The con is the thing."
" You got to be careful. You can't trust anybody."
" You know, it's a funny thing about the world. It doesn't matter how much you have, it matters how much you can get away with."
“ You can’t con an honest man.”
“ You’re a real piece of work.”
“ You’re not gonna believe this.”
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gptkbp:parody
|
gptkb:television_series
gptkb:Family_Guy
|
|
gptkbp:premiere
|
gptkb:Borough
|
|
gptkbp:produced_by
|
gptkb:Julia_Phillips
gptkb:Michael_Phillips
|
|
gptkbp:production_company
|
gptkb:Universal_Pictures
|
|
gptkbp:rating
|
95% on Rotten Tomatoes
8.3/10 on IM Db
|
|
gptkbp:release_date
|
gptkb:December
gptkb:1973
1973-12-25
December 25, 1973
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|
gptkbp:release_format
|
Theatrical
theatrical
|
|
gptkbp:released
|
gptkb:1973
|
|
gptkbp:released_in
|
gptkb:1973
|
|
gptkbp:remake
|
gptkb:CEO
gptkb:The_Sting_II
|
|
gptkbp:runtime
|
129 minutes
|
|
gptkbp:screenplay_by
|
gptkb:David_S._Ward
|
|
gptkbp:sequel
|
gptkb:CEO
|
|
gptkbp:set_in
|
gptkb:Chicago
1936
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|
gptkbp:setting
|
1920s America
|
|
gptkbp:starring
|
gptkb:Robert_Shaw
gptkb:Paul_Leonard_Newman
gptkb:Robert_Redford
|
|
gptkbp:written_by
|
gptkb:David_S._Ward
|
|
gptkbp:year
|
1936
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